Native American Tales: Raven and the Shadow People

raven1

From The Thunder Bird Tootooch Legends – Sacred Texts

Presented below is a retelling of The Shadow People and the Raven, from The Thunder Bird Tootooch Legends, by W.L. Webber.

The Shadow People and the Raven

Raven flew down softly alighting on the beach. Taking off his wings and beak he became a man and walked along the strand.  It was a very hot and sunny day and his naked skin began to burn as he walked in the sunshine beside the sea. The beach was covered with shells and as he walked they scrunched underneath him cutting and bruising his feet. Raven made his way to the village to the lodge where the Shadow People lived

The Shadow People saw him coming and whispered among themselves,

“Careful, Raven is here!  

He who twists truths!

 He who is cunning is here!

Watch him, watch him, watch him!

Carefully!”

Raven entered the large shady lodge, glad to escape the burning sun and to rest his cut and wounded feet. Looking around he noticed with surprise how clean and orderly everything was and how everything had its place.  Hanging from the beams were salmon and halibut.  The roof planks had been left open for the smoke hole and light streamed in illuminating all the corners of the lodge.  Raven walked around the lodge and as he did so, he caught a quick glimpse of something from the corner of his eye.  He quickly looked around and but there was no one there.  He began snooping around just to see what he could see.

He saw lots of different kinds of food stored neatly on shelves around the lodge.  There were berries, nuts, roots and many other kinds of food. He was feeling hungry and seeing the red salmon hanging from the beams he took one down and as he did so out of the corner of his eye he thought he saw someone following him.  Turning quickly, he saw a shadow was following him everywhere he went but saw no person. Ignoring the follower he made his way over to the Chief’s beautifully carved cedar chest and sat down placing the fish beside him while he looked at his cut feet which were hurting him.

Reaching beside him for the salmon he found to his surprise that it was gone.  Thinking he must have been imagining things and had not picked it up after all, he went back and chose another.  While doing so he noticed again that a shadow was following close behind him all the time.

He thought this was very strange and mysterious and while he sat thinking about it he put the salmon down beside him to considered the matter.  After awhile he reached down beside him for the salmon, but it was gone, which he found very disconcerting. He tried a third and a fourth time but the same thing happened and all the time the shadow followed him.  Looking over to where the salmon were hanging he saw the ones he had taken were hanging in exactly the position when he had take them and still the shadow was beside him.

Raven began to lose his temper and tried to stamp and jump on the shadow but it jumped as he jumped and was quicker than him.  Then to his surprise someone he could not see said in a loud voice next to him,

“You look to be well fed,

What are you going to do?

Where will this lead you to?”

Whence the questions came,

Raven could not name.

Their bodies were not plain;

He gazed and looked in vain.

Sane or insane was he!

Afraid to wait and see,

He limped toward the door

But, moving as before,

His angry Shadow wriggled.

The others laughed and giggled.

Raven knew ’twas near.

“Something strange is here,

I’ll out, and quick away,

They’ll have no more to say.” (1)

Raven left the lodge and walked back through the village.  The villagers ignored him as if he was invisible but he knew they really saw him. To test them he walked over to where a group of children were playing, but still they appeared not to see him.  Raven found that no matter where he went and no matter what he did he could not escape from the shadow that followed him.

He came to a place where there were a number of strange wooden carvings and he sat down to try and think things over.  Was he cleverer than his own intelligence? Was he stronger than his own self? Would he always be followed by this shadow?

Raven rested until his feet were healed and then putting on his beak and wings assumed the shape of a bird.  Flying up into the bright, happy sky he felt free of these concerns. Whether Raven found the answers to all of his questions we do not know, but even now as he flies high in the sky his shadow follows his every move on Earth.

© 28/11/2018 zteve t evans

References, Attributions and Further Reading

Copyright November 28th, 2018 zteve t evans

(1) The Thunder Bird Tootooch Legends – Sacred Texts

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The Arthurian Realm: The Abductions of Guinevere

Coveting Guinevere

The theme of the abduction of Queen Guinevere runs throughout Arthurian tradition and is taken up by numerous medieval writers.  Caradoc of Llancarfan mentions it in his version of the Life of Gildas, as does Geoffrey of Monmouth, in Historia Regum Brittaniae, (History of the Kings of Britain).  The theme is also taken up by medieval French poets Chrétien de Troyes and Robert de Boron, and in the work of Sir Thomas Malory, Le Morte d’Arthur.   Here we look in brief at various versions of the abduction and then discuss ideas about how they may have been influenced by pagan elements and may be distant echoes of the dramas of ancient gods and goddesses before the arrival of Christianity.

Caradoc of Llancarfan

Probably one of the earliest examples of the abduction of Guinevere comes from The Life of Gildas, By Caradoc of Llancarfan (c.1130-1150).  Guinevere’s abductor is the evil King Melwas of the Summer Country, or Somerset. He may have been an early prototype for Chrétien de Troyes Méléagant, and Malory’s Meliagrance.   In this story Guinevere is abducted and violated and Arthur, who is referred to as a tyrant, spends an entire year seeking her out.  Finally learning she was being in held by King Melwas in Glastonia, or Glastonbury. He raises a vast army intending to free his wife but as the two sides were about to clash, the cleric, Gildas and the clergy step between them. Gildas persuaded the two kings to parley and negotiated that Guinevere be returned to Arthur in peace and goodwill preventing a bloody battle to free her.

Geoffrey of Monmouth

Geoffrey of Monmouth names Mordred, Arthur’s nephew and illegitimate son, as the villain who attempts to covet  Guinevere. Arthur had left Britain in Mordred’s stewardship while he went off fighting the Procurator of Rome, Lucius Hiberius, leaving Guinevere at home.   While he was out of the country with most of his army, Mordred seduced Guinevere and claimed the crown from Arthur forcing him to return to Britain and fight.  This culminated in the catastrophic Battle of Camlann where Mordred was killed and the badly wounded Arthur taken across the sea to Avalon to recover and the end of the Arthurian realm.

Chrétien de Troyes

In Lancelot, Le Chevalier de la Charrette, also known as Lancelot, the Knight of the Cart, by Chrétien de Troyes, Lancelot is the hero of the story who saves Guinevere from the Méléagant, the evil son of King Bagdemagus.  In this story he races to the rescue of Guinevere having a series of adventures along the way. These include having to suffer the indignity, for a knight, of riding in a horse and cart driven by a dwarf that was carrying criminals to their execution.  He then had to scramble over a sword bridge whose edge was turned upright and razor sharp. Although sustaining serious wounds crossing the bridge he was still ready to combat Méléagant, but Guinevere at the request of King Bagdemagus stopped the fight.

Later he was forced to fight Méléagant after the  badly wounded Sir Kay was accused of raping Guinevere while she slept.  Sir Kay was too bad wounded and had no strength available for such exertions and had been wrongly accused.  Blood had been found on her sheets and because he was laid recuperating in the same room as her, he was blamed.  In fact the blood was from Lancelot who had kept an illicit tryst with the queen and slept with her. Lancelot, knowing, but not admitting the truth, stepped in to fight and clear Sir Kay who was too weak to defend himself.

Malory’s, Le Morte d’Arthur

In Malory’s, Le Morte d’Arthur,  wehn the month of May came, Guinevere decided she would participate in the age old tradition of a-Maying in the woods and fields of Westminster.  Therefore, she set off with a party of ladies-in-waiting, along with servants and ten lightly armed Knights, who she insists wear all wear green. Sir Meliagrance, a name probably derived from the Méléagant in Chrétien de Troyes work,  had long lusted after the queen and with 160 men-at-arms attacked the small company. Although her knights fight valiantly they are lightly armed and hopelessly outnumbered. To prevent their slaying she agreed to surrender provided they are spared and remain by her side.  Meliagrance agrees but she manages to send a messenger boy to Lancelot telling of her abduction and requesting his aid.

On hearing the news Lancelot immediately set off in pursuit.  Meliagrance, realising he would follow, set a trap for him and archers killed his horse.  Lancelot was forced to hijack a horse and cart carrying wood for the fires of Meliagrance’s castle.  From this he was given the name, Knight of the Cart. On arrival at the castle gates he shout for Meliagrance demanding he come down and face him.  On learning Lancelot is at his gates Meliagrance begs Guinevere her forgiveness for his behaviour and begs that she protect him from the enraged knight.  She agrees and persuades Lancelot to put his sword away. Lancelot agrees and she leads him to the chamber where the ten knights are kept.

They are both so glad to see each other they agree on a secret midnight tryst. Lancelot appears at her window at midnight and Guinevere tells him she would prefer it if he was inside with her.  Although the window is barred Lancelot pulls the bars out cutting himself in the process and climbs in through the window. The two slept together that night and Lancelot stole away before Sunrise, replacing the bars of the window as he left.

The next morning Meliagrance seeing blood on the sheets of Guinevere’s bed accuses her of sleeping with one, or more, of her wounded knights.  Lancelot, without revealing the truth, challenges Meliagrance to a fight to clear the queen’s name. Meliagrance brings a charge of treason against Guinevere believing she had slept with one or more of the knights.  Although innocent of this accusation, Guinevere had slept with Lancelot which is not revealed to him, but he was not one of the individuals accused. The case is brought before King Arthur and he reluctantly agrees she must be burnt at the stake unless Lancelot proves her innocence by defeating Meliagrance. In the resulting duel Lancelot slays Meliagrance proving her innocence of the charges brought against her and freeing her.

Mordred’s Attempted Abduction

In Le Morte d’Arthur, Mordred, Arthur’s illegitimate son and nephew by his sister Morgause, covets Guinevere, but does not quite manage to abduct her.  Mordred lied to Guinevere telling her4 Arthur had been killed by Lancelot and claimed the throne for himself intending to marry her. Guinevere persuaded Mordred to  allow her to go to London so she could procure all the things a wedding needed but instead locked herself in the Tower of London with her entourage.  Although Mordred tried to persuade her to come out his efforts were cut short by the news that Arthur had arrived back in Britain with his army.  Consequently, he was forced to leave Guinevere and confront Arthur, resulting in his own death and Arthur being severely wounded and taken to Avalon.

Gods of the Round Table

Some scholars of Arthurian legend and romance see many of the stories of King Arthur and his knights, in legend and medieval romance, as being dramatizations of the adventures of Celtic gods and important natural events. They believe there was a special relationship between the king and the gods and the king and the land and to ensure the fertility of the land the king was wedded to the goddess of the land.

David Dom, in his book King Arthur and the Gods of the Round Table proposes that Arthur, Guinevere and the main companions of the Round Table to be a the distant and distorted memories of the old Celtic gods and Arthur is seen as representing a Solar God.  To complicate matters, these stories were overwritten, or influenced by various culture over time, including Roman, English, French and European medieval Christianity and modern thinking. It centers around the idea that Arthurian legends and stories originally were dramatizations of the deeds and adventures of ancient pagan gods with the King Arthur and the Knights of the Round Table making up the pantheon, being a part of it.

Pagan Origins

There is an intriguing idea that the stories of the abduction of Guinevere are echoes of earlier pagan traditions centered around the annual cycle of the seasons in Northern Europe. One of the ways this annual cycle may have been dramatized was in that the seasonal changes were due to the activities and adventures of the gods. In both Malory’s version and that  of Chrétien de Troyes, Guinevere is abducted in the spring, and in Malory’s it is while she is celebrating May Day, or Beltane, the time of the renewal of vegetation. Many scholars see this as evidence that the kidnapping was originally a season myth with Guinevere being a goddess and her abductor a god. In the original versions by Chrétien de Troyes , after being abducted Guinevere was take across water – an indication that she was leaving the Earthly world for the Otherworld – and her rescuers had to cross the water to reach her in that world.  After her rescue Guinevere and Lancelot became lovers which also happened in the spring, around Beltane.

This comes after the bleak barren days of winter and is seen to represent the marriage of the god and goddess heralding the end of the dark, bleak period of winter and the greatly looked forward to renewal of vegetation and fertility to the Earth.  In the Chrétien de Troyes version the entire episode takes place over one year, tying it further to the annual seasonal cycle. The abduction stories while only hinting at pagan influence on the surface have been heavily overwritten with Christian influences which tend to cover up the inherent pagan elements of the loves and romances of the gods.  To pursue this further it is worth taking a look at the annual cycle of seasons for Northern Europe and what follows is a very simplified version of one of the many versions

Winter

In winter the days are cold, dark and short.  Vegetation dies and crops do not grow and food becomes in short supply.   In some pagan northern European societies winter was thought of as the imprisonment of the eternally young, Earth goddess in the depths of the Earth by the aging winter solar god.  As winter progressed the power of the Sun god waned as the Sun rode low in the sky. As his power waned he became more like a malignant god of the underworld and feared the arrival of a young, potent Sun god who would steal the Earth goddess from him.  Desperate to preserve his own power and survive, he imprisoned the Earth goddess in the underworld to prevent anyone from stealing her. The imprisonment of the Earth Goddess resulted in a loss of fertility and renewal being withdrawn from the Earth, causing dramatic and disastrous consequences for humanity.

Spring

In spring the young Sun god arrives and takes a higher path across the sky providing longer days, more daylight and warmer weather.  His youth, strength and virility defeats and supplants the aging Sun god and frees the Earth goddess from imprisonment.  With a  more agreeable climate and the freeing of the goddess the Earth returns to life and seeds germinate, plants bud and grow and animals breed. The young Sun god takes the eternally young Earth goddess for his bride around the time of the festival of Beltane, commonly held on the 1st of May, or halfway between the March, or vernal equinox and the summer solstice, or midsummer,  when the Sun’s power is at its height.

Summer

As the  days grew longer and warmer, with the marriage of the Sun god and the Earth goddess the Earth is fertilized, plants grow and thrive and harvest time arrives which is the product of this marriage.  The young Sun god has reached the heights of his power at midsummer and the coming days will see his power decline.

Autumn

With the decline of power of the now aging Sun god there is a steadily decrease in sunlight and warmth, the days grow steadily shorter, vegetation begins to shrivel and die.  The cycle of the previous years repeats and slowly and inevitable the aging Sun god loses his strength, vigor and virility just as his predecessors had and just as those who come after him will.

Winter Returns

As his strength and potency diminish he appears lower in the sky, days become shorter and darker as winter sets in.  In a desperate attempt to keep his beautiful and eternally young wife he imprisons her in the underground. The Sun god reaches his lowest and weakest point at midwinter, or the Winter Solstice and is defeated by the young Sun god who frees and marries the Earth goddess.  This cycle must continue eternally to bring fertility, renewal and growth to the Earth.

In the version of the abduction of Guinevere by Chrétien de Troyes the drama was played out over one year with Meleagant, Guinevere’s abductor representing the doomed and aging Sun god and Lancelot the virile and potent, young Sun god.

Goddess of Sovereignty

There is also an idea that Guinevere was either an ancient Goddess of Sovereignty, or a representative of one.  A Goddess of Sovereignty was an aspect or servant of the Earth goddess, also known as the Earth Mother or Mother Earth and Goddess of the Land, in some cultures.

Those who follow this idea point to the fact that the story begins in May which is around the festival of Beltane.  It is at this time of year the everywhere is green and fertile and in celebration Malory tells how Queen Guinevere decides she will go a-Maying.  Those who see Arthurian characters as divinities, see Guinevere as representing a Goddess of Sovereignty that bestows the sovereignty of the land onto the King, who in this case is Arthur. As such his role is taking care of the land and inhabitants ensuring it remains fertile.  To do this she needs a strong, virile king but in these stories Arthur is usually portrayed as aging and losing power. Lancelot being the younger and more potent of the two may be seen by a Goddess of Sovereignty as an ideal replacement, but despite his love for Guinevere he remains loyal to Arthur not wanting the crown.

It may also be the case that simply being in possession of a representative of the goddess would be enough to give authority to the claim of kingship. This would make Guinevere a valuable prize for anyone who would be king and helps explain her numerous abductions, especially Mordred’s interest in her.  It also explain why, for the most, part Arthur appears reluctant to acknowledge, or deal with the situation of her affair with Lancelot until he is forced into it.

The affair with Lancelot may not have been about Guinevere’s alleged sexual promiscuity but more about her fulfilling her role as representing a Goddess of Sovereignty. Furthermore her abductions may not necessarily have been about love, lust or desire for her as a woman, but more about possessing the representative of the goddess. For all of that these are just ideas and theories and it is up to each person to decide what it means to them.

© 20/11/2018 zteve t evans

References, Attributions and Further Reading

Copyright November 20th, 2018 zteve t evans

The Legend of Nurse Maggie, The Crystal Palace and Old Father Rhine

Presented below is a retelling of a story called The Crystal Palace from, The Crystal Palace and Other Legends, by Marie H. Frary and Charles Maurice Stebbins

There was once a rather quaint old lady who was named Nurse Maggie by the children who lived in a village called Zurdof along the great River Rhine.  Nurse Maggie was very kindly and caring and was a very good nurse and was often called upon to care for the village children when they fell ill.   The children loved this because she would tell them the most wonderful stories of the olden days; of  bold knights and lovely ladies and the great castles they lived in. She told them stories of the nymphs of the wood and water and of fairies and elves, but the stories they liked the beast were the ones she told of old Father Rhine and what follows was one of their favorites.

One Dark, Wet, Night

The story begins one dark, wet,  night while Maggie was sat at home in her tiny cottage knitting before the fire. All of a sudden she heard a sharp knock at the door.  Putting her knitting on the table she went to the door to see who was rapping upon her door.  Opening it she found a very strange man carrying a lantern of peculiar design and pattern.  He did not say a word but instead beckoned to her to follow him, but Maggie hesitated.  Outside the rain was pouring down and the road was littered with puddles deep and wide, but that was not the reason for her hesitation.  The reason was because the man was a stranger and she had never seen anyone like him before in her life.

Seeing her hesitate and understanding her wariness, the stranger smiled kindly upon her, easing her anxiety and again he beckoned to her to follow him.  This time she followed him of the warmth and shelter of her cottage and down the dark street that led to the River Rhine. Along the way she paddling through puddles that became deeper and deeper.  Suddenly water began to flow all around her and she began to panic, but the stranger beckoned her on.

“Sir,” she said, “I cannot go on!  What kind of a man are you and what do you want of me, this of all nights?”

The River Rhine

The stranger said nothing, instead he scooped her up into his arms and plunged forward into the River Rhine which had burst its banks.  Its waters were rose fast swirling all around poor, terrified Maggie who was now carried in the arms of the stranger.   Down into the swirling water he took her, down, down and deeper than down, through the cold, dark, water he carried her.  She closed her eyes and prayed for surely this was her end and stopped her struggling giving into the overwhelming force of the water.  Down the stranger carried her and Maggie wondered why she had not drowned and after what seemed like age they came through the water and she found herself in the most marvelous crystal palace.

The Crystal Palace

Mighty relieved at finding herself out of the cold water Maggie gazed around her and was awestruck at what she saw.  All around her were walls of pure crystal imbedded with precious stones and gems. A massive, magnificent, crystal dome arched over her head and she saw she was in an enormous crystal palace. Above and around it flowed the cold, dark waters of the mighty Rhine. All around were ornaments and artifacts of  gold and silver and then she spied, laid upon a bed of pure crystal with silk coverings a most lovely golden-haired nymph. She looked very pale, very weak and very ill and yet had fragile kind of beauty and the kind heart of Maggie reached out to her knowing she was close to death.

Nursing the Nymph

The strange old man turned to Maggie and said,  “I know you are an excellent nurse and this is my beautiful wife, who is very ill as you can see.  I have bought you here to my crystal palace in the hope that you will agree to nurse her back to health.  If you agree and bring her back to health, I will reward you so well you shall never regret it.”

Maggie looked upon the poor wan nymph and was touched by how beautiful she looked and as compassion rose in her heart she instantly agreed.   Maggie nursed her so carefully and diligently that her charge soon began to improve in health and gain strength and soon she was well and whole again.

When she became strong enough to talk, the nymph told her that her husband was, in fact, the water god that people called Old Father Rhine.  She explained that she had once lived on earth and that her father was King Rheidt and told her the story of how she had met her husband.

The Dance

One day she was at a dance held in a village alongside the Rhine, when a strange old man wearing clothes of foamy green had asked her to dance.  Being someone who is polite and friendly she had agreed. He took her round and round the dance floor, faster and faster with each turn, until finally they danced alongside the river and they had plunged into it.  Taking her in his arms, he took her down, down deeper than down, to his crystal palace. There they fell in love and had married and lived happily together ever since.  

Then she said,  “With your kindness, compassion and skill you have nursed me back to health and I thank you for that, but soon it will be time for you to return to earth.  When it is time Father Rhine will offer to reward you most generously, but only accept from him your normal fee. He will offer try to persuade you to accept far greater reward but you must insist he only pay you your normal charge.   Father Rhine detests greedy money-grabbing people, but loves those who are generous and sincere and he will remember you.”

Maggie’s Reward

As she finished talking Father Rhine came into the room and seeing his wife healthy and once again in full bloom asked Maggie to follow him.  She followed him through many wonderful halls of the crystal palace until they came to a vast room filled with all kinds of treasure. There were piles of gold and silver, diamonds, emeralds and rubies and precious gems of all kinds.  The river god was grateful to old Maggie for nursing his beautiful wife back to health and he implored her to take whatever she wanted from the treasure. As she gazed at all the wonderful treasures before her eyes he watched thoughtfully waiting to see what she would select.

Maggie gazed upon the treasure and it filled her eyes.  She thought just how much good she could do if she only had a fraction of that glittering hoard and after all she had earned a reward for saving the life of his wife.  Then she thought of all the people she had heard of who had let greed enter their rule their hearts and rule them.  

Stooping down she select a small item of the value she would have charged for her normal fee.  Old Father Rhine urged her to take more, but she firmly and most courteously refused. She told him nursing was her gift from god and it was her duty to help others with that gift.  Therefore, seeing his wife whole and healthy was for her the greatest gift possible.

Nurse Maggie

The river god nodded and took her by the hand and led her along a long, dark, corridor and she found herself in cold swirling water, but he took her up in his arms and swam up through the water and gently placed her on the bank of the Rhine near her own dear cottage.  As he turned to say goodbye, he placed a handful of gold coins into her lap and dived into the swirling waters and was gone. Ever since Nurse Maggie has continued to nurse the sick people, especially the children, of her village back to health. All her patients – especially the children – love her tell them the story of Old Father Rhine and how she nursed his wife in the crystal palace under the waters of the mighty River Rhine.

© 13/11/2018 zteve t evans

References, Attributions and Further Reading

Copyright November 13th, 2018 zteve t evans

 

 

Beowulf’s Last Battle: The Great Flame Dragon

This article was first published on #FolkloreThursday.com as British Legends: Beowulf and the Great Flame Dragon by zteve t evans on 26/07/2018

Role Model

Beowulf is an anonymously written long poem originally written in Old English, the language commonly spoken in England in Anglo-Saxon times. It is named after its protagonist, Beowulf, a warrior from Geatland, and tells of his heroic adventures, great strength, courage, and prowess in battle. As well as providing an exciting story, its hero displays all the desired virtues of the Anglo-Saxon aristocracy and warrior class in which it is set, making Beowulf a role model and inspiration for others of the time to follow. The main events of the poem tell how he defeated two monstrous beings, and ends with a battle with a flame dragon that costs him his life.

Beowulf and JRR Tolkien

The poem has influenced many modern works such as The Hobbit, or There and Back Again, and The Lord of the Rings by J.R.R. Tolkien. Fans of Tolkien will recognise many of the motifs and themes in the poem. In 1936, Tolkien gave a distinguished lecture,“Beowulf: The Monsters and the Critics“ which was published in the journal Proceedings of the British Academy and a translation of the poem “Beowulf” was published posthumously. The underlying theme of the poem was the mortality of humankind and the struggle to live in an unsympathetic and often unfriendly world, which inevitably brings defeat and death in due time regardless of fame, status, and achievement. There are many different versions that have been made of the story by many different writers. Presented here is a retelling from the poem of Beowulf’s battle with the flame dragon and his death, influenced by various sources listed below.

Grendel and his Monstrous Mother

In his youth, Beowulf set out leading a company of young men to Denmark to slay the monstrous being called Grendel. Beowulf encountered Grendel in the great hall of King Hrothgar, and successfully defeated and mortally wounded him. Grendel escaped to the lair he shares with his mother at the bottom of a lake and dies. His mother, seeking vengeance, returned to the hall and killed one of King Hrothgar’s earls. Beowulf tracked her back to the lake and, entering the water, sank to the bottom where he found a cave which is the lair of the two monstrous beings. There he fought and killed Grendel’s mother and cut off Grendel’s head, returning with it to the surface as proof of his victory. For slaying the monsters, Beowulf won great praise and was richly rewarded by King Hrothgar of Denmark. Returning to his homeland of Geatland, he was welcomed by King Hygelac, his uncle, who proclaimed him the greatest warrior in the north lands. Songs and stories were made of his encounter with Grendel and his monstrous mother, and his fame spread far and wide.

Beowulf is Crowned King

After King Hygelac was killed in battle and death took his son and heir, Beowulf was crowned King of Geatland.  Beowulf’s rule was long and happy and the country prospered. With age, Beowulf grew wiser and more dignified and his people loved him and looked up to him. Despite his fame and past success, he yearned for a chance to once again prove himself in some test of strength and courage. He had won many battles, but nothing appeared to match the slaying of Grendel and his monstrous mother, and he grew restless.

One dark, cold winter’s night, as Beowulf sat in his great mead hall with his earls about him, there came a frantic knocking at the door. On opening the door, the doorkeeper found a ragged stranger, begging to be taken to the king. The man was poorly dressed for a cold winter’s night, and what he did wear was torn and dirty. Not liking the look of the man the doorkeeper forbade him entry. Wiglaf, the son of Weohstan, one of the king’s most faithful earls, came over to see what was happening. On seeing the state of the man and the terrified look upon his face, he spoke to him saying:

“Welcome stranger, the night is bitter and I see you shiver.  I know not whether you shiver from the cold or some unknown terror, for I see fear in your face and eyes. Whatever the cause tell us your name and come in and eat and drink with us and explain yourself to our king.”

The Stranger’s Tale

The stranger became confused and his head jerked this way and that. Wiglaf, thinking the man was refusing to say his name and rejecting the hospitality offered, dragged him before the king saying:

“Sire, this man comes knocking at your door this bitter winter night and refuses to say his name and refuses our hospitality. Therefore, I bring him to answer in person to you. What would you have me do with him?”

Beowulf leaned forward and set his keen blue eyes upon him and, looking kindly upon the shivering, ragged stranger, said:

“Come now man, have no fear. No one will harm you here. Tell us your name and why you come knocking at the door of my mead hall on this cold night.”

The stranger knelt before Beowulf and said in a trembling voice:

“Sire, I have no name and I have no home, and because of this, these last few days I took to wandering in the wilds in search of a place I could shelter through the winter. This morning I found a great barrow, and seeking shelter I found an entrance that turned into a long tunnel. The tunnel at least offered the potential of shelter, so I followed it until I entered a great wide and high space and found it lit by some unknown light. Looking about I was amazed to see piled all around the sides masses and masses of gold and silver artifacts and many, many chests of precious jewels of all kinds and colors. Indeed, the worth of all this treasure must be beyond measure. Then I realized the light was coming from a sleeping dragon that glowed in the dark, lighting up the cave, and in terror I ran back the way I had come.”

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