The Legend Of Saint Boniface And The Thunder Oak And The Origin Of The Christmas Tree

The Christmas Tree

The Christmas tree is more than a much-loved and glittering centrepiece of festive decorations and celebrations. In the home, it is a unifying symbol the family can gather around, strengthening familial ties and a place of fun and cheer. When placed in the local community it becomes a rallying point for people to sing carols, meet, and strengthen social bonds. However, its exact origin is debated, and there are different ideas of how its importance to the festival evolved. Presented here is a retelling of how Saint Boniface introduced the fir tree into traditions and celebrations of the birth of Jesus. This tells how Saint Boniface cut down a sacred oak tree that was a prominent place of pagan worship in a place now called Hesse in Germany. Saint Boniface, also known as Winfrid or Winfred, was born c. 675 in Wessex, England and died June 5, 754, in Dokkum, Frisia, now part of the Neverlands. He was an English Benedictine monk working to establish Christianity in Germany and the Frankish empire. At that time, in that place, people worshipped pagan gods under a sacred tree growing singularly or in groves. The tree in this legend was called the Thunder Oak and is sometimes known as the Donar Oak, Jove’s Oak, the Oak of Jupiter, and other similar terms in other myths and legends.

Legend Of The Thunder Oak

The story begins in a time long before the establishment of Christianity in the Germanic lands where a massive oak grew. It was a true giant of trees so tall its topmost branches were hidden by clouds. Its ancient body was broad and twisted from which a profusion of long, gnarled, stretching limbs spread, creating a vast overarching canopy of darkness centre around the tree. To the people of these lands, the great tree was sacred and venerated as the Thunder Oak of their great god Thor and one of the most important shrines of his cult. Yet, under the darkness of its great canopy, human victims died under the bloodied knife of the priests of Thor, their blood soaking into the ground to feed the ravenous roots of the ancient oak.

Even in the dead of winter, bare of leaves and acorns, the space under its vast spreading branches, clumped with mistletoe, was a place of continuous and gloomy darkness. In this dread place, an atmosphere of quiet but overwhelming fear pervaded under the great smothering branches. Animals avoided the tree, making wide detours around it, while birds would not fly near or over it or perch in its branches. Even the buzzing flies and creeping insects kept well out of the dread darkness under its canopy.

And it came to pass, one cold, white Christmas Eve, as Christians were preparing to celebrate the birth of Christ, the priests of Thor gathered under their sacred tree. They had not come to celebrate the birth of Jesus Christ or Christmas. Instead, they had come to pay homage to their god of war and thunder and witness the human sacrifice whose blood would nourish and strengthen the great tree and feed its darkness. They were joined by a great throng of their people to worship their own god, as was their tradition at this time of year.

Over the great tree rose a bright moon. The high priest chanted and made magical signs over the altar while the victim lay shivering in the cold, awaiting the stab of pain from the deadly knife that would end their life. As the high priest spread his arms out towards the Thunder Oak, his eyes adoring the sacred tree, his hand raised to strike, the air became still, all sound in the forest stopped, and silence fell. The bright moon rose to its zenith, sending her rays to find and illuminate the helpless man spread-eagled on the altar slab awaiting the stab of pain that would end their life. It never came. Instead, something extraordinary happened. As the pure rays of the brilliant moon lit the altar, the forest’s silence was broken. From the depths of the woods came the sound of Christian hymns sung by a throng of people growing louder as they drew nearer. They were led by Saint Boniface, who had come to bring Christianity and establish the church of Jesus Christ.

As the illuminating moon banished the darkness under the great Thunder Tree of Thor, Saint Boniface strode forward, wielding a shining axe. The High Priest, dagger in his hands, his raised arms poised to strike, froze. His followers parted to allow the saint to march directly up to the Thunder Oak unchallenged. Then, gathering his strength in his arms, he struck a blow that caused a great gash in the tree’s trunk with his axe. The shocked High Priest and his followers looked on in fear as he struck the oak repeatedly, causing an ever-widening gash in the its body.

Suddenly, a mighty wind swept over the forest roof, hitting the great oak with force. With an awful groan, the tree toppled backwards, crashing into the ground with such force it caused its great trunk to split into four equal portions. Behind the wreckage of the oak, a young fir tree stood, its green spire pointing the way to heaven. Dropping his axe and turning to his people, the saint pointed at the young verdant tree and joyfully cried,

“See there, the young scion of the forest, the tree of peace! See how it is shaped like a church steeple pointing to heaven. We build our houses from it to shelter us; its foliage remains evergreen. Let this tree be known as the tree of the Christ child. Let us bring it into our homes where it will encourage our loving deeds and acts of kindness and bring the peace of Jesus Christ into our hearts as we shun the wildness of the wood!”

In obedience to the saint, they took the sapling fir into their great communal meeting hall where all could see it. They abandoned the cult of Thor and the Thunder Oak and practised Christianity, and every year celebrated Christmas and the birth of Jesus Christ with a young evergreen fir tree at the centre of their home, family, and community.

© 12/12/2022 zteve t evans


References, Attributions And Further Reading

Copyright December 12th, 2022 zteve t evans


Spanish Folklore: The Legendary Fish-Man of Liérganes

Fish-man statue in Liérganes, Cantabria. – Image by Bigsus, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

THE FISH-MAN OF LIÉRGANES

The town of Liérganes in the region of Cantabria, in northern Spain, hosts a statue of a strange fish-man commemorating his life. An English translation of a nearby plaque referring to him reads,

“His feat crossing the ocean

from the north to the south of Spain,

if it was not true it deserved to be.

Today his greatest feat

is to have crossed the centuries

in the memory of men.

Truth or legend,

Liérganes honors him here and sponsors

his immortality.”

The plaque is found on the promenade of the Fish-Man of Liérganes, along the shore of the Miera River.

The statue and plaque are referring to a local myth of a strange individual known as the “fish-man of Liérganes, ” or “El hombre pez,” in Spanish and, “L’hombri pez,”  in Cantabrian dialect. According to this myth the fish-man was an amphibious humanoid being, alleged to have been a human male who had become lost at sea. A theory developed that somehow, he had evolved into a semi-human aquarian entity at home in the sea, or on land. After being captured by fishermen he was returned to his family in Liérganes.

BENITO JERÓNIMO FEIJOO

The Spanish monk, scholar and writer, Benito Jerónimo Feijoo, during the Age of Enlightenment in Spain, was well known for promoting scientific and pragmatic thinking. Yet, he claimed the fish-man of Liérganes to be fact.

There is more than one version of the myth with differences on how the boy disappeared. In one version he goes swimming in the Miera River on the eve of Saint John’s Day, 1674 with friends. After undressing and entering the water he continued swimming after they had finished and dressed. Initially, his friends knowing he was a strong swimmer, were not concerned but he never returned.

Everyone assumed he had drowned but according to the legend he continued swimming until he reached the sea where he evolved into a fish-man. It was in this apparent amphibious condition he was later captured by curious fishermen in the bay of Cadiz.

FEIJOO’S ACCOUNT

However, Feijoo maintained that in Liérganes, in Cantabria, in about the year 1650, there lived a couple named Francisco de la Vega and María del Casar, who had four sons. When Francisco, the father died the family had no means of financial support, so she decided to send one of her sons, Francisco de la Vega Casar, named after his father and mother, to Bilbao to work as an apprentice carpenter.

He was known to have lived and worked there until the eve of Saint John’s Day when he went swimming in the estuary of Bilbao with his friends. He was believed to have been a good swimmer, but he got caught in strong currents and swept out to sea. He was last seen alive still swimming into the sea where he was believed to have been lost and drowned.

In 1679,  five years after Francisco was last seen a fishing boat working in the bay of Cadiz discovered they had a made a very unusual catch. A very strange creature had become entangled and attempted to fight itself free. The fishermen tried to capture the creature, but it managed escape into the sea. Several sightings of the creature were reported by other fishermen in the area as it became entangled in their nets. Finally, someone had the idea of enticing it with bread and it was finally brought on deck.

To their surprise, they found the creature had a human body such as belonged to an adolescent human male. His skin was pale, and he had sparse red hair and his nails were short and corroded.Curiously, it also had noticeable attributes of a fish having a strip of scales from its throat to its midriff and another strip of scales running along its spine. Around its neck it had that appeared to be gills. The combination of human and fish features and having pulled it from the sea baffled them.

THE CONVENT OF SAINT FRANCIS

The fishermen had never seen anything like it before, having no idea whether what they had caught was human or fish. Thinking it may be an unholy monstrosity, they took it onshore to the nearby convent of Saint Francis. Here the strange individual was exorcised and questioned but yielded no identifying or helpful information. The only attempt at speech he made was one word which sounded like “Liérganes.”  Unfortunately, no one knew what the word, if it was a word, meant.

News of this strange unknown individual spread around Cadiz Bay, and although people wondered, no one could say what the word, “Liérganes” meant.Eventually news of the individual and its strange speech came to a sailor from the north of Spain who docked at Cadiz. He pointed out there was a village called Liérganes  close to his hometown.Furthermore, the secretary of the Holy Office, Domingo de la Cantolla, verified the existence of the village of Liérganes which was situated near to Santander where he had come from.

In a further development, the bishop of Cadiz forwarded a description of the individual detailing physique and appearance in the hope someone would recognise or at least know something of him. An answer came back stating that no such creature, or individual, was known to exist, or ever have existed, around Liérganes.Moreover, the only extraordinary, though tragic event in the village was five years earlier with the presumed drowning of Francisco de la Vega Casar. His body had never been found but it was remembered he had red hair.

RETURN TO FAMILY LIFE IN LIÉRGANES

It was not much to go on, but it struck a chord with one of the priests of the convent who speculated that the fish-man was Francisco de la Vega Casar.Therefore, he requested permission to visit Liérganes accompanied by the fish-man. Speculatively, he visited María del Casar, the mother of Francisco, who instantly recognised the unknown individual as her son.

With Maria, claiming Francisco as her son, the priest left him with his family. Although he lived peacefully and quietly with in the family home, he had peculiar habits.He never wore anything on his feet, preferring to walk around barefoot, and unless he was specifically given clothes to wear tended to prefer nudity. He never spoke enough words to form a sentence so never really conversed with anyone. Sometimes he would mumble single words such as “bread,” “wine,” or “tobacco,” but never seemed to relate them to eating, drinking, or smoking.

Although he would eat with enthusiasm when the mood took him, he often went a week before eating again.He was always amiable and affable, and in his own unassuming way, polite and courteous. When asked to do a task he would oblige, completing it quickly and efficiently but without showing any enthusiasm.

He spent nine years living with his mother and family in this way but one day he went into the sea for a swim and never returned. What became of him is a mystery, but very much speculated about. Whether he drowned, or simply resumed his former life living in the sea is unknown, but no sign of him was seen of him ever since.

CONTROVERSY

Of course, with such an extraordinary case as this there are no shortage of sceptics. Feijoo, although having a reputation based on his pragmatism and scientific approach seems to have been convinced of the authenticity of the case even if others were not. In his version of the case, he is meticulously detailed giving names and dates and has investigated and verified accounts given by reputable witnesses.

He confesses when he first heard of the story, he did not believe it, but claimed his research led him to conclude the case was genuine.The fact that Feijoo was a strong critic of superstition, hoaxes and charlatans lent to him considerable authority. People took the opinion that if such a renowned sceptic as he believed in the case it must be true. It does seem strange that he would have backed this story, but hedid, and later even put forward scientific arguments aimed at backing the existence of fish-men in the sea.

DR. GREGORIO MARAÑÓN

Nevertheless, there were others who were unconvinced he had interpreted the evidence correctly and one of them was 20th century Spanish scholar and physician named Dr. Gregorio Marañón.He argued that the existence of the fish-man was mistaken but admitted that the fact that there were so many credible witnesses and testimonies could not be easily ignored. He proposed there were certain elements of the story that were possible and offered an alternative explanation.

He proposed that the individual presented symptoms of being inflicted with an ailment called cretinism, now usually referred to as “Congenital Iodine Deficiency Syndrome.” This affliction is usually apparent at birth and one cause is inadequate dietary iodine during pregnancy (1).

He pointed out the individual displayed symptoms such as being virtually speechless, only being able to produce a few words. He had thinning red hair and white scaly skin, chewed his nails, and wander around which he asserted are symptoms of the disease. Furthermore, this affliction was often found in mountainous regions such as Cantabria, claiming it was commonly found around the Santander region at that time. Alternatively, he pointed out ichthyosis could have caused the skin problems – a very widespread genetic disease, causing the skin to become exceptionally dry, rough, and flaking, not unlike fish scales.

He suggested the boy had wandered off getting lost and followed the coast from the estuary of Bilbao where he was last seen round to the Bay of Cadiz where he was noticed by fishermen and captured.The scaly white skin gave him an outlandish, and fish-like appearance, to people who knew nothing of the disease. With his discovery by the sea and his scaly and unattractive skin condition, which may have been exaggerated as word spread, people jumped to false conclusions, from these coincidences, erroneously thinking he was part human and part fish.

MARAÑÓN’S THEORY

However, Marañón produced a different explanation as to how he had been found in the Bay of Cadiz. He believed it would not have been possible for him to swim there from the estuary of Bilbao, proposing he had wandered on foot following the coastline. Along the way he searched for food which he may have found readily along the seashore in form of shellfish and marine algae. Importantly, both foods happen to be rich in iodine, which is known to alleviate Congenital iodine deficiency syndrome, especially when given to babies diagnosed with the condition. Sea air is also naturally iodised and may have been a more comfortable environment.

It was purely coincidental that when he was last seen in Estuary of Bilbao, he was swimming out to sea, yet when he was found in the Bay of Cadiz he was also in the sea.

He speculated that when his father died, his mother and family struggled to make ends meet, which was why he was sent to Bilbao to learn carpentry. It may have been a relief to his employer and co-workers to be rid of such an unproductive burden as it may have been to his family.

Marañón further speculated both employers and family were not too sorry to be relieved of him, which was why little fuss was made of his alleged drowning. However, rather than perish in the sea he had wandered off alone, following the shore where possible, with no idea where he was going, he ended up in the Bay of Cadiz.

His diet of algae and seafood sustained and even helped him, but because of his age the iodine intake was of limited value.Nevertheless, the sea air and the warmer environment may have been more to his liking. It may have been the worst thing that could happen to him was to return to a mountain environment of Liérganes. His return to his mother and family may have been an unwelcome emotional and economic burden, an extra mouth to feed, or they may have been simply ashamed of him. Marañón suggests his later disappearance into the sea again was not an accident, and not of his own making, yet provides no firm proof of anything sinister.

The story of Francisco de la Vega Casar is certainly mysterious and unquestionably tragic we can only hope what ever happened to him in the end brought peace.

© 23/06/2022 zteve t evans


REFERENCES, ATTRIBUTIONS AND FURTHER READING

Copyright June 23rd, 2022 zteve t evans


Ukrainian and Slavic Folktales:  The Origin of the Mole

Jos Zwarts, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Presented here is a retelling of a folktale from Ukrainian and Slavic folklore followed by a brief discussion.  The story has similarities to tales from several different countries, and like them is a myth of the origin of the mole and gives a warning which is very relevant to this day. 

THE ORIGIN OF THE MOLE

This story tells how a rich man, and a poor man once shared a field.  The poor man was humble and respectful and followed God’s laws the best he could.  The rich man was proud and scornful, following no rules but his own.  One year, both simultaneously sowed their allotted parts with the same type of seed.  With the help of God, the poor man’s seed grew healthy and abundant, giving an excellent yield. However, the seed of the rich man, who scorned the Almighty, yielded a poor and spindly crop.

The rich man looked upon the poor man’s yield and grew jealous.  Then, being accustomed to having his way and the best of everything, he unrightfully claimed the part of the field that the poor man had sown, insisting the yield was his. 

See, here,” he said to the poor man, “See how well my seed has grown while your own has grown weak and spindly!”

The poor man was shocked at the false claim and protested.  But the rich man shook his head, refusing to listen to his protestations, and said,

“If you do not believe me, I can provide undeniable evidence of my ownership.  Should you wish to see it come into the field before sunrise, bringing as many witnesses as you choose, and I will give you infallible proof of my ownership for all to witness, and God alone shall be the judge of the matter!”

Upset and bewildered, the poor man went home while the rich man watched him go.  As soon as he was out of sight, he dug a hole in the poor man’s portion of the field and told his son to jump in and hide there until morning, telling him,

“Listen carefully to what I say, my son, and follow my instructions exactly as I tell you.  I will cover you over so that no one will know you hide in this hole.  You must wait here until just before sunrise tomorrow morning, when I, and others, will come into this field.  I will shout out as if speaking to God, asking him to reveal the owner of this part of the field.  You will loudly proclaim that this part of the field belongs in full to the rich man, and it is the other part of the field that the poor man owns.  Make sure you stay hidden in the hole until I tell you otherwise!”

After he was sure his son understood, he covered him over carefully, thoroughly disguising the hole from plain sight, and went home.

The next morning, before daybreak, he returned to the field where the poor man accompanied by a crowd of neighbors to act as witnesses waited. Unfazed, the rich man stood in the center of the disputed part of the field, raised his hands to the sky, and cried,

Oh, great and wise God speak your truth!  Who is the owner of this part of the field where I stand?   Does it belong to this poor man, or I, the rich man?”

His son, hearing his father, shouted back,

“You stand in the rich man’s part of the field with a fine crop growing that you sowed,  and the poor man’s crop that he sowed lies next to it growing weak and spindly.”

The rich man turned and laughed at the poor man whose face had dropped in bewilderment and disappointment.  All those who stood as witnesses were full of awe and wonder, except for one who was not a local man. No one knew who he was, or how he had joined them, but he stepped forward and spoke to the them saying sternly,

“Do not listen to this rich man; he is a cheat and liar!  The part of the field where the good crop grows belongs to the poor man who plowed and sowed it!”

He told the witnesses all about the deception and pulled the camouflage from the hole revealing the rich man’s son. To the rich man’s son, he commanded,

“Stay where thou art, and sit beneath the earth all thy days, so long as the sun is in the sky.” (1)

And the rich man’s son instantly transformed into the first mole.

DISCUSSION

The tale is allegorical and not quite what it seems, giving a fanciful explanation of the origin of moles, while warning those who seek to covet another person’s property to expect unforeseen consequences in the future.  In earlier times families tended to stay together often supporting parents and grandparents through their old age. The loss of such a support would have been a hard blow. The transformation of the rich man’s son into a mole seems like a harsh punishment for the son for following his father’s directions. 

But, if the rich man’s son was only following his father’s instructions, so does it mean the child automatically inherits the parent’s sins?

Maybe not, if the story is considered an allegory.  Children take on much of their behavior from their parents yet are not strictly bound by nature to continue that behavior.  They can, and do, change as they grow older, and this sometimes brings them into conflict with their parents’ values and philosophy of life and sometimes the society in which they live.  If such behavior becomes accepted and practiced from generation to generation, then, yes, the parents’ sins become those of the child.  They also become a continuous source of conflict between citizens, creating an increasing anti-social and dysfunctional society. 

Therefore, wrongdoing must be challenged and replaced by more healthy alternative behavior to prevent this.  Ideally, this should happen at the time of the misconduct or as soon as possible after.  But, unfortunately, sometimes it does pass on through the generations and becomes accepted as the social norm – the share standards of socially acceptable behavior – until someone dares challenge it.  In this light, members of a society are responsible for ensuring dishonest behavior is discontinued as soon as it is recognized.

When parents act immorally it does not make it correct for their children to continue the bad behavior from generation to generation.  The idea may be that rectifying dishonest or harmful behavior, preferably as it happens, or as soon as possible after it is recognized, leads to a more harmonious and fairer society.

Of course, there is much more that could be said, but it is entirely up to the reader to form their own opinions should they wish, or maybe accept it as no more than an entertaining tale.

© 16/03/2022 zteve t evans


REFERENCES, ATTRIBUTIONS AND FURTHER READING

Copyright March 16th, 2022 zteve t evans


Further Publications by zteve t evans

Tales of the Lost, the Drowned and the All-Seeing Eye – Vengeance Will Come!

Available as a Kindle Ebook And Large Print Paperback – Dimensions : 21.59 x 0.48 x 27.94 cm All Images Non-color



Havelok the Dane: Hero-King of Two Realms

Available as Kindle EBook


Ancient symbols: The Ouroboros in Alchemy, Gnosticism and Hermeticism

THE OUROBOROS SYMBOL

The ancient symbol known as the ouroboros is a snake, serpent, or dragon with its body looped in a circle. Its mouth is open, and its tail is adjacent to its mouth.  It is not easy to tell if the snake is biting, eating, regurgitating, or even giving birth to itself.  Interpretation depends on the culture and situation where it appears.  Usually, it is considered a symbol of renewal – the eternal cycle of life, death and rebirth, and immortality, but there are other interpretations. 

The name “ouroboros” comes from Greek.  The “oura” part means tail, and “boros,” meaning “eating,” so together, it becomes “tail devourer,” or ouroboros.  It entered Western tradition and symbolism from ancient Egyptian and Hellenic iconography and conventions.  It later became adopted into the mystic symbols of alchemy, Hermeticism, and Gnosticism.

THE OUROBOROS THROUGH THE AGES

Remarkably similar versions of this motif have occurred worldwide throughout history.  Despite the vast distances that sometimes separate it, the symbol carries similar connotations, though may be known by other terms.  It is not known if there was a central origin for the image from which it spread or if it evolved independently in various places.  The distance and the different human cultures where the ouroboros appears indicate a degree of independent evolution.  However, it could also spread from one place to another through trade, invasion, or the movement of people.

In certain ancient cultures, because snakes shed their old skins and grow new ones, they are symbols of the renewal of life.  There is also the idea that the snake’s tail is a phallic symbol, with the mouth representing a womb, associating it with fertility.  Mystics also linked the ouroboros with metempsychosis or transmigration of the soul.

The ouroboros differs from other representations of serpent-like entities being a positive and necessary force for good.  In other religions such as Christianity, snakes and serpents represent evil and other religions may have different associations not mentioned here.

The first known use of the image is an artistic decoration on Chinese pottery belonging to the neolithic Yangshao People, who dwelt from 5000-3000 BC along the Yellow River in what is now eastern China.  However, its use as a motif or symbol seems to have evolved later independently in other places.

ANCIENT EGYPT

The ancient Egyptians associating the symbol with time and the universe.  They considered time to be a succession of recurring cycles rather than a linear, constantly manifesting line of events.  They were greatly influenced by the annual flooding of the Nile and the daily recurrent movement of the sun across the sky.

A 14the BC funerary text, usually referred to as the “Enigmatic Book of the Netherworld,” inscribed on the second shrine of the sarcophagus in the tomb of Tutankhamun depicted a prominent figure, possibly representing the mummiform body of Tutankhamun, which is titled, “He who hides the Hours.” Alternatively, some archaeologists see it representing a union between Ra and Osiris.  The ouroboros motif encircles the head of the figure while another encircles the feet.

Experts deem the text refers to the functioning of time.  In this case, the circular serpent motif signifies the deity, “Mehen, the Enveloper,” guardian of Ra on his journey underground. It also appears in other Egyptian works and may represent the chaos surrounding the orderly world is considered a form of the ouroboros.

Engraving of an wyvern-type ouroboros by Lucas Jennis, in the 1625 alchemical tract De Lapide Philosophico. The figure serves as a symbol for mercury – Public Domain – Source

GNOSTICISM

Mystics and scholars of Gnosticism, Hermeticism, and alchemy adopted the symbol because of its associated meaning. Gnosticism developed from Jewish and Christian religious and philosophical thinking in the first and second centuries.  It sought to develop and use specialized knowledge to achieve salvation.  Gnostics saw the head of the serpent as the spiritual world, while the tail represented the physical world, both being eternally united.  While both worlds appear to conflict, they exist in unison and are necessary for a unified universe.

ALCHEMY

In alchemy, the ouroboros is considered one of the oldest symbols representing the idea of eternity and continuous return. Alchemy was a predecessor form of medieval chemistry and philosophy that sought to achieve the Magnum Opus or great work.

This great work might include achievements such as the transmutation of matter, a panacea to cure all ills, the philosopher’s stone, and the achievement of immortality, depending on the interests of the individual alchemist.  It was a discipline rich in allegorical expression and many of its terms and goals are metaphorical.  However, the true purpose of alchemy was the evolution of the human soul through its study and practice. 

The alchemist also used other related disciplines, including astrology, Hermeticism, mathematics, geometry, Gnosticism, and other early sciences and mysticism.  One of the most highly desired but challenging aims for an alchemist was to discover a way to turn a base substance such as lead into gold, an activity known as “chrysopoeia” in alchemy.

A short alchemic text called “Chrysopoeia of Cleopatra,” by Cleopatra, the Alchemist, shows a version of the ouroboros.  This author is not Cleopatra VII – the Egyptian queen who wooed Julius Caesar and Mark Antony even though later works refer to her as Cleopatra, Queen of Egypt.  The identity of Cleopatra the Alchemist is murky, and to complicate matters her identity became conflated by scholars with Cleopatra, the Physician.  However, the name Cleopatra the Alchemist may be an alias for an anonymous author or school of alchemists.

Cleopatra, the Alchemist, was a Greek author and physician who lived about 3 AD and was one of the founders of alchemy.  She was also one of four female alchemists able to generate the philosopher’s stone and the inventor of special apparatus used in the alchemic distillation process.

HERMETICISM

In the Chrysopoeia, an ouroboros, with the words, “the all is one,” is seen.  This idea is associated with a philosophical system based on the traditions of the legendary Hermes Trismegistus known as Hermeticism.  The Chrysopeoia also described the ouroboros as,

“One is the Serpent which has its poison according to two compositions, and One is All and through it is All, and by it is All, and if you have not All, All is Nothing.”

The ouroboros expressed many of their beliefs in a visual symbol recognized and understood by other alchemists.  But the world is mutable, and alchemists of the Renaissance began to consider time as linear rather than cyclical.  Therefore, instead of looping back and repeating, eternity became a neverending stream of events that may have had any cycles unrolling as they happened. This new viewpoint makes it very relevant to how the present moment is understood.

©10/03/2022 zteve t evans


REFERENCES, ATTRIBUTIONS AND FURTHER READING

Copyright March 10th, 2022 zteve t evans


Further Publications by zteve t evans

Tales of the Lost, the Drowned and the All-Seeing Eye – Vengeance Will Come!

Available as a Kindle Ebook And Large Print Paperback – Dimensions : 21.59 x 0.48 x 27.94 cm All Images Non-color



Havelok the Dane: Hero-King of Two Realms

Available as Kindle EBook


German Fairy Tales: Fundevogel – Female Stars, Shapeshifting and Growing Up

Ferdinand Fellner (1799–1859), Public domain, via Wikimedia Commons

FEMALE STARS AND SHAPESHIFTING

There are many heroes in folk and fairy tales but not so many heroines. Nevertheless, they are often intense, bold, or intelligent characters or have magical qualities when they do appear. The German fairy tale “Fundevogel,” also known as “Foundling-Bird,” has one such female star playing an essential role in the development and dénouement of the adventure. Presented here is a retelling of tale 51, “Foundling-Bird (Fundevogel)” from, “Household Tales,” translated by Margaret Hunt and compiled by the Grimm Brothers, followed by a brief discussion of the heroine and the magical shapeshifting acts by the children in their attempts to escape.

THE STORY OF FUNDEVOGEL, OR FOUNDLING BIRD

One day a poor woman carrying her baby son went out foraging for food in the forest. She had found a few nuts, berries, and mushrooms, and because she was also carrying her baby boy, she grew tired and sat down for rest and refreshment. She soon began to feel sleepy, so she lay down under a tree and fell asleep, leaving the child resting beside her. An eagle seeing the baby, swooped down and carried him far away and placed him on the highest branch of a tall tree.

Otto Ubbelohde, Public domain, via Wikimedia Commons

A forester who lived in the woods, on hearing a child crying, was concerned and following the sound came to a tall tree. Looking up to its topmost branches, he saw a young boy. The poor boy was sobbing and wailing and terrified of falling. So, the forester, being kind-hearted, climbed up the tree and carried him down to safety.

There was no sign of a parent, guardian, or companion of any kind. Knowing the perils of the woods, he feared to leave the little boy alone with so many dangerous animals around. Furthermore, he had a young daughter named Lina, about the same age as the boy. Her mother had passed away when she was very young, and living deep in the forest, she rarely saw other children. Therefore, he decided to take him home as a companion and playmate for his daughter and bring them up together. He did not know the boy’s name and called him “Fundevogel,” which means “foundling bird” in his language.   The two children soon made friends and grew up happily together, becoming very close and attached, and when apart, even for a short time, they became sad, pining badly for one another.

OLD SANNA

The forester had no wife but employed an elderly woman named Old Sanna to cook meals, keep house and supervise the servants. One day Old Sanna spent a lot of time going in and out to the kitchen fetching and carrying water to fill a vast pot she had hanging over the fire. Seeing this, Lina asked her what she was doing.

Old Sanna replied she would tell her if she promised never to reveal the answer to anyone. Lina, being very curious, agreed. The old cook replied she would light a fire under the pot very early in the morning while the forester was hunting in the forest. Then, as soon as the water was bubbling hot, she would throw Fundevogel in the pot, boiling him alive.  That night Lina lay in bed horrified at the thought of poor Fundevogel, her best friend, being boiled alive. She decided she could not keep such a terrible secret despite her promise.

The forester got up very early the following day and left the house while the Old Sanna was still asleep. Lina had not slept all night worrying about what to do. She knew that she would be devastated if anything happened to her beloved Fundevogel and miss him terribly. Then, finally, it dawned on her that the old cook wanted to cook him for a meal and was appalled at the thought.   She wondered how he felt about her and decided she would try and save him but give him a little test.

LINA

Quietly rousing him, she whispered in his ear that she had something of the utmost importance to tell him. “Be sure I will never leave you if you will never leave me!

Fundevogel replied sleepily, “Be sure I will never leave you, now or ever!

So, Lina told him, “Last night, Old Sanna carried many buckets of water into the house, much more than usual. Being curious, I asked why she needed so much water. Sanna made me promise not to pass it on and told me that early tomorrow morning, when father was out hunting, a fire would be lit under the pot and heat it until the water boiled. Then she would throw you in and boil you alive. We cannot let her do this. Therefore, we must quickly dress and run away together before she awakens.”

Quickly and quietly, they dressed, and while the old cook was still snoring, quietly tiptoed from the house and ran into the forest.

As soon as Old Sanna awoke and had dressed, she kindled a fire under the pot, and while it was heating up, she made herself breakfast. By this time, the two children were long gone and far away. After a while, the water boiled, and she went into the children’s bedroom intending to catch hold of Fundevogel and throw him in the pot. On discovering both children gone, she flew into a rage and grew afraid.

She feared when the forester returned, she would have to explain their absence, and her wicked plot to boil Fundevogel revealed. She decided the children must be brought back and ordered three servants to find them and bring them back without delay. Unfortunately, the servants were all fast runners, and as the two children were resting just outside the forest, thinking it safe, they saw them fast approaching.

THE ROSE TREE AND THE ROSE

The children were horrified, and Lina turned to Fundevogel and said, “Be sure I will never leave you if you will never leave me!”

Fundevogel replied, “Be sure I will never leave you now or ever!”

So, Lina said, “You become a rose tree, and I will become the rose that grows upon it!”

When the servants arrived at where the children had been sitting, they saw a rose tree with a single rose upon it. They looked all around, but there was no sign of the children. Thinking they had escaped and not knowing what direction to go, they decided to return to the forester’s house.

Seeing they had not brought the children back, the old cook furiously demanded to know why. The servants told her they had run to the forest edge fast and seen the children a little way off resting. However, when they arrived in that place, only a rose tree with a single rose growing upon it could be seen.

THE CHURCH AND THE CHANDELIER

The old cook was livid and told them they should have cut down the rose tree, cut the rose from it, and brought them both back to her. Then, angrily, she ordered the three servants to go back and find the children carrying them straight back to her.

Meanwhile, the children had put further distance between them and the forest and stopped to rest. The servants returned to where they had seen the rose upon the bush, but it was gone. Then, finding the children’s trail, they quickly began to gain upon them. 

As they were resting, the children saw the servants coming, and Lina turned to Fundevogel and said,

“Be sure I will never leave you if you will never leave me!”

Fundevogel replied, “Be sure I will never leave you, now or ever!”

Otto Ubbelohde, Public domain, via Wikimedia Commons

So, Lina said,  “Then become a church, and I’ll become the chandelier within it.”

When the servants arrived expecting to find the children, they found a church with a chandelier inside and nothing else. Having found no sign of the children and not knowing what else to do, they returned to face the wrath of the old cook.

She was livid and demanded to know what they had seen. They told her that they had almost caught up with the children and had seen them in the distance. However, when they came to the place, they had seen them; all they saw was a church with a single chandelier inside but could find no sign of the children and so returned home.

The old cook was furious, telling them they should have taken the church down and brought that and the chandelier back to her. Then, angrily, she told them they were too stupid to be trusted and would accompany them, ordering them to take her to the place of the church and chandelier. 

THE POND AND THE DUCK

By this time, the children had moved on and were some distance away. However, their pursuers picked up their trail, and looking over their shoulders, the children saw them coming after them and were terrified to see the wicked old cook among them. The children were growing tired and realized they could not outrun them. Lina turned to Fundevogel and said, “Be sure I will never leave you if you will never leave me!”

Fundevogel replied, “Be sure I will never leave you now or ever!”

So Lina said, “Become a pond, and I will become a duck upon it.”

Their pursuers arrived and saw nothing but a pond with a duck upon it, but the old cook was with them this time. Lying down before the pond, she began to drink the pond dry. But the duck seized her head in its beak and dragged her into the water drowning her. In fright, the servants ran off, and the children skipped home hand in hand as happy as any children could be, and to this day, they are still alive and living if they have not yet passed away.

The End

DISCUSSION

Central to the action in these tale types are a series of shapeshifting transformations proposed by the heroine over the need to escape capture.  In other tales the pursuers responds by transforming themselves into something more powerful than what their quarry transforms into each time. In the case of the Fundevogel tale, it is just the children who change. In this case, instead of a contest of power, their transformations appear innocuous, simply throwing their pursuers off their trail, at least until the final change.

Old Sanna, the cook’s evil designs on the boy, is the catalyst for the beginning of the transformation of the children. She makes them bring forth their magic and transform themselves to deal with the situation.  Through the threat of Old Sanna and the prompting of Lina into different transformations, Fundevogel learns how to use his inner power, or magic for his benefit.

The story shows the maturation of Fundevogel from when he had been weak, vulnerable, and powerless into someone who, through adversity and a good mentor, has learned how to use his inner power. Through this process, he has learned evil exists in the world and overcome it with his power and it was Lina who teaches him to use his personal power to counter the evil intentions of those who would hurt him. Athough the children defeat their adversary, in killing her they lose a certain part of their innocence yet gain much in personal power, and in life many ways, that is what happens as we grow up.

© 09/02/2022 zteve t evans


References, Attributions and Further Reading

Copyright February 9th, 2022 zteve t evans


Further Publications From zteve t evans

Tales of the Lost, the Drowned and the All-Seeing Eye – Vengeance Will Come!

Available as a Kindle Ebook And Large Print Paperback – Dimensions : 21.59 x 0.48 x 27.94 cm

All Images Non-color

Havelok the Dane: Hero-King of Two Realms

Available as Kindle EBook


Orkney Folklore: The Strange Story of Annie Norn and the Finfolk

THE FINFOLK

The Finfolk, in the folklore of the Orkney Isles were a mysterious race of amphibious beings often presented as having a dour and sinister character with a reputation for the abduction of unwary islanders. The males of the race are known as Finmen and the females as Finwives who can resemble mermaids.  Both were believed to be responsible for abducting islanders they take a shine to having a liking for a human spouse.   They had a magical city under the sea in an unknown location where they tended to spend winter.  In the summer they spent time on hidden islands such as Hether Blether, Hildaland or Eynhallow before it was taken from them by humans.  Presented here is a retelling of a folktale found in an article in,“The Scottish antiquary, or, Northern notes & queries” by Traill Dennison which presents the Finfolk in a more positive light than many other tales.

ANNIE NORN

On the Mainland, the largest island of the Orkney Isles, there once lived an attractive lass named Annie Norn. One evening she needed salt water to cook the supper, but salt on the Mainland was in short supply and expensive. Therefore, like other islanders, she would go down to the seashore for saltwater, a chore Annie had done more times than she could remember.  However, on this occasion, to the dismay of her family and friends, Annie never returned with the seawater. Her family, friends, and neighbors searched frantically, but they could not find a sign of her anywhere.

The old folk shook their heads sorrowfully, declaring her to have been stolen away by the mysterious Finfolk. They issued solemn warnings to children,

“Beware, beware the salt seashore,
Between high tide and low,
As the sun goes down,
As the sun goes down,
Then the Finfolk come,
To steal away,
To steal away,
Forsaken and alone,
Forsaken and alone!”
                                                                                  zteve t evans

In this way, they hoped to warn children to keep away from the dangerous seas that surrounded their island home. Sadly, they never found Annie, but her memory was used to reinforce this warning for years, possibly saving many children’s lives.

WILLIE NORN AND THE STORM

The world turned, and several years after the mysterious disappearance of Annie, an Orkney sailing ship returning from Norway was caught in a violent storm.  The vessel was tossed wildly and dangerously around the North Sea, entirely out of the crew’s control. Onboard was a sailor named Willie Norn, a cousin of Annie’s.  

The crew was hard-pressed to keep their vessel afloat and were frightened and exhausted. Making matters worse, they could not see the sun or stars through the dark flying clouds above to fix a bearing, so they were utterly lost in the wild seas. When the storm finally abated, thick fog enveloped the ship, so they still could not find a mark in the sky to fix their position. Then, strangely, they saw from the sails there was a breeze, but to their shock and bewilderment, despite this wind, the ship remained dead in the water.

Sailors are superstitious folk, and these feared they were now bewitched. They had heard of unfortunate ships that remained in one spot on the ocean, never moving an inch. Eventually, all aboard perished, and the vessel became a rotting skeleton ship haunted by the ghosts of her crew. This, they feared, would surely be their doom. 

As they lamented their fate, they became dimly aware of someone, or something, approaching through the thick vapors.  As it drew near they saw it was a small boat rowed by a lone woman.

The superstitious sailors feared she was some kind of witch such as they had heard about on their travels across the North Sea. They considered that if they allowed her aboard, she would possibly bring harm or bad luck, as if there could be any worse than that they already endured!  

While they discussed these thoughts, the boat drew alongside. Then, to their shock, the woman as agile as a cat, sprang onto their vessel to stand before them, ending their need for further debate.  Willie Norn instantly recognized her and cried, “Good Lord! Can it be Annie? – It’s my cousin Annie Norn! We thought ye were lost to the sea, Annie!”

ANNIE TO THE RESCUE!

“Aye, Cousin Willie, it’s me, and how are my folks and kin at home doing now? Ye can thank thy lucky stars blood is thicker than water, or ye would not have seen me this day, and ye would have been lost to the sea yourself!” And without further adieu seized the helm, turned the ship around, and began barking out orders to the crew.  “Well, don’t stand gawping and glowering at me, as if I am some sea witch! Get ye bodies moving, fools!” she cried, issuing orders to the crew and skipper who hastened to obey.

Under her direction, the ship was set on a course and made good headway. Soon the crew saw the fog lifting to reveal a bright sunny day and a fair silver island before them.  Annie directed them into a sheltered bay where the water was as calm as a lake and overlooked by lush green hills and dales. Many clear and sparkling brooks ran down into the verdant valleys, and each one seemed to sing its own unique song as it flowed to the sea.  High in the clean, fresh air, skylarks hovered and played, singing sweet songs of joy and happiness. Indeed, to these exhausted, storm-tossed sailors, this island seemed very much like a paradise – a haven of peace, safety, and bliss. 

HILDALAND

Annie invited them to her home to enjoy a good meal and rest. She jumped lithely ashore while the crew followed with less agility but glad to be off the vessel and on solid ground. Pointing further up the shore, she led them to a large handsome house she said was her home. On hearing this, Cousin Willie piped up, “I swear by my faith, Annie for you must be very well to do and wealthy to have a house as fine and grand as this for your home!”

“Why, Cousin Willie, ’tis refreshing to hear an oath again. Ever since I left humankind behind, I have yet to hear one of the Finfolk swear once during my entire time here. The Finfolk never swear or waste breath on oaths and I give ye all good warning. While sojourning on Hildaland, swear not, keep words clean before the Finfolk, for they look darkly on such things. Remember, while on Hildaland, a close tongue keeps a safe head, for the Finfolk can be perilous when roused!” 

THE FEAST

She escorted them up to her house and into a spacious hall furnished with a large wooden table in its center carved with strange designs. Around the table were placed many chairs. Bidding them rest themselves and relax while she went out to organize a good and satisfying welcome meal for them. After they had eaten, she found them all a bed, and they slept soundly and gratefully, not knowing how long they spent in dreams. On finally awakening, they found another feast prepared more extensive and more varied than the welcome meal.  Other Fin-folk had been invited, and some arrived on huge sea horses from out of the sea.  

Annie introduced her Willie and the crew to her husband and the Finfolk, and the feast began. She sat next to her husband, closely observing the mariners with satisfaction as they tucked in. After everyone was fully satiated with food and drink, Annie stood up and addressed the sailors, telling them that it was now time they returned to their ship and sailed for home. 

HOMEWARD BOUND

Willie and the rest of the crew looked at one another bemused, and then the skipper stood up and said, “We thank ye for the rescue of us and for providing generous food and hospitality. However, although we yearn for home, we have no idea of our whereabouts and how to find our own island.”

Annie’s husband stood up smiling and said, “Ye need not worry that has been anticipated. We will gladly send a pilot to guide ye safely home. There is a fee of one silver shilling each, which must be drop into his boat as ye board your own.”

This now explained and agreed Annie led them back to their ship. While the others prepared to depart, Annie conversed with her cousin, Willie Norn who was trying hard to persuade her to return home with them. Annie laughed and asked him to give news of her well-being to her family.  “Tell my mother and father I am married to one of the Finmen who is good to me and that I am well off. Tell them I have three bonny bairns of my own to take care of who I love dearly and can never leave. My place is now with them, and my husband.  I no longer belong in the world of humans.”

Taking her purse out, she presented Willie with a strange necklace made of platted otter hair saying cannily, “Willie lad, I know ye are a-courting Mary Forbister. I know she is yet uncertain of thee, for she is an attractive lass and has many suitors and many offers. I also know thee to be truly smitten by her. Therefore, when ye arrive home and the very next time ye see her, place this necklace about her neck. I promise from then on she will never see a more handsome, finer, or better man than thee!”

When the ship was ready to leave after saying their last farewells to Annie, her husband, and the Finfolk, Willie and the crew went aboard, dropping a silver shilling into the pilot’s boat. With that done, he said, “Ye have said your thanks and farewells to Annie, her husband, and the Finfolk and paid your silver shilling. It is time to leave, and I will guide thee safely home. Now, there is one favor I ask of thee. I have always wanted to play a human at a game of cards. Now, I wonder, would ye be as kind as to play a round or two with me before we sail?”

“Aye, we will do that, and it will be good. I have a deck in my cabin which I will fetch, and we will play a round or two with thee.” replied the skipper. He soon returned with the cards, and they all settled down to a game.

A GAME OF CARDS

And so they played cards with the pilot. Whether it was the feasting they had enjoyed earlier or a spell of the pilot’s, none could say, but as they played, they all fell into a deep sleep. Some lay sprawled across the table, others nodded in chairs, and some fell to the floor and slept. They were all insensible to the world and had no notion of how long they slept.

The skipper was the first to awake and went to the deck for air. To his surprise, the first thing he saw was the familiar scenery of his home island. Quickly he roused the rest of the crew and led them on deck to show them the wonder. Joyfully, they found their ship was anchored safe and sound in the harbor of their home island.

There was no sign of the pilot or his boat, and he had taken the skipper’s pack of cards. Now, what he would want them for is unknown. In many quarters playing cards are regarded as the Devil’s books, and folk with an ungenerous nature might think he intended some devilry with them. However, the skipper was a generous man. He was not the least concerned about the loss of his cards, saying the pilot was welcome to them as a small token of gratitude for bringing them and his ship safely home.

Annie’s cousin, Willie Norn, went to see Mary Forbister and wasted no time placing the necklace Annie had given him over her neck. Just as Annie had said, from that moment, Willie appeared to Mary as the most handsome, the finest, and best man in the world, and six weeks later, they were married. They had a long and happy life and brought many beautiful children into the world. Happily, their ancestors can still be found living in the Orkney Islands to this day. As for Annie Norn, she was never heard of again and disappeared from human knowledge forever.

© 20/01/2022 zteve t evans

Publications by zteve t evans


References, Attributions and Further Reading

Copyright January 20, 2022 zteve t evans

Divine Retribution: Three Doomed Cities of Myth and Legend

Divine Retribution: Three Doomed Cities of Myth and Legend

Moreau.henri, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Myths and legends of great and wealthy cities lost or destroyed appear worldwide. A common theme is an excessive pride or ungodly behavior of the rich or ruling classes that eventually invokes divine retribution upon the city. Presented here are three examples of such legends taken from the collection, “Tales of the Lost, The Drowned and the All-Seeing Eye: Vengeance Will Come!” by zteve t evans.

THE DROWNING OF KER-IS

In Breton folklore, a beautiful city named Ker-Is, or Ys, was located in the Bay of Douarnenez, Brittany, France, reaching its zenith during the reign of King Gradlon before disaster struck. Unfortunately, tidal erosion from the sea threatened to drown the city. So the rulers built massive walls around it to keep out the rising water installing great gates giving access and egress between the harbor and the sea. Gradlon wore the key to these gates on a chain around his neck at all times. 

He fell in love with Malgven, a beautiful pagan woman who bore him a daughter named Dahut. Shortly after, she told him her time in the world was over and she must leave. However, she insisted Dahut should be well-schooled in pagan ways. Gradlon honored this though he chose to convert to Christianity himself.

Dahut grew up to be as beautiful as her mother and became a high-priestess of the old faith. Gradlon gave her Ker-is to rule but retained the key. She planted beautiful gardens filling them with exotic animals and plants, and the city flourished.  One day there came to Ker-is, a mysterious stranger known as the Red Knight who stole Dahut’s heart.  On the night of a great storm, to please him, she foolishly stole the key from her father as he slept, and the Red Knight used it to unlock the gates allowing the sea to flood the city.  

Gradlon managed to mount a horse and rescue his daughter, but the horse could not carry both of them to safety. As the horse struggled, God spoke to Gradlon, commanding him to throw her into the sea. After initially refusing, he complied and survived.  

The old pagan gods rescued their high priestess transforming her into a sea morgen. But, even today, local people and mariners say she is still to encountered sitting on rocks along the wild coastline singing strange songs to lure passing sailors to their doom.

TANNEN-EH: THE CITY ENTOMBED IN SNOW

Kenwbar – Kenneth Barclay – Public Domain

High in the snowy Alps, there was once a beautiful city named Tannen-Eh whose citizens were honest, hardworking, and god-fearing, living harmoniously with one another and their environment.  They fulfilled their basic needs by careful husbandry of agriculture and natural resources. Artisans and those who worked by physical labor were granted as much respect as academics and administrators. The rich happily looked after the poor, who lived in the valley below, who repaid by giving their best service. In this way, for many centuries isolated in the alps, time moved slowly, and Tannen-Eh flourished peacefully untainted by the world beyond.

Outside everything moved faster. Factories churned out toxins contaminating the environment and consuming natural resources ever more quickly and quicker. There was never enough; they wanted more, more, more. Airborne toxins spread far and wide, eventually blighting the pure white snow of Tannen-Eh, but with it came something more frightening. It came slowly, quietly, and unseen, but it was a blight of the worst possible kind.  It crept into the human heart, into the very soul, and the people of Tannen-Eh fell victim to it.

The wealthy grew richer, craving ever more frivolous luxuries. The more they brought, the more they wanted. Their wealth increased, and so did their pride, and they regarded the struggling poor with disdain.   Putting the poor to work, they built a great tower like that of Babel and in it placed a bell. The bell would ring out for every birth, christening, marriage, or death of the fortunate wealthy ones, but not for the poor who they now regarded as unworthy of acknowledgment or commemoration.

 The poor prayed for help, and their prayers went up beyond the tower, beyond the skies, and heard.  But, Heaven works in mysterious ways, and there came a great famine, and the poor starved and suffered. The rich locked their treasure in strongrooms, refusing to spend it to alleviate poverty and distress, and many people died of starvation.

In the first days of winter, snowflakes began to fall, gently at first but soon thick and fast. Soon snow rose above the windows, covering the roofs, leaving only the top of the magnificent tower visible. The rich folk struggled to their tower and tolled the bell seeking assistance from outside. No one came. Snow entirely entombed the city below, and the building became encrusted in an icy white shell so thick it prevented the sound of the bell from escaping.  

Down in the valley, the poor saw the entire city completely covered in snow with only the tower reaching up to Heaven like a glimmering, silvery-white needle. Today, the Oetzthal Glacier entombs the city of Tannen-Eh.

THE DROWNING OF STAVOREN

Statue of the “Lady of Stavoren” in the harbour of Stavoren – Emperoredwin, CC BY-SA 3.0 http://creativecommons.org/licenses/by-sa/3.0/, via Wikimedia Commons

A Dutch folktale called “The Lady of Stavoren” tells of the ruin of a wealthy widow and the divine retribution inflicted upon the city named Stavoren. The widow moved in the highest circles of Stavoren society, whose members were all rich, proud, and very arrogant, competing continuously to outdo one another. The town was populous and prosperous, but only the elite few owned the wealth. Insatiably, the fortunate ones clawed in ever more wealth while the poor endured beggary and poverty.  

The richest and proudest of these elites was the widow who was always seeking new ways to increase her fortune. One day, she had an idea, and to bring it to fruition, sent for the captain of Stavoren’s largest cargo ship. Giving him a chest of gold, she commissioned him to sail the seven seas and buy her the most precious commodity in the world.  The captain had no idea what the most precious merchandise was but set sail in search of it anyway. Eventually, he decided the most precious commodity was wheat, so he purchased a complete cargo and returned to Stavoren. 

Meanwhile, the widow boasted to her wealthy friends how she would soon possess the most precious commodity in the world. Intrigued, they asked what it could be, but she teasingly told them to wait and see.

When the captain returned, she went down to the ship, and he showed her the wheat. She was furious, ordering him to dump every kernel into the sea. The shocked captain begged her to alleviate the hunger of the poor of Stavoren with it. She refused, again commanding him to dump it overboard.  As the wheat went overboard, beggars gathered at the harbor begging for food. Nevertheless, the widow would not relent. The captain was ashamed and angrily foretold God would punish her and know hunger herself.

The widow looked coldly upon him and, removing her most expensive ring from her finger, held it aloft. Then, arrogantly, she told him there was as much chance of that as the precious item of jewelry returning to her as cast it into the sea. 

Divine retribution works in strange ways. The next day she attended a splendid civic banquet attended by all the city elites and served fresh fish. Imagine her shock to find the ring she had thrown into the sea in the body of the fish she was eating.  From then on, her luck changed. All her businesses and investments failed, forcing her forced into begging, but none of her former friends would aid her. She died impoverished, hungry, and cold.

With her death, the elites of Stavoren continued with their arrogant and greedy ways, unaware divine retribution was still unfolding. A sandbar formed blocking the harbor and on that strand grew wheat, but with no kernel. With the port unable to trade, the prosperity of the town plummeted. Businesses failed, shops closed, and the elites lost their wealth. 

One night a powerful storm blew in from the sea, causing the tide to rise, sweep away the dykes, and flood the town. Today Stavoren is a village of about one thousand people, and in the square is a statue representing “The Lady of Stavoren.”

DIVINE RETRIBUTION

Tales such as these provide a quiet but powerful reminder of the consequences of deviance from God’s laws. They attempt a subtle form of social control by interpreting natural catastrophes as the vengeance of an angry God while providing an engaging experience for the audience. The message is that God will not tolerate hubris, uncharitable behavior, and ungodliness in anyone. God knows and sees all, is both omnipotent and omnipresent, and when required, punishes or rewards at will, in a manner of his own choosing. 


Copyright 05/01/2022 zteve t evans

Further Publications by zteve t evans


References, Attributions and Further Reading

Copyright January 5th 2022 zteve t evans 


The Gods of Mount Teide:  Mythology and Folklore of Tenerife

The Gods of Mount Teide: Mythology and Folklore of Tenerife

Mount Teide, Tenerife – Public Domain

MOUNT TEIDE, TENERIFE

The Canary Islands are a popular holiday destination for many people from the United Kingdom and Western Europe and the most southerly of the autonomous communities of Spain. One of the most popular tourist attractions is Mount Teide, an active volcano on the island of Tenerife, whose last eruption was in 1909 and is visible from many parts of the island. A cable car takes tourists part of the way to the summit for the journey completed on foot with a permit. Those who have undertaken the trip to the top will probably understand why it meant the same to the Guanches as Mount Olympus meant to the ancient Greeks. It was the home of their gods and believed to hold up the sky.

ORIGIN OF THE GUANCHES

The Guanche people were the first known inhabitants of the Canary Islands. Their myths and legends still resonate through the ages giving small glimpses of these remarkable people. Some of their traditions and folklore still endure adding depth, color, and flavor to the modern culture of the islands. The Guanches inhabited the islands long before the arrival of the Spanish and are descendants of the Berber people on the African mainland who migrated to the islands about 1,000 BC or possibly earlier. Although the Guanches became culturally and ethnically assimilated with the Spanish, remnants of their original culture still survive today. For example, the people of La Gomera still use a traditional whistled language to communicate with each other over distances, and some of their mythology, legends, and traditions persist. Presented here is a brief discussion of their pantheon of gods and other supernatural entities and a look at some of the Guanche traditions found today.

ACHAMÁN

The supreme god of the Guanches of Tenerife was Achamán, their creator and father god, whose name means “the skies.” He was the immortal omnipotent creator of the land, air, fire, and water. All living creatures owed their existence to him. Achamán lived in the sky but would sometimes manifest himself on mountain tops to look upon the world he had created.

GUAYOTA

In Guanches mythology, Guayota was the equivalent of the Devil and shared similar characteristics to other divinities around the world associated with volcanoes. For example, in Hawaiian mythology, the goddess Pele, like Guayote, had her home in the Hawaiian volcano of Kīlauea and was believed to be responsible for causing eruptions. Guayota lived inside the peak of Mount Teide, known as Echeyde. It was a place similar to Hell and the entrance to the underworld and abode of certain lesser demons.

THE BLACK DOGS OF GUAYOTA

These lesser demons were called Guacanchas, or Jucanchas, depending on the island, and took the form of wild dogs with shaggy black coats and red eyes said to be the offspring of Guayota. On Gran Canaria, they were known as Tibicenas and made their home in the depths of hidden caves in the mountains. At night they emerged to ravage livestock and attack people they encountered. Guayota often appeared as a monstrous black dog leading a pack of these supernatural hounds across the countryside.

THE ABDUCTION OF MAGEC

In the Guanche pantheon, the god of the sun and light was called Magec and was the most important of their divinities. Although the gender of Magec is ambiguous, the name means “possess radiance” or “mother of brightness.” According to Guanche legend, Guyota kidnapped and imprisoned Magec in Mount Teide. With Magec incarcerated inside the volcano, the world fell into darkness. The people grew afraid and prayed to the supreme god Achamán to free Magec. Achamán heard the people and fought and defeated Guayota setting Magec free restoring sun and light to the world. He imprisoned Guayota in the volcanic crater of Mount Teide, where he has remained trapped ever since. Whenever Mount Teide erupted, the people would light fires on its slopes to taunt and frighten Guayota.

CHAXIRAXI

Another important goddess of the Guanche pantheon was Chaxiraxi, considered the Sun Mother and the Great Celestial Mother and associated with Canopus, the star. She may have evolved from Tanic, a goddess worshipped by their Berber ancestors. Mediation between Chaxiraxi and humanity was the task of minor gods or spirits called Maxios, or sometimes Dioses Paredros. These were also the guardians of hallowed places on Tenerife and were also the domestic spirits of the home. In recent times the worship of Chaxiraxi has been revived by the Church of the Guanche People, whose aim is to practice and promote the ancient religion of the Guanches.

ACHUGUAYO, THE FATHER OF TIMES

Achuguayo was the god of the Moon and the “Father of Times” who controlled time and seasons. According to tradition, he lived in the mountains, sometimes coming down to hear the prayers and supplications of the Guanches conducted under sacred trees or in caves in the mountains.

GUANCHE RELIGION

The Guanches had many sacred places that needed to be maintained, believing their maintenance kept Heaven and Earth in balance. Hallowed places may have been rocks or caves, such as the Cave of Achbinico, or natural features in the landscape where a variety of offerings were left. On Tenerife, the most important of these hallowed places was Mount Teide. Many offerings of tools and clay pots or vessels have been found, hidden in small nooks and natural cavities in rocks around the National Park Las Cañadas del Teide.

They left in the hope of appeasing or pleasing the gods or help the donor become one with nature. These votive offerings were often crude figures or sculptures which were idols and associated with health, fertility, animals, or people and often used by families. The Guanches on Tenerife had four major ceremonies; the proclamation of a new Mencey, a ceremony to relieve drought, their New Year Festival, and their Harvest Festival or Great Annual Festival of Beñasmen.

THE PROCLAIMING OF THE NEW MENCEY

Tenerife had nine small kingdoms, each ruled by a Mencey, the Guanches equivalent to a king, and the highest official in each realm. At times for the good of all the kingdoms, they needed to meet together. When a ruler died, the title did not necessarily pass from father to son. Sometimes it passed from brother to brother, but it was the task of the Council, known as the “Tagoror” that elected a new king

The proclamation came at a ceremony involving the oldest bone of the ancestor of the dynasty. This relic was venerated and carefully guarded and bought before the new Mencey for him to kiss in a special ceremony. Afterward, the members of the Tagoror recognized him as the new king, each saying,

“Agoñe Yacorán Iñatzahaña Chacoñamet”
(I swear by this bone of He who made you great).

THE RAIN RITUAL

Sometimes there were periods of drought, and the Guanches enacted a ceremony they hoped would bring rain. The people would fast and refrain from dancing and other forms of entertainment. Driving their flocks to high places in the mountains, they separated the lambs from the sheep and the kids from the goats, causing the animals to bleat piteously. The people also cried and wailed, hoping the gods would hear and look mercifully upon them and send rain to ease their plight.

THE FEAST OF THE NEW YEAR

The Guanches followed a lunar calendar, their year beginning towards the end of April or the early days of May. Many festivals with dances, feasts, and sporting events celebrating the arrival of Spring took place.

THE HARVEST FESTIVAL

Another important Guanche Festival was their Harvest Festival, or the Beñasmen, held between July and August. During this time, all conflict and wars between the nine kingdoms ceased, and a truce was put in place, allowing everyone to celebrate together and join each other in feasts, dances, and sporting events. During this period, the Menceys provided food for the entire population while the festivities and celebrations endured. The people wore flowers and leaves and also used them to decorate their villages.

SPORTS AND GAMES

Sporting competitions rook place with various athletic events such as running, throwing, and jumping competitions. There were also more dangerous events, such as throwing and avoiding spears, fighting with poles, and many other types of competitions. There were also wrestling matches similar to those practiced in ancient Greece and Rome. The winner had to throw their opponent to the ground or wrestle him out of the fighting area.

MUSIC

Although the Guanches had few musical instruments, they did use conch shells, small pebbles in clay pots, and beat sticks together to create rhythm and they also sang and danced. In the XVIth century, one version of a Guanche dance called “El Canario” became fashionable in the courts of Europe. Another traditional dance, called the “Tajaraste,” is still performed today.

© 20/10/2021 zteve t evans


Publications by zteve t evans


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Copyright October 20th, 2021 zteve t evans


Five Mythical Birds from Around the World

Alicanto Image by JohnnyMellado – CC BY-SA 4.0

Birds have always played and important part in human culture appearing in the legends, myths and fables of people all around the world.  Presented here are five legendary and mythical birds from different parts of the world, each with their own folklore and fables attached.

The Legendary Alicanto Bird

In Chilean folklore and mythology the Alicanto is a strange, mythical, bird that inhabits a strange but very real place known as the Atacama Desert ( Desierto de Atacama) and other parts of Chile, South America.   The desert is rich in minerals and ores and according to legend is home to a mythical bird called the Alicanto that is said to eat different ores of metal.  Its wings are said to shine at night with beautiful metallic colors and its eyes radiate colorful lights.   These wonderful illuminations are said to be caused by the different metals it has eaten.  For example, if it eats gold it emits a golden light or if it eats silver its light is silvery and if it eats copper it may be reddish though its wings are often described as being a coppery green.  Sometimes it may eat more than one kind of metal resulting in different colors being emitted.  Because of the light it emits it does not have a shadow.

Because of the heavy nature of its diet the bird spends most of its time on the ground being too heavy to fly and considered flightless.  When it has not eaten for a long time it becomes lighter and can run much faster.  It lays two eggs whose shells are made from the metal it eats.  According to folklore, miners and prospectors would secretly follow an Alicanto hoping it would lead them to a rich deposit of metal ore or a secret horde of treasure known as an entierros.  These legendary hoards were said to have been hidden by indigenous people hiding their treasure from the Spanish.  It was also said pirates and privateers such as Sir Francis Drake hid their treasure in the desert.

Hopeful miners or prospectors would follow the light of bird’s wings in the darkness.  If the Alicanto became aware of them it turned off the light losing its follower in the thick darkness.  If the follower was of bad character and not true of heart the bird would lead them over a cliff to death.  One legend tells how a Chilean Silver Rush was sparked on 16 May, 1832 when a miner named Juan Godoy followed an Alicanto to rich outcrop of the precious ore.  This event led to a rush to mine silver with many miners striking rich.

The Basan in Japanese Mythology and Folklore

In Japanese folklore and mythology the Basan is a chicken-like bird sometimes called Basabasa, or Inuhōō and also  known as the “Fire Rooster”.    It was said to have its home on the Japanese island of Shikoku in the mountains of Iyo Province which is now known as Ehime Prefecture.   According to old depictions it looks like a large chicken with a large, intensely red comb. It is said to breathe ghost-fire from its beak which is not hot but a cold fire that glows.

They made their homes in bamboo covered mountain recesses but were known to occasionally materialize late at night in human settlements.   The wings of the Basan are said to make a strange and unearthly rustling sound when flapped.  If a human inside a house hears this noise and looks outside to investigate they will just get a glimpse of the bird as it disappears before their eyes.

The Firebird in Slavic and Russian Folktales

In Russian and Slavic folklore the Firebird is a beautiful, magical bird that is much desired but has a reputation of being both an omen of doom and a blessing for those who manage to find one of its feathers, or capture it.  The Firebird is described in various ways but essentially as a bird with brilliant, glowing orange, red and yellow plumage giving it the appearance of fire, hence its name.  The feather continues to glow even when one is lost making it a valuable prize for the finder emitting enough light to fill a large room.   They are usually depicted in the form of a fiery bird of paradise of varying in size with the story and artist.   It is an extremely beautiful bird and although not usually regarded as particularly friendly is not aggressive, or vicious, but is associated with danger.  This is because of its role as a bringer of danger to whoever finds it and very often a bringer of doom to those who demand its capture.

The typical structure of a firebird story begins with the finding of a feather by the hero.  All though initially pleased with the find the hero eventually begins to see it as the cause of all of his troubles. This is followed by a bullying king or tsar ordering the hero to undertake one, or more, difficult and dangerous quests in search of something rare and valuable. The hero often has the assistance of a magical animal helper such as a horse or wolf who guides him throughout.  The final quest is usually for the Firebird which must be brought back alive to the tsar or king.  On the quest the hero has a number of adventures and wins the love of a beautiful princess.  On return with the Firebird the tsar or king dies and the hero becomes ruler and marries the beautiful princess obtaining his heart’s desire.  In many ways it is a rite of passage for the hero who grows in wisdom and maturity throughout until he becomes strong and able enough to become the ruler.

The Boobrie in Scottish Folklore

In the legends and folklore of the west coast of Scotland the Boobrie is a shapeshifting entity that usually appears in avian form.  It is also known to take on other forms such as that of a water horse or bull.  The Boobrie was said to make a deep bull-like bellowing call described as being similar to that of a common bittern though these are infrequent visitors to the region.   When it appears as a water horse it has the ability to gallop over the tops of lochs and rivers as if they were solid land.   It was also known to manifest as a huge vampire-like insect in summer that sucks the blood of horses.  However, its preferred form appears to be that of an oversized water bird such as a cormorant, great northern diver or the extinct flightless great auk.  Although considered mostly aquatic it was known to take to the land sometimes concealing itself in tall patches of heather.

The Boobrie is considered to be a voracious predator.  Otters are said to be its favorite food and although it eats these in great numbers it will raid ships carrying livestock having a liking for calves, lambs and sheep.  Of course this made it an enemy of the local island farmers of the area. One legend from the Isle of Mull tells how a farmer and his son were ploughing a field beside Loch Freisa.   They were using a team of four horses but ran into trouble when one lost a shoe and could not continue.  Looking round they saw an unknown horse grazing peacefully close by.   Wanting to get the ploughing finished they decided they would try the unknown horse in place of the one that lost its shoe.   Hitching it up along side the other three they were heartened to see the unknown horse seemed to take to the task with ease and their ploughing progressed well. 

The Anqa of Arabian Mythology

In Arabian mythology the Anqa is large, marvelous and mysterious female bird. It is said she flies far away only returning once in many ages but can be found at the place of the setting sun.  She is also known as Anka, Anqa Mughrib or Anqa al-Mughrib.   Mughrib, has several meanings such as “strange, foreign,” “distant” or “west sunset” signifying the mystery and fantastical attributes of the bird.

Zakariya al-Qazwini, in his book, “The Wonders of Creation” describes the Anqa as very beautiful with four pairs of wings, a long white neck. He claimed it possessed a small resemblance to every known living creature and they were related to birds that lived alone on Mount Qaf.   He also claimed they were wise gaining wisdom and experience through their lifespan of 1700 years and mates when it reaches the age of 500 and an egg is produced. When the chick hatches it will stay in the nest for 125 years before it leaves.  The Anqa is so large its diet consists of large fish and elephants and nothing else.

© 12/05/2021 zteve t evans

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Copyright May 12th, 2021 zteve t evans

Medieval Lore: The Curious Myth of the Origin Barnacle Geese

Ray Oaks, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Myth

Barnacle geese are a migratory species of water bird that have a very weird myth of origin attached to them that was once widely believedDuring the medieval period there was a belief that barnacle geese were not hatched from eggs but actually grew on trees or spontaneously on pieces of driftwood that floated in the sea.  This strange myth was widespread at the time and believed by  many eminent people of the day.   In this work we will look briefly at the barnacle followed by a look at barnacle geese both of which are real creatures.  This will be followed by discussing some of these strange ideas before concluding with our views on them today.

Migration

During the months of October through to March, parts of the British Isles and certain parts of Europe played host to flocks of barnacle geese.  This puzzled medieval people as they seemed to arrive out of nowhere and leave in the same manner.  No one had seen their nests, or  their eggs, or their young and no one knew how, or where, they bred giving rise to speculation about their origin.  

Real Barnacles

A strange theory evolved that they actually grew from crustaceans called gooseneck barnacles (Lepas anatifera) that were found on pieces of driftwood around the sea shores.  Many people thought that a tuft of brown cirri that protruded from the capitulum of the crustacean looked very similar to the down found on unhatched goslings of other species. This similarity is not obvious to many other people but the barnacles were seen as the result of spontaneous generation from the driftwood which will be briefly discussed later.

Real Barnacle Geese

We know today that real barnacle goose (Branta leucopsis)  live and breed mainly on the three islands of Greenland, Svalbard and Novaya Zemlya in the oceans of the far north during the summer months.  After a long flight they would suddenly appear at British,  Irish and other European sites as fully grown adult geese.  People were puzzled because they had seen no signs of a nest, eggs or even goslings but still they would appear at certain times of the year with unerring regularity.   To solve this puzzle some very peculiar answers evolved. 

The Barnacle Goose Tree

One such answer was the barnacle goose tree.  According to this myth young barnacle goslings grew on branches of a tree that overhung water in a similar way to nuts, fruit or berries sometimes do.  On becoming ripe, or big enough they drop from the branch safely into the water and are able to swim and float immediately eventually growing to maturity.  Those that missed the water and fell on to the ground died.

Sir John Mandeville

In the 14th century the traveller and writer Sir John Mandeville wrote in The Travels of Sir John Mandeville, his travel journal,

“I told them of as great a marvel to them, that is amongst us, and that was of the Bernakes, (barnacle geese). For I told them that in our country were trees that bear a fruit that become birds flying, and those that fell in the water live, and they that fall on the earth die anon, and they be right good to man’s meat. And hereof had they as great marvel, that some of them trowed it were an impossible thing to be. (1)

This and similar strange answers  to the origin of the barnacle goose was widely accepted especially among the clergy of the day.  

Gerald of Wales

Another myth of origin of the barnacle goose tells how it was born from driftwood from the sea.  Gerald of Wales,  also known as, Bishop Giraldus Cambrensis, was  12th century Welsh bishop who published a book, Topographia Hiberniae  after the invasion of parts of Ireland by King John where he mentioned how Irish clergy ate the barnacle goose on fast days which surprised him, 

“Nature produces [Bernacae] against Nature in the most extraordinary way. They are like marsh geese but somewhat smaller. They are produced from fir timber tossed along the sea, and are at first like gum. Afterwards they hang down by their beaks as if they were a seaweed attached to the timber, and are surrounded by shells in order to grow more freely. Having thus in process of time been clothed with a strong coat of feathers, they either fall into the water or fly freely away into the air. They derived their food and growth from the sap of the wood or from the sea, by a secret and most wonderful process of alimentation. I have frequently seen, with my own eyes, more than a thousand of these small bodies of birds, hanging down on the sea-shore from one piece of timber, enclosed in their shells, and already formed. They do not breed and lay eggs like other birds, nor do they ever hatch any eggs, nor do they seem to build nests in any corner of the earth “ (2) 

His observation, although erroneous, gave the myth credence and it spread across Europe.   However he took a dim view of the clergy eating them on fasting days saying, 

“…Bishops and religious men (viri religiosi) in some parts of Ireland do not scruple to dine off these birds at the time of fasting, because they are not flesh nor born of flesh … But in so doing they are led into sin. For if anyone were to eat of the leg of our first parent (Adam) although he was not born of flesh, that person could not be adjudged innocent of eating meat.” (3)

Sir E. Ray Lankester  

In 1915, Sir E. Ray Lankester, a British zoologist in his book, “Diversions of a Naturalist,” speculated on why this myth may have been popular with medieval clergy especially in Britain and France.   He picked up on the practice of the clergy eating them on fasting days for the popularity of the myth among them.  To make it an acceptable fasting meal they declared the barnacle goose to be more fish than a fowl and as such acceptable to be consumed on fasting days. 

Pope Innocent III was concerned enough about this practice to prohibit the eating of Geese during Lent at the Fourth Council of the Lateran in 1215.  Nevertheless he still seemed to accept the myth of their reproduction but pointed out that they lived and fed in a similar way to ducks and concluded that their nature was the same as other birds.

A Shift in Thinking

The bizarre myth of the reproduction of barnacle geese looks a typical example of superstition, ignorance and imagination run wild, but is it?  In the Middle Ages the Church drew moral lessons from nature but a shift in thinking appeared that saw nature as being worthy of studying in its own right.  This is where the myth of the origin of the barnacle goose comes in.

Spontaneous Generation 

A theological idea became  tangled  up in the debate of whether it was fowl or fish  which centered around the idea of spontaneous generation.  it was argued that gooseneck barnacles were spontaneously generated from the rotting driftwood. There was a common belief going right back to Aristotle that if the right conditions were present then the spontaneous generation of living organisms could and did occur arising from inorganic or nonliving material.   Despite the remarkable nature of the supposed origin of these lifeforms they had an ordinary lifestyle of sorts and manifest in a predictable way without divine intervention.  It was the assumption that they lacked parents which led to all sorts of theological arguments among Christians about Immaculate Conception and the Virgin Birth (which are not the same as each other) and cannot be fully dealt with here.

Frederick II of Hohenstaufen

Frederick II of Hohenstaufen, holy Roman Emperor and King of Sicily and Jerusalem about 200 years after Gerald of Wales was rather more doubting in his assessment of the spontaneous generation of the barnacle goose.  He wrote  saying, 

“There is also a small species known as the barnacle goose, arrayed in motley plumage …, of whose nesting haunts we have no certain knowledge. There is, however, a curious popular tradition that they spring from dead trees. It is said that in the far north old ships are to be found in whose rotting hulls a worm is born that develops into the barnacle goose. This goose hangs from the dead wood by its beak until it is old and strong enough to fly. We have made prolonged research into the origin and truth of this legend and even sent special envoys to the North with orders to bring back specimens of those mythical timbers for our inspection. When we examined them we did observe shell-like formations clinging to the rotten wood, but these bore no resemblance to any avian body. We therefore doubt the truth of this legend in the absence of corroborating evidence. In our opinion this superstition arose from the fact that barnacle geese breed in such remote latitudes that men, in ignorance of their real nesting place, invented this explanation.” (4)

It had previously been thought that the Barnacle Goose migrated  to the British Isles via Scandinavia and the strange transformation occurred in the Norse countries.  He was at least right that they did breed in the remote regions of the north that were largely still unknown and not generated from rotting wood.

Morals from Nature

It has long been a practice for Christians to draw moral points from the natural world to reinforce theological ideas. This began in the 2nd century  with the Physiologus where nature was seen as the second book of God, until the early 17th century when natural history became better studied and understood.  However, as science progressed people became more skeptical about such ideas.

Albert the Great

Around the middle of the 14th century Albert the Great came up with a simple way of testing the spontaneous generation  theory by breeding them and noting that they did in fact lay eggs calling the myth, 

“altogether absurd as I and many of my friends have seen them pair and lay eggs and hatch chicks”. (5)

Despite this there were still those as late as the 16th century such as  Joseph Justus Scaliger who insisted that the spontaneous generation theory was right claiming to have witnessed it. 

Belief in the myth, either through self-interest and wanting to dine on meat on fast days, or ignorance, still lingered for a while.  Finally, science and reason prevailed and finally managed to explain how barnacle geese really reproduced.  It is very easy for us today to look back at certain erroneous absurd beliefs that were held to be true in the past but which were eventually proved false.   This itself highlights the frailty of human reason and we cannot help but wonder what people living in future time will make of some of our own beliefs we hold dear in our own times.  Let us hope they will not judge us too harshly.

© 25/03/2021 zteve t evans

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Copyright March 25th, 2021 zteve t evans