The Arthurian Realm: The May Day Battle for the Maiden Creiddylad

Metropolitan Museum of Art / CC0

May Day

The 1st of May is also known as May Day, Beltane or in Wales Calan Mai or Calan Haf.  In Welsh mythology and Arthurian literature it is often linked to the beginning of an adventure or the unfolding of significant events.  More sinisterly, it is also linked with the abduction of a female by a male suitor, a recurring theme in Welsh mythology and Arthurian literature.  Presented here is a brief discussion on the abduction of Creiddylad and the battle by two warring suitors for possession of her, which takes place every May Day until Doomsday, when there must be a final victor.

Gwyn ap Nudd

In Welsh mythology Gwyn ap Nudd  was a ruler of Annwn and the Tylwyth Teg and also associated with Glastonbury Tor.  His name means “white son of Nudd,” though he is often described as having a blackened face.   His father was Ludd, who was also known as Lludd of the Silver Hand and he may have had a sister, or step-sister named Creiddylad, but the relationship, if any, is not clear.  He accompanied King Arthur in the story of Culhwch ac Olwen.

Creiddylad

Creiddylad briefly appears in the tale of Culhwch ac Olwen.  She has been likened to Persephone, the Greek vegetation goddess associated with spring and fertility who had been abducted by Hades, the king of the underworld.  Her mother, Demeter searched for her neglecting her duties and causing the earth to stop growing. She is eventually found and after the intervention of Zeus is compelled repeatedly to spend half the year in Hades and the other on Earth, representing winter and summer respectively.

Creiddylad was considered the most beautiful maiden in the island of Britain.   She had two suitors; Gwyn ap Nudd and Gwythyr ap Greidawl. Some scholars regard Creiddylad as the prototype for the legendary Queen Cordeilla of the Britons in Geoffrey of Monmouth’s pseudo-historical, The History of the Kings of Britain.  Later William Shakespear’s character Cordelia from his play King Lear was thought to have been inspired by Geoffrey’s version though not everyone accepts this view.  

Gwythyr ap Greidawl

Gwythyr ap Greidawl was the son of Greidawl Galldonyd, one of King Arthur’s knights.  Gwythyr was also one of Arthur’s knights and a member of his retinue along with Gwyn in the tale of Culhwch ac Olwen.  

The Abduction and Conflict

Creiddylad and Gwyther were betrothed but before they were married Gwyn ap Nudd forcefully abducted her. Gwythyr raised an army to confront Gwyn and win back his betrothed.   In the ensuing battle Gwyn is victorious taking a number of important prisoners. These included Dyfnarth his son, Glinneu son of Taran, Gwrgwst Ledlwm, Graid son of Eri, Pen son Nethog, Nwython and his son Cyledyr.  In an act of sheer cruelty the Gwyn made Cyledyr eat the heart of his father which drove him mad. From then on the epitaph Wyllt meaning madness was added after his name with him becoming Cyledyr Wyllt.

On hearing of the hostilities, King Arthur intervened setting the prisoners free and making a peace agreement between the two.  This stipulated that Gwyn and Gwythyr would fight for Creiddylad every year on the 1st of May until Doomsday. Whoever won the fight on Doomsday would win Creiddylad for his bride.  Through all this time she would remain unmarried living with her father until the contest had been settled.

Creiddylad as a Goddess

There is an idea that Creiddylad may represent a fertility goddess and the battle between the two rivals is to choose the strongest and most virile to be her husband to ensure the fertility of the earth.Caitlin Mathews in her book, King Arthur and the Goddess of the Land – The Divine Feminine in the Mabinogion, explains how certain female characters in the Mabinogion may be seen as representing a Goddess of Sovereignty. The possession of such a female by a male gives the possessor sovereignty over the land. Some times she is called the Flower Bride and considered the spirit of new growth, renewal and fertility.

With both ideas possession is one thing and keeping her is another. In both roles her task is to ensure the fertility of the land. Therefore, he who would be king must be the strongest and most virile. He must also be the steward of the land taking care of it and its inhabitants in return for sovereignty over it. There is an idea that the well being of the land is intimately tied up with the well being of the king. Should the king weaken and fail so will the land. There will never be a shortage of suitors for the goddess or Flower Bride and inevitably she must choose the strongest and the most potent for her consort to ensure the fertility, renewal and well being of the land she bestows. This may look immoral to a patriarchal society but it is her sacred duty to protect and ensure the continuance of life on the land and her morality cannot be judged in such terms.

Birth, Death and Renewal

These abduction stories are also often linked to birth, death and renewal of life and crops and nature.  They may also be connected with the battle of light and dark and the cyclical changing of the seasons but not all scholars accept these ideas.  In Arthurian literature there are several similar examples involving the abductions of Queen Guinevere and other ritualistic duels between two warring males that may also be seen in this light. 

© 06/05/2020 zteve t evans

Reference, Attributions and Further Reading

Copyright May 6th, 2020 zteve t evans

English Folk Heroines: Maid Marian

Olivia de Havilland in The Adventures of Robin Hood, 1938 Warner Bros. [Public domain]

Maid Marian  

Maid Marian, famous as the legendary girlfriend of Robin Hood, took on many roles and personas over the centuries, changing greatly with the times.  Although she is absent from the earliest known ballads of Robin Hood she later appear in many plays, ballads and stories. Her character and role varied greatly, sometimes appearing as a noblewoman at other times as a commoner or shepherdess.  From her early beginnings which can be found in folklore she evolves through literature from a simple medieval shepherdess and May Day Queen, to the girlfriend of the famous Robin Hood.

Folklore is dynamic and changes with the ages reflecting changes in attitude and circumstances by society. This can be seen in action with Maid Marian and how she became a folk heroine.  Over time she becomes a deeper, more complex character and much more than just the love interest of the famous Robin Hood and more than just an important character in someone else’s adventure.  It is in comparison to her and her character and traits that much of the morality of these stories comes out, making her an important ingredient to the overall plot, exposition and denouement of the story through the ages.  The overall impression is of a strong, independent lady in a relatively equal relationship with Robin. Her qualities of loyalty and compassion mixed with boldness make her a popular figure in the Robin Hood canon of literature providing a strong folkloric tradition.  There is also more than a hint of her dangerous side when she is found in a role of noble woman covertly undermining the patriarchal and ruling order by passing information on to Robin. The fact that she has male suitors in high society and chooses Robin rather than them underlines her independence of mind and action.

Marion and Robin in France

In the  pastourelle songs of France, Marian became Marion and she and Robin are found together but not in the way that we are familiar with.  In these songs Marion is a shepherdess who rejects the romantic attention of a knight to stay faithful to Robin who is a shepherd.  From this, Marion and Robin appeared in Jeu de Robin et Marion, a French play by Adam de la Halle in the later part of the 13th century. 

Later they became connected to spring festivals and traditions in both France and England to celebrate the passing of winter and welcome the new growth of spring.  These were often outside events enjoyed by the community with lots of feasting, singing, dancing, games and all sorts of fun activities and entertainment.

Marian as the May Queen

Maid Marian also has associations with the rustic figures of the May Queen and Lady May the personifications of May Day, springtime and summer connecting her with renewal, new growth, fertility and abundance.  With the figure of Robin Hood becoming increasingly popular appearing in plays, games and ballads especially during Whitsun, Robin and Marian eventually became integrated into new roles as the King and Queen of the May Day.  

The Virgin Mary

It was not Marian in the early works that was Robin’s important female interest but the Virgin Mary.  However, society changed and England became more protestant. With Marian’s strong associations to nature and fertility she complemented the forest environment and was a good partner for the outlaw of Sherwoos, eventually taking on the role of his lover.  However social attitudes modified her behaviour making her become much more modest, ladylike and virtuous rather than the lusty, rustic figure of fertility, vitality and renewal. 

As Marian  became more integrated in the Robin Hood stories her character, social status and circumstance change and evolve considerable.  She is not just a damsel in distress in need of rescue by some bold heroic male, she evolves into a much more complex character. Some of the tales portray her as a robust woman of action, her fighting expertise matching, or even surpassing male counterparts and even that of Robin in some stories.

At times when she is found within the stately and highly patriarchal confines of Norman society within Nottingham Castle she is the  secret rebel passing on information to Robin in Sherwood Forest. She can move between the two worlds of Norman and outlaw society while remaining true to her own values and personal beliefs and her love for Robin.

Nineteenth Century Marion

In the nineteenth century Marion loses much of her power becoming a highborn, chaste and delicate noblewoman of high birth and very much an archetype of the Victorian lady.  Her love story with Robin becomes central but she is now a supporting character to her lover rather than one in her own right. Perhaps to please Victorian audiences she and Robin are married by King Richard the Lionheart in St Mary’s Church in Edwinstowe making the story of Robin Hood and Maid Marion more romantic  and sanitized.

Modern Marian

From the early days to the present we can see how the changes in society and attitudes to women have evolved and expressed at different times through the ages. Her character and her role are reflections of those times and the attitudes that prevailed towards the male and female role models.  We have seen her evolve from the rustic mysticism of the May Queen to the archetypical lady of high society with a secret lover, to a more competent, confident and assertive female whose history in many ways reflects the lot of women through the ages. Marian stands out as one of the strongest female characters in folklore and literature and there is ample potential for further interesting developments in the modern age.   The potential for further development for her is also seen in modern times with the greater freeing of women from their traditional archetypes.

© 07/01/2020 zteve t evans

References, Attributions and Further Reading

Copyright January 7th, 2020 zteve t evans

The Arthurian Realm: The Abductions of Guinevere

Coveting Guinevere

The theme of the abduction of Queen Guinevere runs throughout Arthurian tradition and is taken up by numerous medieval writers.  Caradoc of Llancarfan mentions it in his version of the Life of Gildas, as does Geoffrey of Monmouth, in Historia Regum Brittaniae, (History of the Kings of Britain).  The theme is also taken up by medieval French poets Chrétien de Troyes and Robert de Boron, and in the work of Sir Thomas Malory, Le Morte d’Arthur.   Here we look in brief at various versions of the abduction and then discuss ideas about how they may have been influenced by pagan elements and may be distant echoes of the dramas of ancient gods and goddesses before the arrival of Christianity.

Caradoc of Llancarfan

Probably one of the earliest examples of the abduction of Guinevere comes from The Life of Gildas, By Caradoc of Llancarfan (c.1130-1150).  Guinevere’s abductor is the evil King Melwas of the Summer Country, or Somerset. He may have been an early prototype for Chrétien de Troyes Méléagant, and Malory’s Meliagrance.   In this story Guinevere is abducted and violated and Arthur, who is referred to as a tyrant, spends an entire year seeking her out.  Finally learning she was being in held by King Melwas in Glastonia, or Glastonbury. He raises a vast army intending to free his wife but as the two sides were about to clash, the cleric, Gildas and the clergy step between them. Gildas persuaded the two kings to parley and negotiated that Guinevere be returned to Arthur in peace and goodwill preventing a bloody battle to free her.

Geoffrey of Monmouth

Geoffrey of Monmouth names Mordred, Arthur’s nephew and illegitimate son, as the villain who attempts to covet  Guinevere. Arthur had left Britain in Mordred’s stewardship while he went off fighting the Procurator of Rome, Lucius Hiberius, leaving Guinevere at home.   While he was out of the country with most of his army, Mordred seduced Guinevere and claimed the crown from Arthur forcing him to return to Britain and fight.  This culminated in the catastrophic Battle of Camlann where Mordred was killed and the badly wounded Arthur taken across the sea to Avalon to recover and the end of the Arthurian realm.

Chrétien de Troyes

In Lancelot, Le Chevalier de la Charrette, also known as Lancelot, the Knight of the Cart, by Chrétien de Troyes, Lancelot is the hero of the story who saves Guinevere from the Méléagant, the evil son of King Bagdemagus.  In this story he races to the rescue of Guinevere having a series of adventures along the way. These include having to suffer the indignity, for a knight, of riding in a horse and cart driven by a dwarf that was carrying criminals to their execution.  He then had to scramble over a sword bridge whose edge was turned upright and razor sharp. Although sustaining serious wounds crossing the bridge he was still ready to combat Méléagant, but Guinevere at the request of King Bagdemagus stopped the fight.

Later he was forced to fight Méléagant after the  badly wounded Sir Kay was accused of raping Guinevere while she slept.  Sir Kay was too bad wounded and had no strength available for such exertions and had been wrongly accused.  Blood had been found on her sheets and because he was laid recuperating in the same room as her, he was blamed.  In fact the blood was from Lancelot who had kept an illicit tryst with the queen and slept with her. Lancelot, knowing, but not admitting the truth, stepped in to fight and clear Sir Kay who was too weak to defend himself.

Malory’s, Le Morte d’Arthur

In Malory’s, Le Morte d’Arthur,  wehn the month of May came, Guinevere decided she would participate in the age old tradition of a-Maying in the woods and fields of Westminster.  Therefore, she set off with a party of ladies-in-waiting, along with servants and ten lightly armed Knights, who she insists wear all wear green. Sir Meliagrance, a name probably derived from the Méléagant in Chrétien de Troyes work,  had long lusted after the queen and with 160 men-at-arms attacked the small company. Although her knights fight valiantly they are lightly armed and hopelessly outnumbered. To prevent their slaying she agreed to surrender provided they are spared and remain by her side.  Meliagrance agrees but she manages to send a messenger boy to Lancelot telling of her abduction and requesting his aid.

On hearing the news Lancelot immediately set off in pursuit.  Meliagrance, realising he would follow, set a trap for him and archers killed his horse.  Lancelot was forced to hijack a horse and cart carrying wood for the fires of Meliagrance’s castle.  From this he was given the name, Knight of the Cart. On arrival at the castle gates he shout for Meliagrance demanding he come down and face him.  On learning Lancelot is at his gates Meliagrance begs Guinevere her forgiveness for his behaviour and begs that she protect him from the enraged knight.  She agrees and persuades Lancelot to put his sword away. Lancelot agrees and she leads him to the chamber where the ten knights are kept.

They are both so glad to see each other they agree on a secret midnight tryst. Lancelot appears at her window at midnight and Guinevere tells him she would prefer it if he was inside with her.  Although the window is barred Lancelot pulls the bars out cutting himself in the process and climbs in through the window. The two slept together that night and Lancelot stole away before Sunrise, replacing the bars of the window as he left.

The next morning Meliagrance seeing blood on the sheets of Guinevere’s bed accuses her of sleeping with one, or more, of her wounded knights.  Lancelot, without revealing the truth, challenges Meliagrance to a fight to clear the queen’s name. Meliagrance brings a charge of treason against Guinevere believing she had slept with one or more of the knights.  Although innocent of this accusation, Guinevere had slept with Lancelot which is not revealed to him, but he was not one of the individuals accused. The case is brought before King Arthur and he reluctantly agrees she must be burnt at the stake unless Lancelot proves her innocence by defeating Meliagrance. In the resulting duel Lancelot slays Meliagrance proving her innocence of the charges brought against her and freeing her.

Mordred’s Attempted Abduction

In Le Morte d’Arthur, Mordred, Arthur’s illegitimate son and nephew by his sister Morgause, covets Guinevere, but does not quite manage to abduct her.  Mordred lied to Guinevere telling her4 Arthur had been killed by Lancelot and claimed the throne for himself intending to marry her. Guinevere persuaded Mordred to  allow her to go to London so she could procure all the things a wedding needed but instead locked herself in the Tower of London with her entourage.  Although Mordred tried to persuade her to come out his efforts were cut short by the news that Arthur had arrived back in Britain with his army.  Consequently, he was forced to leave Guinevere and confront Arthur, resulting in his own death and Arthur being severely wounded and taken to Avalon.

Gods of the Round Table

Some scholars of Arthurian legend and romance see many of the stories of King Arthur and his knights, in legend and medieval romance, as being dramatizations of the adventures of Celtic gods and important natural events. They believe there was a special relationship between the king and the gods and the king and the land and to ensure the fertility of the land the king was wedded to the goddess of the land.

David Dom, in his book King Arthur and the Gods of the Round Table proposes that Arthur, Guinevere and the main companions of the Round Table to be a the distant and distorted memories of the old Celtic gods and Arthur is seen as representing a Solar God.  To complicate matters, these stories were overwritten, or influenced by various culture over time, including Roman, English, French and European medieval Christianity and modern thinking. It centers around the idea that Arthurian legends and stories originally were dramatizations of the deeds and adventures of ancient pagan gods with the King Arthur and the Knights of the Round Table making up the pantheon, being a part of it.

Pagan Origins

There is an intriguing idea that the stories of the abduction of Guinevere are echoes of earlier pagan traditions centered around the annual cycle of the seasons in Northern Europe. One of the ways this annual cycle may have been dramatized was in that the seasonal changes were due to the activities and adventures of the gods. In both Malory’s version and that  of Chrétien de Troyes, Guinevere is abducted in the spring, and in Malory’s it is while she is celebrating May Day, or Beltane, the time of the renewal of vegetation. Many scholars see this as evidence that the kidnapping was originally a season myth with Guinevere being a goddess and her abductor a god. In the original versions by Chrétien de Troyes , after being abducted Guinevere was take across water – an indication that she was leaving the Earthly world for the Otherworld – and her rescuers had to cross the water to reach her in that world.  After her rescue Guinevere and Lancelot became lovers which also happened in the spring, around Beltane.

This comes after the bleak barren days of winter and is seen to represent the marriage of the god and goddess heralding the end of the dark, bleak period of winter and the greatly looked forward to renewal of vegetation and fertility to the Earth.  In the Chrétien de Troyes version the entire episode takes place over one year, tying it further to the annual seasonal cycle. The abduction stories while only hinting at pagan influence on the surface have been heavily overwritten with Christian influences which tend to cover up the inherent pagan elements of the loves and romances of the gods.  To pursue this further it is worth taking a look at the annual cycle of seasons for Northern Europe and what follows is a very simplified version of one of the many versions

Winter

In winter the days are cold, dark and short.  Vegetation dies and crops do not grow and food becomes in short supply.   In some pagan northern European societies winter was thought of as the imprisonment of the eternally young, Earth goddess in the depths of the Earth by the aging winter solar god.  As winter progressed the power of the Sun god waned as the Sun rode low in the sky. As his power waned he became more like a malignant god of the underworld and feared the arrival of a young, potent Sun god who would steal the Earth goddess from him.  Desperate to preserve his own power and survive, he imprisoned the Earth goddess in the underworld to prevent anyone from stealing her. The imprisonment of the Earth Goddess resulted in a loss of fertility and renewal being withdrawn from the Earth, causing dramatic and disastrous consequences for humanity.

Spring

In spring the young Sun god arrives and takes a higher path across the sky providing longer days, more daylight and warmer weather.  His youth, strength and virility defeats and supplants the aging Sun god and frees the Earth goddess from imprisonment.  With a  more agreeable climate and the freeing of the goddess the Earth returns to life and seeds germinate, plants bud and grow and animals breed. The young Sun god takes the eternally young Earth goddess for his bride around the time of the festival of Beltane, commonly held on the 1st of May, or halfway between the March, or vernal equinox and the summer solstice, or midsummer,  when the Sun’s power is at its height.

Summer

As the  days grew longer and warmer, with the marriage of the Sun god and the Earth goddess the Earth is fertilized, plants grow and thrive and harvest time arrives which is the product of this marriage.  The young Sun god has reached the heights of his power at midsummer and the coming days will see his power decline.

Autumn

With the decline of power of the now aging Sun god there is a steadily decrease in sunlight and warmth, the days grow steadily shorter, vegetation begins to shrivel and die.  The cycle of the previous years repeats and slowly and inevitable the aging Sun god loses his strength, vigor and virility just as his predecessors had and just as those who come after him will.

Winter Returns

As his strength and potency diminish he appears lower in the sky, days become shorter and darker as winter sets in.  In a desperate attempt to keep his beautiful and eternally young wife he imprisons her in the underground. The Sun god reaches his lowest and weakest point at midwinter, or the Winter Solstice and is defeated by the young Sun god who frees and marries the Earth goddess.  This cycle must continue eternally to bring fertility, renewal and growth to the Earth.

In the version of the abduction of Guinevere by Chrétien de Troyes the drama was played out over one year with Meleagant, Guinevere’s abductor representing the doomed and aging Sun god and Lancelot the virile and potent, young Sun god.

Goddess of Sovereignty

There is also an idea that Guinevere was either an ancient Goddess of Sovereignty, or a representative of one.  A Goddess of Sovereignty was an aspect or servant of the Earth goddess, also known as the Earth Mother or Mother Earth and Goddess of the Land, in some cultures.

Those who follow this idea point to the fact that the story begins in May which is around the festival of Beltane.  It is at this time of year the everywhere is green and fertile and in celebration Malory tells how Queen Guinevere decides she will go a-Maying.  Those who see Arthurian characters as divinities, see Guinevere as representing a Goddess of Sovereignty that bestows the sovereignty of the land onto the King, who in this case is Arthur. As such his role is taking care of the land and inhabitants ensuring it remains fertile.  To do this she needs a strong, virile king but in these stories Arthur is usually portrayed as aging and losing power. Lancelot being the younger and more potent of the two may be seen by a Goddess of Sovereignty as an ideal replacement, but despite his love for Guinevere he remains loyal to Arthur not wanting the crown.

It may also be the case that simply being in possession of a representative of the goddess would be enough to give authority to the claim of kingship. This would make Guinevere a valuable prize for anyone who would be king and helps explain her numerous abductions, especially Mordred’s interest in her.  It also explain why, for the most, part Arthur appears reluctant to acknowledge, or deal with the situation of her affair with Lancelot until he is forced into it.

The affair with Lancelot may not have been about Guinevere’s alleged sexual promiscuity but more about her fulfilling her role as representing a Goddess of Sovereignty. Furthermore her abductions may not necessarily have been about love, lust or desire for her as a woman, but more about possessing the representative of the goddess. For all of that these are just ideas and theories and it is up to each person to decide what it means to them.

© 20/11/2018 zteve t evans

References, Attributions and Further Reading

Copyright November 20th, 2018 zteve t evans

Welsh Folklore: Llyn Cwm Llwch, the Invisible Island of the Tylwyth Teg and other Legends

This work was originally posted on the website of #FolkloreThursday 29th June 2017 titled:  Welsh Lake Legends and Folklore: Llyn Cwm Llwch and the Door of the Tylwyth Teg  by zteve t evans

Llyn Cwm Llwch is a small Welsh lake that is situated in the Brecon Beacons of Powys. It is associated with some rather strange legends and folklore, three of which I will discuss. The first of these legends involves a dangerous old woman. The second involves the Tylwyth Teg and an invisible island, and the third tells how an attempt to drain the lake was prevented by some kind of otherworldly guardian who appeared from the lake. He issued a warning, mysteriously invoking the token of the cat as evidence of his powers which told a rather peculiar story about the drowning of an unfortunate feline.

The Old Woman of Llyn Cwm Llwch

The old woman of the lake was said to prey upon those who were weak-minded, or who had a trusting nature and were easily led such as children. The legend tells that she used music to gain the attention of her victims and to lure them into the water where they were drowned. It may be that she was the Welsh equivalent of Jenny Greenteeth, who appears in English folklore as some kind of dangerous water hag. She may also have been and invention to deter children from playing around the edge of the lake. Whatever she was, her evil ways were motivated by her ambition to regain the beauty of her youth and to gain immortality. Apparently this could only be achieved by luring nine hundred victims into the lake to their deaths.

The Door of the Tylwyth Teg

According to local legend, the lake was the abode of the Tylwyth Teg, or the Fair Folk, who had a garden on an invisible island in the lake. On May Day every year, it was said that a doorway would appear in a rock by the lakeside. Those humans who were bold enough could pass through it into a passage, which would take them into an enchanted garden situated on the island in the lake. Although visitors to the island could clearly see the shores of the lake, the island and the garden were not visible from the lake’s shore.

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Welsh Folklore: Legends of Llyn Cwm Llwch

Llyn Cwm Llwch

Llyn Cwm Llwch is a small lake that lies below the highest peak in South Wales called Pen y Fan, which is situated in the Brecon Beacons of Powys and is the setting for some rather strange legends which are briefly presented here.

The Old Woman of the Lake

The first tells how an old woman who lived in the lake used music to lure those of a weak or impressionable mind into the water to be drowned. Tradition says that when she has claimed nine hundred victims she will regain her youth and beauty and gain immortality.

The Door to the Invisible Island

Another legend tells that there is an invisible island in the lake that could only be reached by a door that was set in a rock.   Every May Day the door would open and some of the bolder local people would enter and pass down a passage that opened up in a garden that was set upon the island.  Although the shores of the lake could clearly be seen from the island, the island remained invisible to those on the shore.

The Enchanted Garden of the Tylwyth Teg

Those who entered the door and visited the invisible island found themselves in an enchanted garden.  This garden was filled with the most beautiful flowers of the most wonderful colours and trees hanging with luscious fruit ripe for eating grew all around.  Beautiful birds sang happy songs in the trees and butterflies flitted between the flowers. It really was a most enchanted place.

The Warning of the Tylwyth Teg

The Tylwyth Teg always received their visitors with the utmost courtesy and hospitality. They would entertain their guests by playing beautiful music, telling wondrous stories and offering the finest food and drink the like of which could not be found anywhere else on earth.  It really was a rare and magical experience they freely provided for their visitors.  However, when it was time for their guests to leave they would always issue them with a stern warning. They would warn that none of the produce, the flowers, stones, leaves, or anything else from the island must be taken back down the passage and through the door to earth because of the sacred nature of their island.

One Foolish Visitor

The Tylwyth Teg had opened their island to visitors since time immemorial and there had never once been anyone who had not complied with this simple and reasonable request. Unfortunately one foolish visitor took it in his mind to take back one of the wonderful flowers from the garden as proof of his visit and the existence of the enchanted island.  As he left the garden he picked the most exquisite bloom he could find and hid it in the fastness of his jacket pocket.  He then walked nonchalantly down the passage and through the door thinking no one would notice as no checks were ever seen to be carried out.

However, as soon as he set foot on the earth outside the door his mind became confused and he lost his senses. For the rest of his life he remained nothing but a gibbering wreck devoid of sense and reason until the day he died.  At the time the Tylwyth Teg appeared to pay no heed to this unique indiscretion saying their goodbyes to their guests with their accustomed courtesy, but they had indeed taken note.  Ever since this incident the door has never again been found to this day.

One Hundred Years On

About one hundred years later the local people got together to form a plan.  With the door to the invisible island not appearing they thought the Tylwyth Teg had left and thought that perhaps they had left their treasure in the bottom of the pool.  They decided they would drain it and a great body of local men arrived at the pool armed with pickaxes, spades and shovels and set about digging a channel to let the water out.  The men set about their task with great enthusiasm digging a channel some thirty yards long in no time.  As they reached the water’s edge they needed one last blow to break through but as the pick-axe and the shovels were poised for action a massive flash of lightning lit the rapidly blackening sky.  Thunder rumbled around the mountains causing the workmen to freeze in fear and awe at the sheer power of nature and the final blow was never struck.  Quickly, the men realized the storm was not caused by the power of nature and as they looked at each other in fear strange things began happening with the pool as its spirit began to awaken.

The Warning

The workers sprang out of the trench and ran to the edge of the water.  As the thunder died they saw emerging from the center of the pool saw small ripples which steadily grew in size and intensity.  The water began to churn and boil and from the center of the turbulence there arose the spirit of the water, a massive a figure of a man.  His beard must have been three feet in length and his hair draped down to his waist and he rose high above the water and glowered down upon the men and in a voice like thunder said,

“If you disturb my peace,

Be warned that I will drown

The valley of the Usk,

Beginning with Brecon town!”

(1)

And with that there was a terrific bolt of lightning and thunder crashed around the mountains and as the men threw themselves to the ground in fear a terrific storm broke upon them.  After the storm subsided the men got up and began to heatedly discuss the events.  The warning they had been given was clear.  Not wanting to risk the wrath of the lake spirit any further the local men went home leaving their work incomplete.

 © 06/12/2016 zteve t evans

References, Attributions and Further Reading

Copyright December 6th, 2016 zteve t evans