Mythology and traditions of Rapa Nui

Rapa Nui is better known as Easter Island and is one of the most isolated populated places in the world. Situated in the south eastern Pacific Ocean around 4,000 kilometres from Chile, South America its nearest inhabited neighbour is Pitcairn Island 2,075 to the west.  There in the extreme isolation of the vast Pacific Ocean a unique and amazing civilization evolved that created the most wonderful giant statues and left behind a fascinating and mysterious legacy. Today the inhabitants of the island are known as the Rapanui. According to legend the original settlers named the island Te Pito Te Henua which translates as Navel of the World.

The lost land of Hiva

Rapa Nui mythology tells how the first settlers arrived on the island and later how the island was divided to be ruled by different clans whose chiefs were descended from a legendary chieftain called Hotu Matu’a.

The location of Hiva is not known for certain but it is thought likely that it was somewhere in the Marquesas Islands, some 3,200 km way, or the Gambier Islands, 2,600 km distant. It was shown in 1999, that it was possible to sail from Mangareva, in the Gambier Islands to Rapa Nui, using traditional Polynesian sea vessels in 19 days.

According to oral tradition Hotu Matu’a lived in a place called Marae Renga, which may have been an island in the region of Hiva, or a land location. According to some versions, Hiva was found in the Marquesas Islands but sunk beneath the sea after a natural disaster, possibly a volcanic eruption. It could have been this that drove Hotu Matu’a into making the arduous journey to Rapa Nui and pioneer a new life for his family and his people. Other oral traditions say that it was internal conflicts that drove him to seek a new way of life.

The dream of Hau-Maka

According to most versions of the legend of how the people came to Rapa Nui it was a priest called Hau-Maka who had a dream which he then told to Hotua Matu’a. In that dream Hau-Maka had flown out over the sea and discovered an island called Te Pito ‘o te Kāinga’, which means ‘the centre of the earth’ He then appeared to Hotu Matu’a in a dream to tell him this news. Hotu Matu’a believed the dream was his destiny and that of his people, so he sent out seven scouts in canoes to find this place. When they found it they ate and rested and planted crops of yams, and other plants on the new island so that when they returned with their King and people they would have something ready to eat.

Landing at Anakena beach

Oral tradition states that Hotu Matu’a and his people landed at Anakena beach in double hulled canoes similar to what Polynesians use to this day. From there they colonised the rest of the island which eventually was to be divided between his sons who went on to head their own clans.

The hanau eepe and the hanau momoko

Rapa Nui mythology tells that once two different ethnic groups lived together on the island. One group or tribe of people was called the hanau eepe. This term has been mistranslated as meaning ‘long-ears’ when it actually means ‘stout’ or ‘stocky.’ However one of the traits of the hanau eepe was that they inserted pebbles into their ear lobes causing them to elongate overtime. The other group was the hanau momoko. They did not practise ear elongation and kept their ears short, mistakenly becoming known as the ‘short-ears,’ when the term really means slender or thin.

Some experts think that the hanau eepe may have had higher status and were better fed than the hanau momoko who they thought were the workers or lower classes of their society. Other experts argue that the hanau epee came from South America and were an entirely different ethnic group from the hanau momoko who were of Polynesian origin and there is no agreed consensus among by the experts on this at the moment, other than to disagree with each other.

In some versions of the mythology the hanau epee arrived after the people of Hotu Matu’a and tried to enslave them. It was the hanau eepe who brought the stone-carving skills to Rapa Nui. In other versions the hanau eepe were already on the island when Hot Matu’a arrived. In yet other versions they came with Hotu Matu’a and had been defeated by him in a conflict in Hiva and he had brought them with him to work the land. Whatever the case, conflict again erupted between the two people resulting with the slaughter of all but one of the hanau eepe. His life was spared and he was said to have took a wife and had many descendants.

In 1722, the Dutch explorer, Jacob Roggeveen in 1722 gave the island its European name of Easter Island because he discovered it on Easter Day. In his accounts of his encounters with the islanders he records that there are two distinct ethnic groups. One group easily recognised as of Polynesian origin and the other group of white appearance with elongated earlobes, some to such an extent that they could be tied behind necks. He also records that some of the islanders were of large stature and this was also noted by Spanish explorers in 1770 who measured some of the inhabitants to be 196-199 cm tall.

South America or Polynesia?

There are arguments among the experts as to the origins of the Rapa Nui people. Some theories give Polynesia as their origins whereas others, notably by Thor Heyerdahl, the Norwegian ethnographer, who argued for South America. He cited the similarity of some of the stonework found on the island to that found in South America and also the cultivation of sweet potatoes and other plants that originated in South America. This raises the question of how the sweet potato came to Rapa Nui and other Polynesian islands suggesting some contact between Polynesians and South Americans. Whether this was one-way or two-way cannot be determined but the possibilities exist.

The Sweet Potatoes mystery

Sweet potatoes originate in South America but are found on Rapa Nui as well as other Polynesian islands. There are theories that they were washed off the South American landmass by heavy storms and floated to the islands where they took root, grew and were eventually cultivated by Polynesians.

There are also those see this as evidence of contact between South America and Polynesian cultures. They argue that either South Americans reached Polynesian islands, possible drifting on rafts of balsa wood and driven by currents to Polynesian islands. Once there they either lacked the knowledge or capacity to return against the currents, or did indeed manage a return trip taking back with them parts of Polynesian culture. Or Polynesians did arrive in the Americas and with their better navigational and boat building skills were equipped to make return journeys bringing back parts of American culture with them. The Mapuche Indians of southern and central Chile appear to have possible connections with Polynesians.

Motu Motiro Hiva

Situated 390 km east-northeast of Easter Island and 3,210 km west of Chile is Isla Salas y Gomez. In the language of Rapa Nui it is known as Motu Motiro Hiva or Manu Motu Motiro Hiva, which means ‘Bird’s islet on the way to a far away land.’ From Rapa Nui it points the way to mainland South America. Hive was the legendary land from which Hotu Matu’a is said to have originated and the similarity in name stand out, but there are also several other Polynesian islands part named ‘Hiva’ means ‘far away land,’ especially in the Marquesas Islands so it is difficult to draw conclusions.

With the great movement of the Polynesian people from island to island it may be a name for a previous island home, though there are those who argue that it points to South America as their original home. Either way it is inconclusive. The island was certainly known to the Rapa Nui and it is believed they used to visit at regular intervals to harvest eggs from the great colonies of sea birds that use the island for breeding and nesting. The island is surrounded by steep cliffs and rocks and Rapa Nui tradition says that it was made this way by MakeMake to protect the sea-birds.

The cult of the moai

Image

Author: Aurbina:- Moai at Rano Raraku, Easter Island

In its isolation over the centuries its people evolved a unique culture whose most visual manifestation is the huge stone statues called moai, that are found all around the island. Little is really known of their purpose or how they were made and moved into position by people who had only Stone-Age tools and implements at their disposal.

They are believed to have been representations of some of their most important forefathers and were part of a system of ancestor worship. Care needs to be taken with the word ‘worship’ as it does not necessarily mean the moai were revered as gods, or were deified.

In many forms of ancestor worship there was a symbiotic relationship between the realm of the living and the realm of the dead. It was the task of the living to provide for the needs of the dead in the afterlife in the form of offerings. In return the dead looked after the needs of the living ensuring, health, good fortune and fertility of land to grow food.

Most of the Moai were situated with their backs to the spirit kingdom of the sea looking inland to the realm of the living looking over the villages where the people lived.

MakeMake

In Rapa Nui mythology MakeMake, or sometimes written as Makemake, or Make-Make was the creator of humanity, god of fertility and god of the ‘Tangata manu’ or bird-man cult. He was frequently depicted in petroglyphs found on Rapa Nui. Along with MakeMake there were three other gods associated with the bird-man cult. They were Hawa-tuu-take-take who was the ‘Chief of the eggs’ his wife Vie Hoa and Vie Kanatea.

Tangata manu and the cult of the bird-man

Despite all the effort put into the creation and situating of the Moai the culture was abandoned and most of the statues pulled down. There seems to have been some kind of civil war which swept aside the cult of ancestor worship to replace it with what is known as the cult of the bird-man, though Make-Make was still retained as the chief god of the cult. The cause of the conflict is believed to have been over the diminishing natural resources of the island.

The bird-man cult existed, though with lesser importance during the era of the ancestor worship. In essence the bird-man cult appears to have centred on an annual ritualistic competition which decided which clan would win the rights to harvest the island’s birds and their eggs and also who would be Tangata-Manu or bird-man for the year.

The contestants were the prophets of the clans, known as ivi-attuas, who would appoint an individual known as Hopu, who had been revealed to them in dreams to represent them and their clan by competing in the race to bring back the first egg.

Just off Rapa Nui there lies a small islet called Motu Nui that was home to a colony of Sooty terns. Starting from the sacred cliff-top village of Orongo, the hopu would have to climb down the cliffs to the sea, swim across dangerous shark infested waters to reach Motu Nui, and then scale the cliffs there to find the first egg and return it unbroken to again swimming the seas and climbing the cliffs to Orongo. The task was arduous and dangerous and some competitors were killed in the process. The ivi-attuas would await the return of the hopu in Orongo.

The hopu who found the first egg was allowed to rest on Motu Nui until he was physically and spiritually ready to carry the egg safetly back to Orongo. The other hopu returned to Orongo with news of the winner to their waiting patrons. The winning patron shaved his head and painted it either red, or white.

When the winning hopu returned bearing the egg he would hand it to his patron who would then be declared Tangata-Manu. With the egg in his hand he would lead a procession from Orongo to the place where he would spend a five month residence. This would be Anakena if he was a member of the western clans or Rano Raraku if he was from a clan from the east of the island.

When he arrived at his place of residence he became ‘tapu’, or sacred for the next five months of the year long term and grew his fingernails without cutting them for the term and wore a headdress made of human hair and received a new name. He was allowed special privileges as well as gifts of food and tributes. His clan was awarded the sole rights to harvest the birds and their eggs from Motu Nui for that season. He would then spend the rest of his term in seclusion in a special ceremonial residence.

Celebrating the past, present and future

After the arrival of Catholic missionaries in the 1860s the cult was suppressed and subsequently went into decline. Unfortunately the Rapanui were to suffer devastating raids by slave traders which decimated their population and contact with Europeans brought smallpox and other diseases which nearly wiped them out completely.

In this way many of their leaders and wise men perished and with then went most of the knowledge of the past.

But the Rapanui people are resourceful and resilient and their population has increased again to more healthy levels. We will probably never know the secrets of their past or of their origins and the answers to the mysteries of Rapa Nui.

Nevertheless, lets us celebrate the past of this truly wonderful island and its people while congratulating them on their present achievements and wish them the best – the very best, for the future.

©  08/16/2012 zteve t evans

References and Attributions

This article was written and first published by zteve t evans on Wizzley 08/16/2012

Copyright 08/16/2012 zteve t evans

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Introducing Welsh mythology and folklore

Welsh mythology is the mythology of the people of the principality of Wales which is part of the mythology of the Brythonic people.  These were the ancient Britons who inhabited the British Isles, including Cornwall, Ireland and Brittany the Isle of Man, and the Scottish Isles before the Roman invasion.  Today Wales is a part of the United Kingdom and occupies the western part of the island of Great Britain between England in the east, the Bristol Channel in the south and the Irish Sea in the west and north.

Flag of Wales - Public Domain

Flag of Wales – Public Domain

According to recent research that has produced the first genetic map of the British Isles, the Welsh were found to be able to trace their DNA back to the period following the last Ice Age. This is believed to make them the descendents of early  pioneers who first settled Britain about 10,000 years ago.  Read more

Ancient symbols: The puzzle of the Three Hares

Three hares sharing three ears,

Yet every one of them has two!

Ancient German riddle

Dreihasenfenster (Window of Three Hares), Paderborn Cathedral – Author: ZeframGFDL

An ancient symbol

The three hares is an ancient symbol that is found in many religious places, buildings and caves ranging from the British Isles, Germany, France and other parts of Europe to the Middle East and parts of China in the Far East.  In Britain the symbols are mostly architectural ornaments or found in church roofs and sometimes on ceilings of private homes.  In Europe they are found mostly in churches and synagogues.   It is also used as a motif in heraldry, jewelry, ornaments, tattoos and other works of art. It has been wrought in many different materials and can be thought of as a puzzle, a topological problem, or a visual challenge, and can be found in stone sculptures, wood carvings, paintings, drawings and metal work.

Threefold rotational symmetry

Essentially the motif consists of three hares, or rabbits, chasing each other the same way around a circle.  There is a threefold rotational symmetry with each of the three ears being shared by two hares.The ears form a triangle that appears  at the centre of the circle, where, instead of there being six ears visible, there are only three, even though individually the hares all show two.  Occasionally a Four Hares motif is found in some places which is a similar but shows four ears, instead of eight, even though all the hares have two ears, making a square in the center.

The Tinners Rabbit’s

In  the county of Devon and other parts of the  south west England the motif is sometimes known as the Tinner’s Rabbits. This refers to the trade of tin mining that was once an important industry in the area. The theory was that a tin miners trade association or union that used the Three Hares motif as its emblem was the patron to a number of churches.  This might explain its high proportion of representations in churches in the area.  However, the motif is also found in parts of England with no association with tin mining, though it could have represented some other association that patronized these churches, but the theory is not accepted by everyone and the truth remains elusive.

Sacred symbols

The symbol is similar to the triskelion the triquetra and the triple spiral, or triskele. The meaning of the motif is unknown today though it is believed to have a number of symbolic and mystical associations and was possibly something to do with fertility and the cycle of the moon in paganism.   Its presence in Christian churches is thought to symbolize the Trinity though this cannot be proved and the fact that it is found in so many different countries over such a wide distance it may in fact have more than one meaning or purpose depending on the culture where it is found.

Buddhist connections

The Three Hares motif seems to have spread from the Far East westwards between 600 AD and 1500 AD.  The earliest known examples comes from the Sui Dynasty of China where it was found in sacred caves used for temples from the 6th to 7th century.  From there the motif was believed to have become connected to Buddhism and possibly spread along the Silk Road to the Middle East and eventually to Europe.

A researcher named Guan Youhui, now retired from the Dunhuang Academy, spent 50 years studying the patterns and symbols that are found in the Mogao Caves.  He believed the Three Hares motif represent “peace and tranquility” while others think they may represent “to be”.

The Three Hares can be found in “Lotus” motifs and Mongol metalwork from the 13th century.  It has been found on a copper coin from Iran dated 1281 and on other artifacts from diverse origins.

The spread of the motif

TIt is a mystery to how the Three Hares motif is found over such a large range from China the Middle East, Europe and the British Isles.  Although the earliest examples are found in China it is unknown why it occurs in so many diverse countries.It is possible it  spread along the great trading route of the Silk Road to other regions of the world but it could also have developed independently in different places with different meanings attached to it.  In the first instance it may have incorporated in the design of silks and artifacts simply because it was a pleasing design or it had some special significance.  With the second instance the majority of the occurrence of the motif are found in churches and synagogues in Germany and England, implying some religious significance was attached to it.

Christian use of the Three Hares

The Three Hares motif is found in a number of churches in some European countries.  In  Lyons, France the Basilica of Notre-Dame de Fourvière   and in Germany, the Paderborn Cathedral display excellent examples of the use of the motif.The southwestern parts of England has the most examples and the Three Hares Trail can be followed to see them.  They are often placed on carved wooden knobs, or bosses in a prominent position in the ceilings or roof of medieval churches, giving weight to the idea that they had some special significance and not just the trade symbols of masons or carpenters. The Dartmoor area has a number of Three Hares motifs found in churches. A fine example of a carved wood boss can be seen on a roof boss in the church of St Pancreas, Widecombe-in-the-Moor, near Dartmoor, Devon.

In Christianity there are at least two possible reasons why it it placed in churches.  The first is that in ancient times the hare was believed to be a hermaphrodite that reproduced without sexual intercourse and in doing so retained its virginity.  As such it became associated with the Virgin Mary and its image used in illuminated manuscripts and paintings of the Virgin Mary with the baby Jesus.

The second reason is that the motif  could be representative of the  Holy Trinity.  The three ears from the three hares form a triangle in the centre of the motif possibly representing One in Three and Three in one.  Triangles and interlocking rings were quite often used to represent the Holy Trinity.

Intriguingly the Three Hares symbol is often found next to the so called Green Man symbol.  Like the Three Hares symbol little or possibly less is known about the Green Man.  It is speculated to be an Anglo-Saxon symbol though many people think it may be a far older originating Celtic times.   What it is doing in a Christian church is unknown.  Some speculate that the two together are meant to show the difference between the divine and the earthly nature of humans.

An ancient German riddle

Curiously the motif is found in many of the more well known wooden synagogues in the Ashknaz region of Germany dating from the 17th and 18th century along with the following riddle:-

Three hares sharing three ears,

Yet every one of them has two.

Coat of Arms of Hasloch – Public Domain

The meaning of the Three Hares motif

The hare is an animal that is involved in many myths and legends in many different cultures around the world.  The Three Hares motif can be found from Britain across Eurasia to China and was found in Buddhist, Christian, Jewish and Hindu cultures.   If there was a thread that linked them all together, or a common meaning attached to the motif, it is lost now but it is intriguing to find it in such diverse places.

Symbolism of the Three Hares

But there may be something that they may all have in common. The use of symbols or icons, or imagery helps make learning and remembering important information easier especially for people who cannot read or write.  The use of images is an invaluable aid for people in such circumstances as they convey meaning and information quickly and easily.  The paintings in the caves of Mogao Caves of China to the churches in the English countryside appear to be intended to convey some, but not necessarily the same message, or idea. The symbol of the Three Hares was at least one possible way that the information was conveyed.  What exactly the message was is not known but if one looks at the places and the cultures that they are found in it could be that ideas will naturally spring to mind.   Could it be that by looking at and thinking about the puzzle the beholder is being deliberately placed in a situation where they have to use their own knowledge and experience in combination with the location and culture the symbol is found in to make sense of it in the world that they find themselves in?

One last question

There is probably no right or wrong answer, but do you think The Three Hares symbol has a meaning; does it change with culture and location, or is it just an attractive image used for decoration?

© 06/05/2015 zteve t evans

References and Attributions

Copyright 6th May, 2015 zteve t evans