Virgil and the Roman Goddess Laverna

Laverna

Of all of the gods of Rome perhaps one of the strangest and most devious was the goddess Laverna.  The following example shows just how devious she could be while revealing how the great Roman poet, Virgil, answered a tricky question posed by the Emperor.  It is retold here from The Unpublished Legends of Virgil by Charles Godfrey Leland. 

A Tricky Question

The Roman Emporer asked Virgil what he made of the following verse from Aesop’s Fables.

"One day a fox entered a sculptor’s shop,
And found a marble head, when thus he spoke:
‘O Head! there is such feeling shown in thee
By art—and yet thou canst not feel at all!"

After a little thought Virgil gave the following answer, “Well now, it is very difficult for me to tell whether or not it is all introduction or all conclusion.  It reminds me of those types of fish where it is difficult to know the head from the tail, or if they are all head, or all tail. Indeed, it also reminds me of the goddess Laverna of whom no one could ever tell if she was all head, or all body, or in fact both.”

The Emperor looked puzzled telling the poet he had never in his life heard of such a deity. Therefore, Virgil gave the following explanation,  “Of all the ancient gods and goddesses in the history of Rome, Laverna was the most cunning, the most mischievous and the most deceitful. She was not well known by the other deities as she tended to keep herself to her own wicked ways, rarely spending time in heaven among them. Most of the time she could be found mingling with vagabonds, scoundrels, pickpockets and thieves, living in the dark and hidden places of human society.

One day it happened that she changed herself into the form of an extremely beautiful priestess and visited a great priest and proposed a bargain with him.   She proposed he sell his estate to her and she would build on it within one year a great temple. Furthermore, at the end of that year she would pay in full for the estate and he would also get the temple for free.  She told him that as surety for the proposal she would swear on her body.

The great priest was completely convinced. He gave her his estate thinking he would be paid its full value and get a free temple in the bargain.  In that time Laverna was very busy selling up all his houses, land, livestock and assets until she had sold everything of any little worth. On the day when payment was due she was nowhere to be found and the great priest never received a penny in payment and no new temple.

Now, Laverna was not satisfied with defrauding the great priest and hatched another scheme.  She went to a great lord and persuaded him to sell her a castle with a great estate. This time she promised with her head as surety to pay him in six months the full value of the castle and estate. The great lord was completely taken in by her and agreed the deal.  Once again, Laverna sold the castle, the land and everything on it lock, stock and barrel, leaving nothing at all of any value.

The great priest and the great lord went together to the assembly of gods and goddesses to voice their complaints. The first before them was the priest. The gods heard his complaint and the goddess Laverna  was summoned before them to answer.  

Jove asked her what she had done with the property of the priest whom she had sworn with her body to repay in the allotted time.  Standing before him and the other gods she answered in a very strange way which entirely astonished Jove and the assembled divinities. She cried aloud,

‘Behold! He says I swore by my body, but I have no body!’

Her body vanished leaving just her head floating in the air. Jove and the others all laughed and called upon the great lord to next make his petition to them. He told how Laverna had defrauded him and promised by her head to repay him by the allotted time.   Jove demanded an explanation from her and in reply she showed her body to all present and it was indeed a very beautiful body, but it did not have a head.  Then a voice came from the body saying, 

‘Behold me, I am Laverna!  I say this of the lord’s complaint of me. He says I swore on my head.  See!  I have no head, yet he calls me a thief.  As you can see having no head I could not have sworn such an oath!’

Once again the gods broke into peals of laughter. At length Jove spoke and ordered her to return her head to her body.  When she stood before them in full he ordered that she pay what was due to her creditors with no more tricks.  Reluctantly, she complied.  

Jove told her and all present that as she was of such knavish and deceitful nature from hence forward she would be the deity of all rogues, scoundrels thieves, cutthroats, vagabonds and those of similar nature. 

That is why Laverna is now the patron of all of the wicked and deceitful people of the earth and a goddess of the Underworld.  When such people make their wicked plans they could enter into her temple and call upon her for aid and advice and she would appear as a woman’s head. If they did their work badly and incorrectly she would appear as a female body. If they worked well and were successful she appeared before him as the whole goddess.”

Virgil then pointed out that she was as chaste as she was honest taking many lovers and bearing many children.  However he hastened to add she was not entirely  evil-hearted and often repented her ways but no matter how hard she tried her passions got the better of her.

The Arts of Virgil

So that was how the poet Virgil answered a tricky question he had no idea the answer to.  It may be the Emperor lost track of his original question or was completely bamboozled by the  brilliance of the answer.  Whatever the reason he asked no more of it but this small event did not go unnoticed in history.

In the modern age, here in the UK, our elected rulers pay homage to Laverna and master the arts of Virgil from an early age.

© 08/07/2020 zteve t evans

References, Attributions and Further Reading

Copyright July 8th, 2020 zteve t evans

The Rex Nemorensis – King of the Wood: The Ghastly Priest who Slew the Slayer

Image by Gerson Martinez from Pixabay

“From the still glassy lake that sleeps

Beneath Aricia’s trees

Those trees in whose dim shadow

The ghastly priest doth reign,

The priest who slew the slayer,

And shall himself be slain” (1)

Thomas Babbington Macaulay

These words by Thomas Babbington Macaulay succinctly sum up the deadly duel of life and death to decide the Rex Nemorensis, the legendary High Priest of Diana Nemorensis of the Sacred Grove of Lake Nemi.   The  Rex Nemorensis was a shadowy figure in ancient Greek and Roman myth and legend. Most versions of his story agree that he earned his title and role by winning a fight to the death to become the “ghastly priest” of the above verse. Here we shall briefly discuss the mythical goddess of the Sacred Grove, Diana Nemorensis, followed by a look at her high priest and his deadly duel, followed by a look at the possible origins of the cult. Finally, there will be a brief discussion centered on “The Golden Bough,” a work by Sir James George Frazer inspired by the legendary Rex Nemorensis.

Diana’s Mirror

Diana Nemorensis was an important goddess in ancient times whose sanctuary and temple were situated on the northern shore of Lake Nemi.   The lake has been referred to as “speculum Dianae” which means “Diana’s Mirror”.   The important Roman festival of Nemoralia was held on the site. 

There were also other lesser deities associated with her and the Sacred Grove.  These were Egeria, who was the spirit of a nearby stream who also shared with Diana the protection of childbirth.   The other was Virbius, the Roman counterpart of the Greek Hippolytus. A third goddess possibly worshiped at the Sacred Grove was Vesta. She was believed to have eventually become conflated with the goddess Artemis.

The Rex Nemorensis

According  to legend,  the cult of Diana Nemorensis was recognized as one of the most ruthless, brutal and mysterious cults of ancient Rome.  The high priest who was said to have presided over her rituals was known as the ‘King of the Sacred Grove’ or the ‘King of the Wood,’ or more famously the ‘Rex Nemorensis.’   According to some traditions the cult was populated by fugitives or runaway slaves who had dedicated themselves to the worship of Diana. However, there is little evidence to support this, though the role of the Rex is linked to such outsiders.

Tradition says growing inside the grove was a huge oak tree.  It was strictly forbidden for anyone to break a branch off this special tree and it was guarded to prevent this.  The only exception to this rule were runaway slaves or fugitives.  If one succeeded they were rewarded with the right to challenge the incumbent high-priest to a duel to the death.  If the incumbent killed his challenger he remained in his post and lived.  If his challenger killed the incumbent he became “the ghastly priest who slew the slayer” –  the new Rex Nemorensis – High Priest of Diana, King of the Grove, King of the Wood and Guardian of the Sacred Grove, but it came with a high price.  

Having fought for and won the post he had to remain on his guard for the rest of his life.  Should a runaway slave, or fugitive, make it to the oak and break a branch off then that slave then earned the right to fight him for his titles and his life as he had done his predecessor.  The victor would become the Rex Nemorensis, until he too was defeated, with his conqueror taking his place. There could only ever be only one Rex Nemorensis.

This murderous cycle ensured that that incumbent high-priest was always kept at the pinnacle of his powers.  As the Rex Nemorensis he was the embodiment of fertility of nature and the woods.  As such he could not succumb to either illness or old age.  Death had to be violent because the spilling of blood on the ground was seen as necessary to bring fertility to the earth.  Despite the certainty of meeting a violent death it did at least offer sanctuary, albeit temporarily, to any such fugitive.

The Cult of Diana Nemorensis

The cult of Diana Nemorensis was very ancient and its beginnings are shrouded in myth and legend.  Many scholars think that it had its roots in ancient Greece.  There are two Greek traditions of how the cult originated. One traces its origins through the story of Orestes and Iphegenia, while the other is based on the tradition of Hippolytus.

Lake Nemi by John Robert Cozens – Public domain

Orestes and Iphegenia

The first account tells how Orestes, the son of Agamemnon, a king of Mycenae and his wife Clytemnestra, brought the cult of Diana Nemoresis to Italy.   On discovering his mother’s affair with Aeegistus, Orestes murders him to avenge his father who is on his way to fight the Trojans.   Orestes was told by the god Apollo to go to Tauris to purify himself as an act of atonement.  In Tauris, Artemis was a revered goddess and it was the custom for any foreigners landing upon the shores to be brought to her temple to be ritually sacrificed before her effigy by the high priestess.

On his arrival Orestes was taken before the High Priestess of Artemis to be prepared for sacrifice.   Fortunately for him she was his long lost sister who he believed had been sacrificed by their father.  She had been saved from this fate by the goddess Artemis and transported to Tauris where she was set in place as the high priestess of her cult.  Recognizing Orestes, Iphegenia could not kill her brother and by deceiving Thoas, the King of Tauris, they both escaped by ship taking with them the effigy of Artemis.  They sailed around the coastline finding their way to the south of Italy, finally making their way to Nemi and settling there.

With the theft of the effigy of Artemis and their escape from Tauris, Orestes and Iphegenia had placed themselves outside of society and the laws as they stood and were effectively fugitives.  Once they became established at Lake Nemi, the cult grew in popularity and strength.  Unlucky foreigners who landed on the shores were brought inland to Nemi for sacrifice. Eventually the tradition evolved so that runaway slaves and fugitives could claim the right to fight the incumbent high priest and claim his position.

The Story of Hippolytus

Death of Hippolytus – Lawrence Alma-Tadema – Public domain

The second version of the origin of the Rex Nemorensis tells how Hyppolytus, the son of Theseus, became the first Rex Nemorensis.   His step-mother was Phaedra who made sexual advances towards him which he rejected.  To gain revenge she accused him of raping her.  He was cursed and banished by his outraged father and was dragged to death by his chariot’s horses after they had been frightened by a sea monster sent by Poseidon.   Ascelapius, the god of medicine, with help from the goddess Artemis returned him to life as an old man named Virbio (Vir bis is Latin for man for the second time) to prevent him being recognized. He was taken to Lake Nemi where he was installed as high priest of the cult of Diana, becoming known as Virbius. Pausanius in his “Description of Greece,” says,

“The Aricians tell a tale … that when Hippolytus (the son of Theseus) was killed, owing to the curses of Theseus, Asclepius raised him from the dead. On coming to life again he refused to forgive his father; rejecting his prayers, he went to the Aricians in Italy. There he became king and devoted a precinct to Artemis, where down to my time the prize for the victor in single combat was the priesthood of the goddess. The contest was open to no freeman, but only to slaves who had run away from their masters.” (2)

The Golden Bough

The legend was the inspiration for The Golden Bough, a comparative work of religion and mythology by Sir James George Frazer first published in 1890. Although the book was influential in its time many of the ideas he proposed are not accepted by many modern scholars.  He appears to have expected this saying, 

“Books like mine, merely speculation, will be superseded sooner or later (the sooner the better for the sake of truth) by better induction based on fuller knowledge.” (3)

Maybe he saw his role as starting the conversation for others to continue.   Many of his contemporaries appeared rather disappointed with his success and popularity though his ideas were very controversial.  Fraser appeared to favor Virbius as the origin of the legend of the Rex Nemorensis,

 “In his character of the founder of the sacred grove and first king of Nemi, Virbius is clearly the mythical predecessor or archetype of the line of priests who served Diana under the title of Kings of the Wood, and who came, like him, one after the other, to a violent end. It is natural, therefore, to conjecture that they stood to the goddess of the grove in the same relation in which Virbius stood to her; in short, that the mortal King of the Wood had for his queen the woodland Diana herself.” (4)

 Whether the legendary Rex Nemorensis was a real historical figure is difficult to say and many think not. Nevertheless, he still cuts a dramatic figure lurking in the darkness of the sacred groves at the back of our minds.

© 29/04/2020 zteve t evans

Reference, Attributions and Further Reading

Copyright April 4th, 2020 zteve t evans

The ancient pagan origins of Christmas – The festival of Saturnalia

Christmas in the modern world is a time of revelry, eating and overindulgence of drink, the giving of presents, carol singing and much more.  The Roman festival of Saturnalia is believed to have been a forerunner of the Christmas we know and celebrate today giving us many customs and traditions that we use and enjoy.

Dice players – Author: WolfgangRieger – Public Domain Image

The Roman Festival of Saturnalia

An early forerunner to Christmas was the ancient Roman festival of Saturnalia.  This festival was held in honour Saturn an agricultural deity who reigned during the Golden Age. This was a time of peace, when all was prosperous and plentiful.  A time when people’s needs were met with out having to work and every one lived in a state of social equality with one another.  The festival commenced on the 17th December to the 23rd of December. Saturnalia could be celebrated anywhere in the Roman Empire not just Rome.

Saturnalia was time of great feasting, making merry and revelry with copious amounts of drinking and over indulging in food. People went out in the streets singing from door to door.  It was a time for the giving and receiving of presents. The revelry was supposed to reflect the conditions of the Golden Age.

During Saturnalia leaves and branches of evergreens were fashioned into wreathes and carried by priests in processions.  Gambling and throwing dice, which in ancient Rome was discouraged became permitted for both masters and slaves over the duration of the festival.

Public buildings and squares were adorned with flowers and lit with candles. Candles may have represented the search for truth and knowledge and also the return of the sun after the winter solstice.  In later times the 25th of December by the Julian calendar, Romans celebrated Dies Natalis of Sol Invictus, or the “Birthday of the Unconquerable Sun.”

Role reversal during Saturnalia

During Saturnalia roles were reversed between master and slave, with slave becoming the master and the master, the slave.   Some reports from ancient sources say slaves and masters ate at the same table together.  Other reports say the slaves ate first and others say that the masters served the slaves their food.  No doubt it was the slaves who did the actual preparation and clearing up.

Slaves were also said to be allowed to show a certain amount of disrespect to their masters but in reality it was probably more of an act.  This is because the role reversal was temporary, only lasting through Saturnalia so slaves still needed to be wary of upsetting their master too much.

Dressing for Saturnalia

As can be expected during important festivals people like to dress up and wear their best clothes and Romans were no different.  During Saturnalia men set aside the toga, their usual garment, in favour of Greek styled clothing.  They also wore a conical cap of felt called the pilleus, which was a token of a freedman.  Even slaves were allowed to wear the pilleus during Saturnalia.

Giving presents during Saturnalia

December the 23rd was known as “The Sigillaria and on this day presents and gifts were given.  Against the spirit of the season the value of gifts given and received was a sign of social status.   These might be candles, items of pottery, wax figurines, writing tablets, combs, lamps and many other such articles. Sometimes bird or animals were given.  The rich sometimes gave a slave or an exotic animal of some kind.  Children were given toys.

The Lord of Misrule

The ruler of Saturnalia and the master of ceremonies was called Saturnalicius princeps and was chosen by lot.  A similar figure is seen in medieval times presiding over the Feast of Fools and was known as the Lord of Misrule.  He would issue absurd and whimsical commands which had to be obeyed, hence creating chaos and (mis)rule and an absurd world.

The influence of Saturnalia on Christmas today

Many historians and scholars see the festival of Saturnalia as being as one of the original sources of many of today’s Christmas practices.   The giving of presents, carol singing, the lighting of candles and the use of evergreen plants for decorations all continue to this day.   The practice of eating and drinking to excess and the carnival atmosphere that prevails over the season are reminiscent of the festival of Saturnalia.

References

BBC – Did the Romans invent Christmas? By Jayne Lutwyche  – BBC Religion and Ethics

Saturnalia – From Wikipedia, the free encyclopedia

Public Domain Image – Dice players. Roman fresco from the Osteria della Via di Mercurio (VI 10,1.19, room b) in Pompeii.Author – WolfgangRieger