The Arthurian Realm: Morgan le Fay – Healer, Witch and the Woman Question.

This article was first published on #FolkloreThursday.com on November 29, 2018, titled British Legends: Morgan le Fay – Magical Healer or Renegade Witch? written by zteve t evans

Introducing  Morgan

In Arthurian tradition, the elusive sorceress Morgan le Fay becomes one of King Arthur’s most dangerous foes, breaking traditional family bonds and working to undermine and bring down the strict patriarchal system and chivalric order of the Arthurian world. Morgan is an enigma: despite attempting to kill King Arthur and usurp his kingdom, she takes him into her care after he is severely wounded by Mordred in the battle of Camlann, which brings an end to his kingdom. This work draws mostly from Geoffrey of Monmouth’s Vita Merlini, and Historia regum Britanniae (The History of the Kings of Britain) and Sir Thomas Mallory’s Le Morte D’Arthur, with influences from other texts, and looks at how Morgan’s character changes from benevolent, to malignant and then back to benevolent. To do this, we look at her early life, how she used Arthur’s famous sword Excalibur against him and stole its scabbard, and the disaster this would cause. This is followed by a discussion on two important topics that had a considerable influence on medieval society: the Querelle des Femmes or The Woman Question, and witchcraft, before concluding with Morgan’s return to Avalon.

As Ruler of Avalon

Geoffrey of Monmouth introduces Morgan into Arthurian literature in Vita Merlini, as ‘Morgen’, presenting her as the leader of nine benevolent sisters that rule the island of Avalon. She is the most beautiful, the most knowledgeable and the most powerful of the sisters. As well as being a skilled healer, she can fly or transport herself at will from place to place, and she has shape-shifting abilities.

It is not clear whether these ‘sisters’ are family, or members of some kind of religious or mystical order. In the work of some later writers, she becomes either the step-sister or full elder sister of King Arthur, but a radical change happens with her character. As Arthur’s elder sister, she breaks the traditional bond of love between brother and sister and the nurturing role so often associated with the elder sister towards their younger brother. Furthermore, instead of the wise and benevolent sorceress, she evolves into a malign, sexual predator, hating her brother and his wife Queen Guinevere, and forsakes her place at the center of the Arthurian establishment, moving to its periphery and becoming a renegade attacking the established order. She targets the Knights of the Round Table, especially Sir Lancelot, weaving dark spells and plots to trap them. Eventually, she becomes nothing less than an enemy of the state and, arguably, its most dangerous adversary, until Mordred emerges to usurp the crown, resulting in the battle of Camlann.

Morgan’s Early Life

In Historia Regum Britanniae, Geoffrey of Monmouth makes Morgan the youngest daughter of Gorlois, Duke of Cornwall, and his wife Igraine. When the King of the Britons, Uther Pendragon, first set eyes on Igraine, he became wildly infatuated with her. Unable to contain his lust, he attacked Cornwall to take Igraine for himself. Gorlois sent his wife to his safest stronghold of Tintagel while he confronted Uther’s troops in battle. While the military confrontation took place, Merlin, using his magical arts, transformed Uther into the likeness of Gorlois to allow him to gain access to Igraine at Tintagel. The guards, believing it was Gorlois, let him enter the stronghold. Believing he was her husband, Igraine lay with him, and that night Arthur was conceived.

While this was taking place, Gorlois was killed battling Uther’s army. After satisfying his lust, Uther returned to his troops and, on learning of the death of the duke, took Igraine to be his wife. He married her eldest daughter, Morgause, to King Lot of Lothian and the next eldest, Elaine, to King Nentres of Garlot. Morgan was the youngest and he sent her to a nunnery.

Morgan hated Uther because she knew what had happened the night her father died, and deeply resented Arthur as the product of his lust. At the nunnery, she was introduced to astrology, the dark arts of necromancy and the skills of healing, becoming highly adept in this field. As her skill and knowledge grew, people began to call her Morgan le Fay in acknowledgement of her abilities. Eventually, she joined Arthur’s court and became a lady in waiting to Queen Guinevere.

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The Arthurian Realm: The Quest for the Sangreal

The Sangreal

In Arthurian romance the mystical, magical quest of the Sangreal is a popular story that has its roots in medieval times, though its seeds may be from much earlier.  It uses allegories to blend together pagan motifs, Christian tradition and political and social concerns of the day into a story of spiritual evolution for the main protagonists who must remain true to the quest.  The Sangreal is another name for the Holy Grail which eventually became conflated with the Holy Chalice.  There are several other versions of its name and in different stories it has appeared in different forms such as stone or wood, or as a cup or dish. The earliest of these romances was Le Conte du Graal by Chrétien de Troyes who died before it was finished but was added to later by other poets.  Other authors also created versions of the story such as Le Roman du Graal, Joseph d’Arimathe, Merlin, and Perceval by Robert de Boron, the Vulgate Cycle, whose authorship is disputed and Parzival, by Wolfram von Eschenbach.  Later, Sir Thomas Malory wrote Le Morte D’Arthur, blending together Arthurian and grail tradition, and it is from this that the greatly summarised version of the tale below draws the most.

Origin of the Sangreal

In this allegorical story set in the time of King Arthur, the Sangreal was the cup that Jesus Christ drank from at the last supper, and the Sacred Spear was the one Longinus, the Roman soldier, used to pierce his side during his crucifixion.  Joseph of Arimathea brought them to Britain and his descendants, the Grail Kings of Castle Corbenic were granted guardianship on condition that each guardian lived a life of purity in deed and thought, dedicated to Jesus Christ.  For many ages, the Sangreal remained a visible, tangible object — alongside the Sacred Spear — that pilgrims came from far and wide to pray before.

Over time, one of its guardians allowed the moral standards that behoved his role to slip, and sought forbidden love. The Sacred Spear punished his weakness, inflicting a wound to his groin that could not be healed, leaving the king maimed and kept alive only by the power of the Sangreal; after this, the Sangreal and Sacred Spear were hidden from the people’s eyes.  In those days the fertility of the land was linked to that of the king, and his realm became a barren wasteland until the time came when he would be healed by the purest knight in the world.

Merlin’s Message

At Camelot, Merlin had not been seen for some time and, worried at his absence, King Arthur sent out knights to find him.  Sir Gawain went out searching, and while travelling through the forest of Brocéliande he heard the sound of someone groaning. Following the sound, he found a column of dense mist that he could not penetrate.  From the mist came the voice of Merlin who revealed that his mistress, Viviane — the Lady of the Lake — had imprisoned him there for all time.  He instructed Gawain to return to King Arthur and tell him of his plight. Yet, emphasizing that nothing could be done to save him, he gave an important message to relay:

“Tell Arthur a great event is now unfolding. The knight is born and ready to begin and accomplish this task for the good of the land and its people.  Now is the time of the quest of the Sangreal.”

Gawain quickly returned and delivered the message to King Arthur, who grieved for his old friend as he turned over the message in his mind.

Pentecost at Camelot

It was the custom of King Arthur to celebrate the feast of Pentecost with all his knights around the Round Table.  Each of the knights had their own seat at the Round Table with their name inscribed upon it, and there was one vacant seat known as the Siege Perilous. As the feast was about to begin a squire brought news that in a nearby river there was a red slab of marble that floated on the water.  King Arthur led his knights to the river to investigate. Fixed firmly within this slab, as if it had been driven in, was a sword upon which was inscribed the following words,

“Never shall I be drawn forth except by he who is the perfect knight and at his side, I will hang.”

Sir Gawain tried to draw the sword but failed, as did Sir Percival and many others, but none could free it.

The Quest of the Sangreal

Having investigated, they returned to the Round Table to eat. While they were eating the windows and doors all suddenly slammed shut.  The candles flickered, went out and then came back on again, and stood before them appeared a very old holy man accompanied by Galahad, the son of Sir Lancelot.  The holy man led Galahad to the Siege Perilous and seated him there.  They watched in awe as the lettering on the seat changed magically to read, Galahad.   King Arthur led Sir Galahad to the floating slab of marble and he easily withdrew the sword to the wonder of all.

Arthur and his knights returned to their feasting and again, the candles suddenly dimmed and there was a peal of thunder.  A ray of light shone down and in the middle of the Round Table there appeared the glowing Sangreal veiled in white silk. Inspired by this miraculous event, Sir Gawain declared he would not rest, day or night, for one year and a day, until he saw the Sangreal fully unveiled.  Arthur remembered the message of Merlin and was full of disquiet.  He knew the others would follow his example and realized there was every chance some would die on that quest, or not return.  In the early days of summer, as one hundred and fifty knights rode from Camelot on the quest of the Sangreal, King Arthur wept, knowing the world had changed forever.

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The Arthurian Realm: The Divine Role of Guinevere

This article was first published on #FolkloreThursday.com on 23/08/2018, under the title British Legends: The Divine Tragedy of Guinevere, written by by zteve t evans

Guinevere Goes a-Maying

The story began one day in the month of May, when Guinevere called together ten Knights of the Round Table. She told them they would accompany her and ten of her ladies in the traditional seasonal activity of Maying, in place of her own elite guards known as the Queen’s Knights, who usually accompanied her everywhere. In celebration of the season and to enter into the spirit of the celebration, she insisted they leave behind their armour and wear green clothing and bear only light arms. Therefore, bright and early the next morning, the party set off to go a-Maying in the woods and fields around Westminster.

The Malice of Sir Meliagrance

An evil knight named Meliagrance had a castle several miles from Westminster, and he had loved Guinevere since the first day he set eyes on her. He never dared to show this love for fear of Sir Lancelot, who was always near her. On this bright May morning, away from the security of the Royal Court, accompanied by only ten lightly armed knights, and with Sir Lancelot now absent, he saw his chance. He quickly mustered twenty of his own men-at-arms and one hundred archers to aid him in the abduction of Queen Guinevere.

Ambush

Guinevere and her party joyfully entertained themselves fully in the ancient custom, adorning themselves and each other with flowers, leaves, mosses, and herbs. They were all relaxed and enjoying the traditional activity so they were easily caught unawares when Meliagrance with his men came out of the woods and surrounded the happy company. Aggressively, he demanded that Guinevere should be given to him, or he would take her by force. The ten lightly armed knights, without a shields, or armour, were not prepared to allow the queen to be taken easily and vowed to fight to the death to defend her. Meliagrance sternly told them, “Prepare with what weapons you have, for I will have the queen!”

The defenders placed themselves in a ring around the queen and drew their swords. Meliagrance gave the order, and his knights charged on horseback. Despite being vastly outnumbered, the ten knights defended the queen ferociously. After long and fierce fighting, six of the queen’s defenders were too badly wounded to fight on, but four were unhurt and still defiantly defended the queen, until they too were wounded but fought on bravely.

Guinevere Surrenders

Seeing her valiant knights so badly hurt and to prevent their slaying, Guinevere ordered them to lay down their arms on condition they would not be slain and that she and they would remain together no matter what. Meliagrance agreed on the condition they did not try to escape and contact Sir Lancelot.

While Meliagrance was attending to his own wounded knights, Guinevere sent one of her youngest servants on a swift horse to find Sir Lancelot and tell him of her plight. On hearing the news, Sir Lancelot, in fear and alarm for the safety of the queen, called for his horse, his armour, and his weapons. Then he asked the servant to go to his friend, Sir Lavaine and tell him the news of the queen’s abduction and ask him to follow him to the castle of Meliagrance without delay.

The Knight of the Cart

Lancelot rode swiftly over Westminster Bridge and, making his horse swim the Thames at Lambeth, he soon came to the place where Sir Meliagrance had abducted the queen and her knights. Then he followed the tracks through woodlands, where he was waylaid by the archers of Sir Meliagrance who rained arrows down on him and slayed his horse. Having no other choice than carrying his armour, weapons, and shield, he set out on foot to the castle of Meliagrance.

As he walked he was overtaken by a horse and cart carrying a driver, and his assistant that was carrying wood to the castle of Meliagrance. The driver refused his request for a ride, so to avoid further delay Sir Lancelot commandeered the cart. He knocked the driver from his seat and forced his assistant to drive him with all speed to his intended destination. From his manner of arrival at the castle, Sir Lancelot was given the name “The Knight of the Cart,” and jumping from it cried out, “Sir Meliagrance, traitor Knight of the Round Table, where are you? I, Sir Lancelot du Lac challenge you! Come, face me and bring who you will, for I will fight you to the death!”

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The Arthurian Realm: The Romance of Tristan and Isolde

This article was first published on #FolkloreThursday.com as British Legends: The Tragic Romance of Tristan and Isolde on September 27, 2018 by zteve t evans.

The Romance of Tristan and Isolde

The tale of Tristan and Isolde became a popular Arthurian tale during the 12th century, though it is believed to go back much further, having connections to Celtic legends. It is a tragic romance that tells of the adulterous relationship between Tristan, and Isolde, the wife of Tristan’s uncle, King Mark of Cornwall, making a classic love triangle that sooner or later must be broken by death. In many ways it mirrors the love triangle of Lancelot, Guinevere and King Arthur, though it is believed to be older. The spelling of the names and the names of some characters vary and there are many different versions, but all hold to the same basic structure and story-line. Presented here is a shortened version of their story created from the sources below.

Tristan and King Mark

Tristan was the son of the King Meliadus and Queen Isabella of Lyonesse, but sadly, his mother died giving birth to him. Meliadus loved his son greatly but remarried an evil woman who was jealous of his affections and plotted to kill the boy. Tristan had a devoted servant named Gouvernail, who becoming aware of the plot, took him over the sea to the court of the King of France where he was given sanctuary. As the years passed, Gouvernail sought a place where Tristan could complete his education and took him to the court of King Mark of Cornwall. King Mark was Tristan’s uncle and welcomed him and educated him in all of the knightly manners and fighting skills, at which he soon excelled.

Each year King Mark was obliged to pay tribute to King Argius and Queen Isolde, the rulers of Ireland. To collect this payment, they sent their strongest and most feared knight, Moraunt, the brother of Queen Isolde. Tristan went to his uncle, offering to fight Moraunt if he could be fully knighted. King Mark was very fond of Tristan and feared for him, but his nephew persisted until he reluctantly agreed, and Tristan challenged Moraunt to a duel to the death. After being wounded in the thigh, Moraunt told Tristan his sword was smeared with a deadly toxin and the only one who could save him was his sister, Queen Isolde, who was a skilled healer. In reply, Tristan struck a blow to Moraunt’s head, incapacitating him and notching his own sword in the process.

The servants of Moraunt carried him back to his sister but he died on the way. When his body was finally brought home, his sister found a splinter from Tristan’s sword embedded in his skull. Removing it, she studied it carefully and kept it.

Healing in Ireland

For Tristan, the initial wound was not that bad but the poison was now spreading through his body and the best healers could not find a cure. He decided to seek out Queen Isolde hoping she would heal him. Arriving at the Irish court, and aware of the queen’s relationship with Moraunt, he told them his name was Trantis. Not knowing his true identity, Queen Isolde agreed to heal him, and using special herbal baths and potions she gradually began restoring him to health.

The King and Queen of Ireland had a beautiful daughter, who they had named after her mother. She was known as Princess Isolde the Fair. While Tristan was there, they held a tournament and a knight named Sir Palamedes won the honors on the first day. On seeing Princess Isolde for the first time, he was so smitten he could not take his eyes off her, making no secret of his feelings. Seeing this, Tristan grew jealous and decided he would enter the competition the next day despite still not being fully fit.

In every fight he was victorious and when he fought Sir Palamedes he defeated him and was named champion. Despite Tristan’s triumph, the extraordinary physical effort caused his wound to open and he began to bleed profusely. Princess Isolde took over his care and nursed him back to health, growing to love him more and more every day.

One day while cleaning Tristan’s sword, a servant noticed that it was notched. He had been present when Queen Isolde removed the metal splinter from the head of Moraunt and took the sword to her knowing she still had the splinter. On examination, she found it fitted perfectly together and realized that this was the weapon that had killed her brother. She took the sword and the splinter to the King and, telling him of her suspicions, demanded the death penalty for Tristan.

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The Arthurian Realm: The Abductions of Guinevere

Coveting Guinevere

The theme of the abduction of Queen Guinevere runs throughout Arthurian tradition and is taken up by numerous medieval writers.  Caradoc of Llancarfan mentions it in his version of the Life of Gildas, as does Geoffrey of Monmouth, in Historia Regum Brittaniae, (History of the Kings of Britain).  The theme is also taken up by medieval French poets Chrétien de Troyes and Robert de Boron, and in the work of Sir Thomas Malory, Le Morte d’Arthur.   Here we look in brief at various versions of the abduction and then discuss ideas about how they may have been influenced by pagan elements and may be distant echoes of the dramas of ancient gods and goddesses before the arrival of Christianity.

Caradoc of Llancarfan

Probably one of the earliest examples of the abduction of Guinevere comes from The Life of Gildas, By Caradoc of Llancarfan (c.1130-1150).  Guinevere’s abductor is the evil King Melwas of the Summer Country, or Somerset. He may have been an early prototype for Chrétien de Troyes Méléagant, and Malory’s Meliagrance.   In this story Guinevere is abducted and violated and Arthur, who is referred to as a tyrant, spends an entire year seeking her out.  Finally learning she was being in held by King Melwas in Glastonia, or Glastonbury. He raises a vast army intending to free his wife but as the two sides were about to clash, the cleric, Gildas and the clergy step between them. Gildas persuaded the two kings to parley and negotiated that Guinevere be returned to Arthur in peace and goodwill preventing a bloody battle to free her.

Geoffrey of Monmouth

Geoffrey of Monmouth names Mordred, Arthur’s nephew and illegitimate son, as the villain who attempts to covet  Guinevere. Arthur had left Britain in Mordred’s stewardship while he went off fighting the Procurator of Rome, Lucius Hiberius, leaving Guinevere at home.   While he was out of the country with most of his army, Mordred seduced Guinevere and claimed the crown from Arthur forcing him to return to Britain and fight.  This culminated in the catastrophic Battle of Camlann where Mordred was killed and the badly wounded Arthur taken across the sea to Avalon to recover and the end of the Arthurian realm.

Chrétien de Troyes

In Lancelot, Le Chevalier de la Charrette, also known as Lancelot, the Knight of the Cart, by Chrétien de Troyes, Lancelot is the hero of the story who saves Guinevere from the Méléagant, the evil son of King Bagdemagus.  In this story he races to the rescue of Guinevere having a series of adventures along the way. These include having to suffer the indignity, for a knight, of riding in a horse and cart driven by a dwarf that was carrying criminals to their execution.  He then had to scramble over a sword bridge whose edge was turned upright and razor sharp. Although sustaining serious wounds crossing the bridge he was still ready to combat Méléagant, but Guinevere at the request of King Bagdemagus stopped the fight.

Later he was forced to fight Méléagant after the  badly wounded Sir Kay was accused of raping Guinevere while she slept.  Sir Kay was too bad wounded and had no strength available for such exertions and had been wrongly accused.  Blood had been found on her sheets and because he was laid recuperating in the same room as her, he was blamed.  In fact the blood was from Lancelot who had kept an illicit tryst with the queen and slept with her. Lancelot, knowing, but not admitting the truth, stepped in to fight and clear Sir Kay who was too weak to defend himself.

Malory’s, Le Morte d’Arthur

In Malory’s, Le Morte d’Arthur,  wehn the month of May came, Guinevere decided she would participate in the age old tradition of a-Maying in the woods and fields of Westminster.  Therefore, she set off with a party of ladies-in-waiting, along with servants and ten lightly armed Knights, who she insists wear all wear green. Sir Meliagrance, a name probably derived from the Méléagant in Chrétien de Troyes work,  had long lusted after the queen and with 160 men-at-arms attacked the small company. Although her knights fight valiantly they are lightly armed and hopelessly outnumbered. To prevent their slaying she agreed to surrender provided they are spared and remain by her side.  Meliagrance agrees but she manages to send a messenger boy to Lancelot telling of her abduction and requesting his aid.

On hearing the news Lancelot immediately set off in pursuit.  Meliagrance, realising he would follow, set a trap for him and archers killed his horse.  Lancelot was forced to hijack a horse and cart carrying wood for the fires of Meliagrance’s castle.  From this he was given the name, Knight of the Cart. On arrival at the castle gates he shout for Meliagrance demanding he come down and face him.  On learning Lancelot is at his gates Meliagrance begs Guinevere her forgiveness for his behaviour and begs that she protect him from the enraged knight.  She agrees and persuades Lancelot to put his sword away. Lancelot agrees and she leads him to the chamber where the ten knights are kept.

They are both so glad to see each other they agree on a secret midnight tryst. Lancelot appears at her window at midnight and Guinevere tells him she would prefer it if he was inside with her.  Although the window is barred Lancelot pulls the bars out cutting himself in the process and climbs in through the window. The two slept together that night and Lancelot stole away before Sunrise, replacing the bars of the window as he left.

The next morning Meliagrance seeing blood on the sheets of Guinevere’s bed accuses her of sleeping with one, or more, of her wounded knights.  Lancelot, without revealing the truth, challenges Meliagrance to a fight to clear the queen’s name. Meliagrance brings a charge of treason against Guinevere believing she had slept with one or more of the knights.  Although innocent of this accusation, Guinevere had slept with Lancelot which is not revealed to him, but he was not one of the individuals accused. The case is brought before King Arthur and he reluctantly agrees she must be burnt at the stake unless Lancelot proves her innocence by defeating Meliagrance. In the resulting duel Lancelot slays Meliagrance proving her innocence of the charges brought against her and freeing her.

Mordred’s Attempted Abduction

In Le Morte d’Arthur, Mordred, Arthur’s illegitimate son and nephew by his sister Morgause, covets Guinevere, but does not quite manage to abduct her.  Mordred lied to Guinevere telling her4 Arthur had been killed by Lancelot and claimed the throne for himself intending to marry her. Guinevere persuaded Mordred to  allow her to go to London so she could procure all the things a wedding needed but instead locked herself in the Tower of London with her entourage.  Although Mordred tried to persuade her to come out his efforts were cut short by the news that Arthur had arrived back in Britain with his army.  Consequently, he was forced to leave Guinevere and confront Arthur, resulting in his own death and Arthur being severely wounded and taken to Avalon.

Gods of the Round Table

Some scholars of Arthurian legend and romance see many of the stories of King Arthur and his knights, in legend and medieval romance, as being dramatizations of the adventures of Celtic gods and important natural events. They believe there was a special relationship between the king and the gods and the king and the land and to ensure the fertility of the land the king was wedded to the goddess of the land.

David Dom, in his book King Arthur and the Gods of the Round Table proposes that Arthur, Guinevere and the main companions of the Round Table to be a the distant and distorted memories of the old Celtic gods and Arthur is seen as representing a Solar God.  To complicate matters, these stories were overwritten, or influenced by various culture over time, including Roman, English, French and European medieval Christianity and modern thinking. It centers around the idea that Arthurian legends and stories originally were dramatizations of the deeds and adventures of ancient pagan gods with the King Arthur and the Knights of the Round Table making up the pantheon, being a part of it.

Pagan Origins

There is an intriguing idea that the stories of the abduction of Guinevere are echoes of earlier pagan traditions centered around the annual cycle of the seasons in Northern Europe. One of the ways this annual cycle may have been dramatized was in that the seasonal changes were due to the activities and adventures of the gods. In both Malory’s version and that  of Chrétien de Troyes, Guinevere is abducted in the spring, and in Malory’s it is while she is celebrating May Day, or Beltane, the time of the renewal of vegetation. Many scholars see this as evidence that the kidnapping was originally a season myth with Guinevere being a goddess and her abductor a god. In the original versions by Chrétien de Troyes , after being abducted Guinevere was take across water – an indication that she was leaving the Earthly world for the Otherworld – and her rescuers had to cross the water to reach her in that world.  After her rescue Guinevere and Lancelot became lovers which also happened in the spring, around Beltane.

This comes after the bleak barren days of winter and is seen to represent the marriage of the god and goddess heralding the end of the dark, bleak period of winter and the greatly looked forward to renewal of vegetation and fertility to the Earth.  In the Chrétien de Troyes version the entire episode takes place over one year, tying it further to the annual seasonal cycle. The abduction stories while only hinting at pagan influence on the surface have been heavily overwritten with Christian influences which tend to cover up the inherent pagan elements of the loves and romances of the gods.  To pursue this further it is worth taking a look at the annual cycle of seasons for Northern Europe and what follows is a very simplified version of one of the many versions

Winter

In winter the days are cold, dark and short.  Vegetation dies and crops do not grow and food becomes in short supply.   In some pagan northern European societies winter was thought of as the imprisonment of the eternally young, Earth goddess in the depths of the Earth by the aging winter solar god.  As winter progressed the power of the Sun god waned as the Sun rode low in the sky. As his power waned he became more like a malignant god of the underworld and feared the arrival of a young, potent Sun god who would steal the Earth goddess from him.  Desperate to preserve his own power and survive, he imprisoned the Earth goddess in the underworld to prevent anyone from stealing her. The imprisonment of the Earth Goddess resulted in a loss of fertility and renewal being withdrawn from the Earth, causing dramatic and disastrous consequences for humanity.

Spring

In spring the young Sun god arrives and takes a higher path across the sky providing longer days, more daylight and warmer weather.  His youth, strength and virility defeats and supplants the aging Sun god and frees the Earth goddess from imprisonment.  With a  more agreeable climate and the freeing of the goddess the Earth returns to life and seeds germinate, plants bud and grow and animals breed. The young Sun god takes the eternally young Earth goddess for his bride around the time of the festival of Beltane, commonly held on the 1st of May, or halfway between the March, or vernal equinox and the summer solstice, or midsummer,  when the Sun’s power is at its height.

Summer

As the  days grew longer and warmer, with the marriage of the Sun god and the Earth goddess the Earth is fertilized, plants grow and thrive and harvest time arrives which is the product of this marriage.  The young Sun god has reached the heights of his power at midsummer and the coming days will see his power decline.

Autumn

With the decline of power of the now aging Sun god there is a steadily decrease in sunlight and warmth, the days grow steadily shorter, vegetation begins to shrivel and die.  The cycle of the previous years repeats and slowly and inevitable the aging Sun god loses his strength, vigor and virility just as his predecessors had and just as those who come after him will.

Winter Returns

As his strength and potency diminish he appears lower in the sky, days become shorter and darker as winter sets in.  In a desperate attempt to keep his beautiful and eternally young wife he imprisons her in the underground. The Sun god reaches his lowest and weakest point at midwinter, or the Winter Solstice and is defeated by the young Sun god who frees and marries the Earth goddess.  This cycle must continue eternally to bring fertility, renewal and growth to the Earth.

In the version of the abduction of Guinevere by Chrétien de Troyes the drama was played out over one year with Meleagant, Guinevere’s abductor representing the doomed and aging Sun god and Lancelot the virile and potent, young Sun god.

Goddess of Sovereignty

There is also an idea that Guinevere was either an ancient Goddess of Sovereignty, or a representative of one.  A Goddess of Sovereignty was an aspect or servant of the Earth goddess, also known as the Earth Mother or Mother Earth and Goddess of the Land, in some cultures.

Those who follow this idea point to the fact that the story begins in May which is around the festival of Beltane.  It is at this time of year the everywhere is green and fertile and in celebration Malory tells how Queen Guinevere decides she will go a-Maying.  Those who see Arthurian characters as divinities, see Guinevere as representing a Goddess of Sovereignty that bestows the sovereignty of the land onto the King, who in this case is Arthur. As such his role is taking care of the land and inhabitants ensuring it remains fertile.  To do this she needs a strong, virile king but in these stories Arthur is usually portrayed as aging and losing power. Lancelot being the younger and more potent of the two may be seen by a Goddess of Sovereignty as an ideal replacement, but despite his love for Guinevere he remains loyal to Arthur not wanting the crown.

It may also be the case that simply being in possession of a representative of the goddess would be enough to give authority to the claim of kingship. This would make Guinevere a valuable prize for anyone who would be king and helps explain her numerous abductions, especially Mordred’s interest in her.  It also explain why, for the most, part Arthur appears reluctant to acknowledge, or deal with the situation of her affair with Lancelot until he is forced into it.

The affair with Lancelot may not have been about Guinevere’s alleged sexual promiscuity but more about her fulfilling her role as representing a Goddess of Sovereignty. Furthermore her abductions may not necessarily have been about love, lust or desire for her as a woman, but more about possessing the representative of the goddess. For all of that these are just ideas and theories and it is up to each person to decide what it means to them.

© 20/11/2018 zteve t evans

References, Attributions and Further Reading

Copyright November 20th, 2018 zteve t evans

Uther Pendragon, the Prophecy of Merlin and the Making of a King

The legendary Uther Pendragon was the father of Arthur Pendragon, who was destined to become the greatest King of the Britons. Arthur would drive out the invading Saxons, bring peace to the country and build an empire in Europe. Uther was usually seen as a strong king and a great warrior but could also be vain, quick tempered, impulsive and ungrateful at times. This impulsiveness and ingratitude came to the fore when he fell passionately in love with Igraine, the young wife of one of his oldest and most loyal nobles, Gorlois, the Duke of Cornwall. Gorlois had served the king bravely and faithfully and through his wisdom had turned a likely defeat into a resounding victory for Uther, who may have been expected to show his thanks and gratitude. Nevertheless, when love strikes as it struck Uther, the result can be devastating. Uther’s burning passion for Igraine unleashed a violent and bloody war to win the object of his lust, aided by the subtle arts and magic of Merlin. This work draws mostly from Geoffrey of Monmouth, Gildas and Wace, and brings together the elements of lust, violence, deception and the magic of Merlin. It was from this mix that King Arthur, the great defender and savior of the Britons from the Saxons, would be conceived, and eventually come to power to save his people.

The Prophecy of Merlin

Uther became King of the Britons of the island of Britain after the death of his brother King Aurelius Ambrosius from poisoning. As Aurelius lay seriously ill in Winchester, word came that Pascentius, the son of Vortigern, and Gillomanius the King of Ireland had landed with an invading army. With Aurelius incapacitated, Uther, accompanied by Merlin, led the army of the Britons to meet the invaders, having no idea of the treachery that would befall his brother.

On his way to the battle, Uther saw a most remarkable spectacle in the skies. There appeared a star of such magnitude and brilliance that it was seen both day and night. The star emitted a single ray of light that created a fiery mass resembling the body and head of a dragon. Shining from the mouth of the dragon came two rays of light. One extended out across the skies of Britain and over Gaul. The other extended out over the Irish Sea culminating in seven lesser beams of light. Such was its magnitude, it could be seen all across Britain and beyond, and filled the people with fear and dread not knowing what it might portend.

On seeing it, Uther called Merlin to him and asked its meaning. Merlin looked up at the sky and cried out in sorrow,

“O irreparable loss! O distressed people of Britain! Alas! the illustrious prince is departed! The renowned king of the Britons, Aurelius Ambrosius, is dead! whose death will prove fatal to us all, unless God be our helper. Make haste, therefore, most noble Uther, make haste to engage the enemy: the victory will be yours, and you shall be king of all Britain, For the star, and the fiery dragon under it, signifies yourself, and the ray extending towards the Gallic coast, portends that you shall have a most potent son, to whose power all those kingdoms shall be subject over which the ray reaches. But the other ray signifies a daughter, whose sons and grandsons shall successively enjoy the kingdom of Britain.” (1)

Uther, although undoubtedly impressed by the heavenly display, doubted Merlin’s interpretation. Maybe he did not want to believe his brother was dead and maybe he did not want to be distracted by thoughts of taking the crown. Maybe the prophecy that his son would build a great empire and from his daughter would come the future Kings of the Britons was too much of a distraction. Whatever the future might bring, the immediate peril lay before him and he was determined not to fail. He was now less than half a day’s march from Pascentius and Gillomanius who presented a real threat that could not be ignored or postponed. Therefore, with great determination, he pushed on to meet them head to head in battle.

The two sides attacked each other on sight, and a furious and bloody fight ensued that raged unchecked throughout the day. Eventually, Uther and the Britons gained the advantage and when Pascentius and Gillomanius were killed, the Irish and Saxons fled the field, making for their ships. Uther gained a stunning victory, confirming the accuracy of the first part of Merlin’s prophecy. The next day, as Uther and his troops were savouring their victory, a messenger arrived from Winchester with the grievous news of the death of his brother, King Aurelius Ambrosius. The messenger told how he had been buried in the Giant’s Dance, the monument he had caused Uther and Merlin to bring to Britain, thus, sadly confirming another part of the prophecy.

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Aurelius Ambrosius, Legendary King of the Britons

This post was first published on #FolkloreThursday.com on 18th April 2018 titled, British Legends: Aurelius Ambrosius, Legendary King of the Britons

 British Legends: Aurelius Ambrosius, Legendary King of the Britons

This is the story of the legendary Aurelius Ambrosius, a King of the Britons in the 5th century AD.  According to some medieval writers such as Geoffrey of Monmouth, he was the uncle of the famous King Arthur, who would later take the crown.  Most accounts say he was a modest, just, and determined man who exercised self-discipline in all of his ways.  He was a skilled warrior both on horseback and on the ground; an inspiring leader of men and an outstanding military tactician and general. Aurelius harbored a burning hatred for King Vortigern, who had usurped the crown of the Britons from his family.  Vortigern had, however, been betrayed by his Saxon allies, resulting in the deaths of many of the ruling Britons in an incident known as “The Treachery of the Long Knives.”  With the Britons defeated and under Saxon tyranny, Aurelius Ambrosius with his brother Uther returned to free their countrymen and reclaim the crown of the Britons.  Presented here and drawn from several sources listed below is the story of how Aurelius defeated Vortigern and the Saxons led by Hengist to become King of the Britons, restore law and order, and begin the process of rebuilding a wounded and shattered nation.

The Burning of Vortigern

While the Saxon takeover of Britain was unfolding, in exile, Aurelius Ambrosius was making a name for himself in the battles of Armorica, and his fame spread across Europe.  Finally, after meticulous preparation, he arrived on the shores of Britain at Totnes with his younger brother Uther, at the head of a powerful invasion force of Armorican cavalry and footmen.  Word of the coming of Aurelius and his brother spread rapidly across Britain.   The few war leaders and nobles that were left after ‘The Treachery of the Long Knives had been scattered and leaderless, but were now united under the banner of Aurelius, burning for vengeance.  They came together from all parts of Britain to join with him and brought together the clergy, who anointed him the King of the Britons.

The Britons wanted to attack Hengist immediately but Aurelius overruled them.  Instead he was intent on first wreaking vengeance on Vortigern, and led the Britons to his last stronghold. Aurelius was joined by Eldol, the Duke of Gloucester, the only British noble of those present, apart from Vortigern, to have survived ‘The Treachery of the Long Knives.  Once his army had taken up their positions, Aurelius gave the command for the great siege engines to set to work.  Though these laboured long and hard, they could not break through the walls.  After all attempts had failed, Aurelius gave the order to burn the tower. Ordering wood to be piled around it and set on fire,  his archers fired burning arrows into the stronghold, where they found plenty of fuel.  There was no escape for Vortigern: along with his wives and followers, he perished in the flames.

The Return of Aurelius Ambrosius

The arrival of Aurelius Ambrosius to take the throne of the King of the Britons put fear into the hearts of Hengist and his Saxons, who was well aware of his reputation.   Hengist knew full well that, being the rightful heir to the throne of Britain, Aurelius had right on his side. He also knew all about his prowess as a warrior and military strategist and he feared Aurelius above all his other enemies.

As Aurelius made his way north, Hengist realised he had to fight.  He urged his warriors not to fear Aurelius,  telling them his Armorican horsemen were few and that the army of the Britons numbered less than ten thousand, while pointing to their own superiority in numbers. Having greatly motivated his men,  Hengist set them in battle formation at a place he knew Aurelius would have to pass through, thinking to catch him by surprise and unprepared.  Aurelius anticipated this however, and instead of being caught out,  marched his men with more vigour to meet the Saxons and provoke open conflict. He gave each regiment their orders and would himself lead the Armorican cavalry into a frontal attack on the Saxon line.

For Eldol, the Duke of Gloucester, this was the moment he had been waiting for. Ever since the mass murder of the British nobility, he had been hoping to engage Hengist in single combat where there would only be one winner.  All of the Britons in that battle had scores to settle. They were determined to avenge the wrongs done to their homeland by the Saxons — who were still a formidable and dangerous fighting force — and drive them out of their country.  The scene was set for a grim and bloody battle for supremacy, with the prize being the control of the island of Britain.

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