The Arthurian Realm: The Abductions of Guinevere

Coveting Guinevere

The theme of the abduction of Queen Guinevere runs throughout Arthurian tradition and is taken up by numerous medieval writers.  Caradoc of Llancarfan mentions it in his version of the Life of Gildas, as does Geoffrey of Monmouth, in Historia Regum Brittaniae, (History of the Kings of Britain).  The theme is also taken up by medieval French poets Chrétien de Troyes and Robert de Boron, and in the work of Sir Thomas Malory, Le Morte d’Arthur.   Here we look in brief at various versions of the abduction and then discuss ideas about how they may have been influenced by pagan elements and may be distant echoes of the dramas of ancient gods and goddesses before the arrival of Christianity.

Caradoc of Llancarfan

Probably one of the earliest examples of the abduction of Guinevere comes from The Life of Gildas, By Caradoc of Llancarfan (c.1130-1150).  Guinevere’s abductor is the evil King Melwas of the Summer Country, or Somerset. He may have been an early prototype for Chrétien de Troyes Méléagant, and Malory’s Meliagrance.   In this story Guinevere is abducted and violated and Arthur, who is referred to as a tyrant, spends an entire year seeking her out.  Finally learning she was being in held by King Melwas in Glastonia, or Glastonbury. He raises a vast army intending to free his wife but as the two sides were about to clash, the cleric, Gildas and the clergy step between them. Gildas persuaded the two kings to parley and negotiated that Guinevere be returned to Arthur in peace and goodwill preventing a bloody battle to free her.

Geoffrey of Monmouth

Geoffrey of Monmouth names Mordred, Arthur’s nephew and illegitimate son, as the villain who attempts to covet  Guinevere. Arthur had left Britain in Mordred’s stewardship while he went off fighting the Procurator of Rome, Lucius Hiberius, leaving Guinevere at home.   While he was out of the country with most of his army, Mordred seduced Guinevere and claimed the crown from Arthur forcing him to return to Britain and fight.  This culminated in the catastrophic Battle of Camlann where Mordred was killed and the badly wounded Arthur taken across the sea to Avalon to recover and the end of the Arthurian realm.

Chrétien de Troyes

In Lancelot, Le Chevalier de la Charrette, also known as Lancelot, the Knight of the Cart, by Chrétien de Troyes, Lancelot is the hero of the story who saves Guinevere from the Méléagant, the evil son of King Bagdemagus.  In this story he races to the rescue of Guinevere having a series of adventures along the way. These include having to suffer the indignity, for a knight, of riding in a horse and cart driven by a dwarf that was carrying criminals to their execution.  He then had to scramble over a sword bridge whose edge was turned upright and razor sharp. Although sustaining serious wounds crossing the bridge he was still ready to combat Méléagant, but Guinevere at the request of King Bagdemagus stopped the fight.

Later he was forced to fight Méléagant after the  badly wounded Sir Kay was accused of raping Guinevere while she slept.  Sir Kay was too bad wounded and had no strength available for such exertions and had been wrongly accused.  Blood had been found on her sheets and because he was laid recuperating in the same room as her, he was blamed.  In fact the blood was from Lancelot who had kept an illicit tryst with the queen and slept with her. Lancelot, knowing, but not admitting the truth, stepped in to fight and clear Sir Kay who was too weak to defend himself.

Malory’s, Le Morte d’Arthur

In Malory’s, Le Morte d’Arthur,  wehn the month of May came, Guinevere decided she would participate in the age old tradition of a-Maying in the woods and fields of Westminster.  Therefore, she set off with a party of ladies-in-waiting, along with servants and ten lightly armed Knights, who she insists wear all wear green. Sir Meliagrance, a name probably derived from the Méléagant in Chrétien de Troyes work,  had long lusted after the queen and with 160 men-at-arms attacked the small company. Although her knights fight valiantly they are lightly armed and hopelessly outnumbered. To prevent their slaying she agreed to surrender provided they are spared and remain by her side.  Meliagrance agrees but she manages to send a messenger boy to Lancelot telling of her abduction and requesting his aid.

On hearing the news Lancelot immediately set off in pursuit.  Meliagrance, realising he would follow, set a trap for him and archers killed his horse.  Lancelot was forced to hijack a horse and cart carrying wood for the fires of Meliagrance’s castle.  From this he was given the name, Knight of the Cart. On arrival at the castle gates he shout for Meliagrance demanding he come down and face him.  On learning Lancelot is at his gates Meliagrance begs Guinevere her forgiveness for his behaviour and begs that she protect him from the enraged knight.  She agrees and persuades Lancelot to put his sword away. Lancelot agrees and she leads him to the chamber where the ten knights are kept.

They are both so glad to see each other they agree on a secret midnight tryst. Lancelot appears at her window at midnight and Guinevere tells him she would prefer it if he was inside with her.  Although the window is barred Lancelot pulls the bars out cutting himself in the process and climbs in through the window. The two slept together that night and Lancelot stole away before Sunrise, replacing the bars of the window as he left.

The next morning Meliagrance seeing blood on the sheets of Guinevere’s bed accuses her of sleeping with one, or more, of her wounded knights.  Lancelot, without revealing the truth, challenges Meliagrance to a fight to clear the queen’s name. Meliagrance brings a charge of treason against Guinevere believing she had slept with one or more of the knights.  Although innocent of this accusation, Guinevere had slept with Lancelot which is not revealed to him, but he was not one of the individuals accused. The case is brought before King Arthur and he reluctantly agrees she must be burnt at the stake unless Lancelot proves her innocence by defeating Meliagrance. In the resulting duel Lancelot slays Meliagrance proving her innocence of the charges brought against her and freeing her.

Mordred’s Attempted Abduction

In Le Morte d’Arthur, Mordred, Arthur’s illegitimate son and nephew by his sister Morgause, covets Guinevere, but does not quite manage to abduct her.  Mordred lied to Guinevere telling her4 Arthur had been killed by Lancelot and claimed the throne for himself intending to marry her. Guinevere persuaded Mordred to  allow her to go to London so she could procure all the things a wedding needed but instead locked herself in the Tower of London with her entourage.  Although Mordred tried to persuade her to come out his efforts were cut short by the news that Arthur had arrived back in Britain with his army.  Consequently, he was forced to leave Guinevere and confront Arthur, resulting in his own death and Arthur being severely wounded and taken to Avalon.

Gods of the Round Table

Some scholars of Arthurian legend and romance see many of the stories of King Arthur and his knights, in legend and medieval romance, as being dramatizations of the adventures of Celtic gods and important natural events. They believe there was a special relationship between the king and the gods and the king and the land and to ensure the fertility of the land the king was wedded to the goddess of the land.

David Dom, in his book King Arthur and the Gods of the Round Table proposes that Arthur, Guinevere and the main companions of the Round Table to be a the distant and distorted memories of the old Celtic gods and Arthur is seen as representing a Solar God.  To complicate matters, these stories were overwritten, or influenced by various culture over time, including Roman, English, French and European medieval Christianity and modern thinking. It centers around the idea that Arthurian legends and stories originally were dramatizations of the deeds and adventures of ancient pagan gods with the King Arthur and the Knights of the Round Table making up the pantheon, being a part of it.

Pagan Origins

There is an intriguing idea that the stories of the abduction of Guinevere are echoes of earlier pagan traditions centered around the annual cycle of the seasons in Northern Europe. One of the ways this annual cycle may have been dramatized was in that the seasonal changes were due to the activities and adventures of the gods. In both Malory’s version and that  of Chrétien de Troyes, Guinevere is abducted in the spring, and in Malory’s it is while she is celebrating May Day, or Beltane, the time of the renewal of vegetation. Many scholars see this as evidence that the kidnapping was originally a season myth with Guinevere being a goddess and her abductor a god. In the original versions by Chrétien de Troyes , after being abducted Guinevere was take across water – an indication that she was leaving the Earthly world for the Otherworld – and her rescuers had to cross the water to reach her in that world.  After her rescue Guinevere and Lancelot became lovers which also happened in the spring, around Beltane.

This comes after the bleak barren days of winter and is seen to represent the marriage of the god and goddess heralding the end of the dark, bleak period of winter and the greatly looked forward to renewal of vegetation and fertility to the Earth.  In the Chrétien de Troyes version the entire episode takes place over one year, tying it further to the annual seasonal cycle. The abduction stories while only hinting at pagan influence on the surface have been heavily overwritten with Christian influences which tend to cover up the inherent pagan elements of the loves and romances of the gods.  To pursue this further it is worth taking a look at the annual cycle of seasons for Northern Europe and what follows is a very simplified version of one of the many versions

Winter

In winter the days are cold, dark and short.  Vegetation dies and crops do not grow and food becomes in short supply.   In some pagan northern European societies winter was thought of as the imprisonment of the eternally young, Earth goddess in the depths of the Earth by the aging winter solar god.  As winter progressed the power of the Sun god waned as the Sun rode low in the sky. As his power waned he became more like a malignant god of the underworld and feared the arrival of a young, potent Sun god who would steal the Earth goddess from him.  Desperate to preserve his own power and survive, he imprisoned the Earth goddess in the underworld to prevent anyone from stealing her. The imprisonment of the Earth Goddess resulted in a loss of fertility and renewal being withdrawn from the Earth, causing dramatic and disastrous consequences for humanity.

Spring

In spring the young Sun god arrives and takes a higher path across the sky providing longer days, more daylight and warmer weather.  His youth, strength and virility defeats and supplants the aging Sun god and frees the Earth goddess from imprisonment.  With a  more agreeable climate and the freeing of the goddess the Earth returns to life and seeds germinate, plants bud and grow and animals breed. The young Sun god takes the eternally young Earth goddess for his bride around the time of the festival of Beltane, commonly held on the 1st of May, or halfway between the March, or vernal equinox and the summer solstice, or midsummer,  when the Sun’s power is at its height.

Summer

As the  days grew longer and warmer, with the marriage of the Sun god and the Earth goddess the Earth is fertilized, plants grow and thrive and harvest time arrives which is the product of this marriage.  The young Sun god has reached the heights of his power at midsummer and the coming days will see his power decline.

Autumn

With the decline of power of the now aging Sun god there is a steadily decrease in sunlight and warmth, the days grow steadily shorter, vegetation begins to shrivel and die.  The cycle of the previous years repeats and slowly and inevitable the aging Sun god loses his strength, vigor and virility just as his predecessors had and just as those who come after him will.

Winter Returns

As his strength and potency diminish he appears lower in the sky, days become shorter and darker as winter sets in.  In a desperate attempt to keep his beautiful and eternally young wife he imprisons her in the underground. The Sun god reaches his lowest and weakest point at midwinter, or the Winter Solstice and is defeated by the young Sun god who frees and marries the Earth goddess.  This cycle must continue eternally to bring fertility, renewal and growth to the Earth.

In the version of the abduction of Guinevere by Chrétien de Troyes the drama was played out over one year with Meleagant, Guinevere’s abductor representing the doomed and aging Sun god and Lancelot the virile and potent, young Sun god.

Goddess of Sovereignty

There is also an idea that Guinevere was either an ancient Goddess of Sovereignty, or a representative of one.  A Goddess of Sovereignty was an aspect or servant of the Earth goddess, also known as the Earth Mother or Mother Earth and Goddess of the Land, in some cultures.

Those who follow this idea point to the fact that the story begins in May which is around the festival of Beltane.  It is at this time of year the everywhere is green and fertile and in celebration Malory tells how Queen Guinevere decides she will go a-Maying.  Those who see Arthurian characters as divinities, see Guinevere as representing a Goddess of Sovereignty that bestows the sovereignty of the land onto the King, who in this case is Arthur. As such his role is taking care of the land and inhabitants ensuring it remains fertile.  To do this she needs a strong, virile king but in these stories Arthur is usually portrayed as aging and losing power. Lancelot being the younger and more potent of the two may be seen by a Goddess of Sovereignty as an ideal replacement, but despite his love for Guinevere he remains loyal to Arthur not wanting the crown.

It may also be the case that simply being in possession of a representative of the goddess would be enough to give authority to the claim of kingship. This would make Guinevere a valuable prize for anyone who would be king and helps explain her numerous abductions, especially Mordred’s interest in her.  It also explain why, for the most, part Arthur appears reluctant to acknowledge, or deal with the situation of her affair with Lancelot until he is forced into it.

The affair with Lancelot may not have been about Guinevere’s alleged sexual promiscuity but more about her fulfilling her role as representing a Goddess of Sovereignty. Furthermore her abductions may not necessarily have been about love, lust or desire for her as a woman, but more about possessing the representative of the goddess. For all of that these are just ideas and theories and it is up to each person to decide what it means to them.

© 20/11/2018 zteve t evans

References, Attributions and Further Reading

Copyright November 20th, 2018 zteve t evans

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Sir Galahad the Perfect Knight

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Sir Galahad first appeared in medieval Arthurian romance in the Lancelot-Grail cycle of works and then later in Le Morte d’Arthur by Sir Thomas Malory.  He was the illegitimate son of Sir Lancelot and Elaine of Corbenic and became one of King Arthur’s Knights of the Round Table.  When he came of age he was considered the best knight in the world and the perfect knight and was renowned for his gallantry and purity becoming one of only three Knights of the Round Table to achieve the Holy Grail.  The other two were Sir Bors and Sir Percival.  Pieced together here is a brief look at his early life and how through his immaculate behavior he rose to such an exalted status  achieving the Holy Grail and a spiritual dimension which remained frustratingly out of reach of King Arthur, Sir Lancelot and most of the the other Knights of the Round Table and concludes by comparing his achievements with those of King Arthur and Sir Lancelot.

King Pelles

King Pelles the lord of Corbenic the Grail Castle, in the land of Listeneise  and was Galahad’s maternal grandfather.  He was also one of the line of the guardians of the Holy Grail. In some Arthurian romances  Joseph of Arimathea brought the Grail to Britain and gave it to Bron, his brother-in-law, to keep safe and Pelles was descended from Bron. In some versions of Arthurian romance Pelles is also known as the Fisher King or Maimed King.

Pelles had been wounded in the legs or groin resulting in a loss of fertility and his impotence was reflected in the well-being his of kingdom making it infertile and a Wasteland. This is why he was sometimes called the Maimed King.  The only activity he appeared able to do was go fishing.  His servants had to carry him to to the water’s edge and there he would spend his time fishing which is why  he is sometimes called the Fisher King.   Galahad was important to King Pelles as he was the only one who could heal his wound.

Elaine and Lancelot

King Pelles had a daughter named Elaine and he had been forewarned by magical means that Lancelot would become the father of his daughter’s child.  This child would grow to become the world’s best and most perfect knight and be chosen by God to achieve the Holy Grail.  He was the chosen one who would be the only one pure enough to be able to heal his wound.  There was a problem though. Lancelot was dedicated solely to Guinevere, his true love and would never knowingly sleep with another woman.   Nevertheless Pelles was desperate for the liaison to take place and decided to seek magical help from Dame Brusen.  She was one of Elaine’s servants who was skilled in the art of sorcery to help his cause.  She gives Pelles a magic ring for Elaine to wear which gives her the likeness of Guinevere.

Elaine wears the magic ring and transforms into the a double of Guinevere.  Lancelot is fooled by the masquerade and they sleep together.  When he discovers the deception he is angry and ashamed and threatens to kill her.  She tells hims she is with his child and he relents but leaves Corbenic.

Elaine in due course gives birth to his son who she names Galahad.  This is the name Lancelot was baptized with when he was born.   It was the Lady of the Lake who fostered and raised Lancelot in her magical realm and it was she who named him Lancelot du Lac, or Lancelot of the Lake.

The madness of Lancelot

holy_grail_tapestry_the_failure_of_sir_launcelot

Soon afterwards Elaine goes to a feast at Arthur’s court.  Although Lancelot is also there he refuses to acknowledge her, making her sorrowful and lovelorn.   She calls her servant Dame Brusen to her and tells her how she is feeling and asks for her help.  Dame Brusen tells Elaine that she will fix it so Lancelot lies with her that night.  Pretending to Lancelot that Guinevere has summoned him she leads him to her chamber, but it is Elaine waiting there for him in bed in the dark and again he sleeps with her.

While he is with Elaine, Guinevere summons him and is furious to discover he is not in his bed chamber and even more so when she discovers him lying with Elaine in hers.  She tells him that she never wants to see or talk to him again and will have nothing more to do with him.  Lancelot is so upset and disturbed at what has happened and with Guinevere’s admonishments that madness takes him and he leaps out of the window running off into the wilderness.

Lost in madness and consumed by grief and sorrow he wanders alone through the wild places before he eventually reaches Corbenic where Elaine finds him insane her garden. She takes him to a chamber in Corbenic Castle where he is allowed to view the Holy Grail, but only through a veil.  Nevertheless this veiled sight of the holy relic is enough to cure him of his insanity.  Although he sees it through the veil, having committed adultery he is not pure enough so he can never be the perfect knight that achieves the Grail.

When his son is born he finally forgives Elaine but will not marry her and instead returns to the court of King Arthur.  The child is named Galahad, after his father’s former name and given to his great aunt to bring up in a nunnery.  Merlin foretells that Galahad will be even more valiant than his father and will achieve the Holy Grail.

Galahad’s quest for the Holy Grail

It was not until Galahad became a young man that he was reunited with Sir Lancelot, his father, who makes him a knight.   Lancelot then takes Galahad to Camelot at Pentecost where he joins the court.  A veteran knight who accompanied him leads him to the Round Table and unveils an empty chair which is called the Siege Perilous or the Perilous Seat.  At the advice of Merlin this seat was kept vacant for the knight who was to achieve the Quest for the Holy Grail.

This was his first test or worthiness as this chair in the past had proved deadly for any who had previously sat there who had hoped to find the Grail.  Galahad sits in the seat and survives.  King Arthur sees this and is impressed seeing that there is something special about him and leads him down to a river  where there is a floating stone with a sword embedded in it which bears an inscription  which says,

“Never shall man take me hence but only he by whose side I ought to hang; and he shall be the best knight of the world.”

Galahad tries and takes the sword from the stone and Arthur immediately declares that he is the greatest knight ever.  Arthur invites Galahad to become a member of the Round Table which he accepts.  Not long after the mystical presence of the Holy Grail is briefly experienced by those at King Arthur’s Court and the quest to find the grail is immediately begun. All the Knights of the Round Table embark on the quest leaving Camelot virtually empty.  Arthur is sad because he knows many will die or not return and fears it is the beginning of the end of his kingdom.

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Galahad mainly traveled alone and became involved in many adventures. In one he saves Sir Percival when he was attacked by twenty knights and rescued many maidens in distress.  Eventually he meets up again with Sir Percival who is accompanied by Sir Bors and together they find the sister of Sir Percival who takes them to a ship that will take them over the sea to a distant shore.  Sadly when they reach the shore Percival’s sister has to die that another may live.  To ensure she gets a fit and proper burial Sir Bors takes her body back to her homeland.

Sir Galahad and Sir Percival continue the quest and after many adventures arrive at the court of King Pelles and his son Eliazar.  Pelles and Eliazar are holy men and take Sir Galahad into a room to show him the Holy Grail and they request that he take it to a holy city called Sarras. After being shown the Grail, Sir Galahad asks that he may he may choose the time of his own death which is granted.

While he is on the journey back to Arthur’s court Joseph of Arimathea comes to him and he experiences such feeling of ecstasy that he asks to die there and then.  He says his goodbyes to Sir Percival and Sir Bors and angels appear and he is carried off to heaven as his two friends watch.  Although there is nothing to say that the Holy Grail will not once again be seen on earth it was said that since the ascension to heaven of Galahad there has not been another knight with the necessary qualities of achieving the Holy Grail.

Galahad’s achievement of the Holy Grail

Sir Galahad and the quest for the Holy Grail is one of the later stories that appeared as Arthurian romances grew in popularity.   The thought is that King Arthur and the Knights of the Round Table were not pure enough to achieve such an important religious task. Galahad was introduced into the fold as one of the few who had the purity and personal qualities to qualify him as worthy enough to achieve the Holy Grail.  Just as when Arthur drew the sword from the stone and became the chosen one, Galahad did the same and also became the chosen one. He chose the kingdom of God whereas Arthur built a kingdom on earth.  In taking up the quest for the Holy Grail the priority is to the spiritual rather than the earthly life and Galahad fulfills the spiritual dimension of Arthurian romance and becomes the example for his contemporaries and those coming after him to aspire to.

© 03/05/2016  zteve t evans

References and Attributions

Copyright May 3rd, 2016 zteve t evans

Ancient symbols: The puzzle of the Three Hares

Three hares sharing three ears,

Yet every one of them has two!

Ancient German riddle

Dreihasenfenster (Window of Three Hares), Paderborn Cathedral – Author: ZeframGFDL

An ancient symbol

The three hares is an ancient symbol that is found in many religious places, buildings and caves ranging from the British Isles, Germany, France and other parts of Europe to the Middle East and parts of China in the Far East.  In Britain the symbols are mostly architectural ornaments or found in church roofs and sometimes on ceilings of private homes.  In Europe they are found mostly in churches and synagogues.   It is also used as a motif in heraldry, jewelry, ornaments, tattoos and other works of art. It has been wrought in many different materials and can be thought of as a puzzle, a topological problem, or a visual challenge, and can be found in stone sculptures, wood carvings, paintings, drawings and metal work.

Threefold rotational symmetry

Essentially the motif consists of three hares, or rabbits, chasing each other the same way around a circle.  There is a threefold rotational symmetry with each of the three ears being shared by two hares.The ears form a triangle that appears  at the centre of the circle, where, instead of there being six ears visible, there are only three, even though individually the hares all show two.  Occasionally a Four Hares motif is found in some places which is a similar but shows four ears, instead of eight, even though all the hares have two ears, making a square in the center.

The Tinners Rabbit’s

In  the county of Devon and other parts of the  south west England the motif is sometimes known as the Tinner’s Rabbits. This refers to the trade of tin mining that was once an important industry in the area. The theory was that a tin miners trade association or union that used the Three Hares motif as its emblem was the patron to a number of churches.  This might explain its high proportion of representations in churches in the area.  However, the motif is also found in parts of England with no association with tin mining, though it could have represented some other association that patronized these churches, but the theory is not accepted by everyone and the truth remains elusive.

Sacred symbols

The symbol is similar to the triskelion the triquetra and the triple spiral, or triskele. The meaning of the motif is unknown today though it is believed to have a number of symbolic and mystical associations and was possibly something to do with fertility and the cycle of the moon in paganism.   Its presence in Christian churches is thought to symbolize the Trinity though this cannot be proved and the fact that it is found in so many different countries over such a wide distance it may in fact have more than one meaning or purpose depending on the culture where it is found.

Buddhist connections

The Three Hares motif seems to have spread from the Far East westwards between 600 AD and 1500 AD.  The earliest known examples comes from the Sui Dynasty of China where it was found in sacred caves used for temples from the 6th to 7th century.  From there the motif was believed to have become connected to Buddhism and possibly spread along the Silk Road to the Middle East and eventually to Europe.

A researcher named Guan Youhui, now retired from the Dunhuang Academy, spent 50 years studying the patterns and symbols that are found in the Mogao Caves.  He believed the Three Hares motif represent “peace and tranquility” while others think they may represent “to be”.

The Three Hares can be found in “Lotus” motifs and Mongol metalwork from the 13th century.  It has been found on a copper coin from Iran dated 1281 and on other artifacts from diverse origins.

The spread of the motif

TIt is a mystery to how the Three Hares motif is found over such a large range from China the Middle East, Europe and the British Isles.  Although the earliest examples are found in China it is unknown why it occurs in so many diverse countries.It is possible it  spread along the great trading route of the Silk Road to other regions of the world but it could also have developed independently in different places with different meanings attached to it.  In the first instance it may have incorporated in the design of silks and artifacts simply because it was a pleasing design or it had some special significance.  With the second instance the majority of the occurrence of the motif are found in churches and synagogues in Germany and England, implying some religious significance was attached to it.

Christian use of the Three Hares

The Three Hares motif is found in a number of churches in some European countries.  In  Lyons, France the Basilica of Notre-Dame de Fourvière   and in Germany, the Paderborn Cathedral display excellent examples of the use of the motif.The southwestern parts of England has the most examples and the Three Hares Trail can be followed to see them.  They are often placed on carved wooden knobs, or bosses in a prominent position in the ceilings or roof of medieval churches, giving weight to the idea that they had some special significance and not just the trade symbols of masons or carpenters. The Dartmoor area has a number of Three Hares motifs found in churches. A fine example of a carved wood boss can be seen on a roof boss in the church of St Pancreas, Widecombe-in-the-Moor, near Dartmoor, Devon.

In Christianity there are at least two possible reasons why it it placed in churches.  The first is that in ancient times the hare was believed to be a hermaphrodite that reproduced without sexual intercourse and in doing so retained its virginity.  As such it became associated with the Virgin Mary and its image used in illuminated manuscripts and paintings of the Virgin Mary with the baby Jesus.

The second reason is that the motif  could be representative of the  Holy Trinity.  The three ears from the three hares form a triangle in the centre of the motif possibly representing One in Three and Three in one.  Triangles and interlocking rings were quite often used to represent the Holy Trinity.

Intriguingly the Three Hares symbol is often found next to the so called Green Man symbol.  Like the Three Hares symbol little or possibly less is known about the Green Man.  It is speculated to be an Anglo-Saxon symbol though many people think it may be a far older originating Celtic times.   What it is doing in a Christian church is unknown.  Some speculate that the two together are meant to show the difference between the divine and the earthly nature of humans.

An ancient German riddle

Curiously the motif is found in many of the more well known wooden synagogues in the Ashknaz region of Germany dating from the 17th and 18th century along with the following riddle:-

Three hares sharing three ears,

Yet every one of them has two.

Coat of Arms of Hasloch – Public Domain

The meaning of the Three Hares motif

The hare is an animal that is involved in many myths and legends in many different cultures around the world.  The Three Hares motif can be found from Britain across Eurasia to China and was found in Buddhist, Christian, Jewish and Hindu cultures.   If there was a thread that linked them all together, or a common meaning attached to the motif, it is lost now but it is intriguing to find it in such diverse places.

Symbolism of the Three Hares

But there may be something that they may all have in common. The use of symbols or icons, or imagery helps make learning and remembering important information easier especially for people who cannot read or write.  The use of images is an invaluable aid for people in such circumstances as they convey meaning and information quickly and easily.  The paintings in the caves of Mogao Caves of China to the churches in the English countryside appear to be intended to convey some, but not necessarily the same message, or idea. The symbol of the Three Hares was at least one possible way that the information was conveyed.  What exactly the message was is not known but if one looks at the places and the cultures that they are found in it could be that ideas will naturally spring to mind.   Could it be that by looking at and thinking about the puzzle the beholder is being deliberately placed in a situation where they have to use their own knowledge and experience in combination with the location and culture the symbol is found in to make sense of it in the world that they find themselves in?

One last question

There is probably no right or wrong answer, but do you think The Three Hares symbol has a meaning; does it change with culture and location, or is it just an attractive image used for decoration?

© 06/05/2015 zteve t evans

References and Attributions

Copyright 6th May, 2015 zteve t evans

Greek mythology: Gaia’s revenge

Gaia the Earth Mother

Gaia – Public Domain

In Greek mythology Gaia  appeared out of Chaos and was the primal Mother Goddess who gave birth to the Earth and the universe.  According to some sources she was seen as the personification of the Earth and the mother of all.

Ouranos the god of the skies

Ouranos was the personification of the sky or the heavens in Greek mythology and is also known by his Latinized name of Uranus. He was also known as Father Sky.  Sources differ but  Hesiod in his work Theogony says that Gaia was his mother while other sources say his father was Aether.

Gaia gave birth to Ouranos who became the sky crowned with stars and of equal splendor to her and made so as to fully cover her. She then created the mountains and the sea. After the universe had been formed the next task was to populate it.

The birth of the Titans

Ouranos was not only her son but her husband too. Gaia united with Ouranos to give birth to the twelve Titans, six male and six female and the first race upon the earth. Their sons names were Oceanus, Coeus, Crius, Hyperion, Iapetus and Cronus, and their daughters names were Theia, Rhea, Themis, Mnemosyne, Phoebe and Tethys.

The birth of the Cyclops

Ouranos and Gaia then produced the Cyclops, who were named Brontes, Steropes and Arges. These were giants with one eye in their foreheads and who possessed incredible strength.

The birth of Briareus, Cottus and Gyes

Their next offspring were three monsters who each had one hundred powerful arms and fifty heads. They were known as the Hecatonchires, or the Centimanes, and their names were Briareus, Cottus and Gyes.

Ouranos regarded his children with horror and revulsion and was also thought to be fearful of their strength, and possibly usurping him. As soon as they were born he imprisoned them in  the earth, which was inside Gaia who was the Earth goddess.

Gaia’s revenge

Victory, Janus, Chronos, and Gaea – by Giulio Romano – Public Domain

Gaia was distraught at this, and feeling great sorrow for her children and great pain for herself planned vengeance against Ouranos. From her bosom she manifested a sharp sickle and asked her children to join in with a plan she had made to set them free and wreak vengeance. The plan was to castrate Ouranos when he visited her at night. Only Cronus agreed to help her and she gave him the sickle.

When evening fell Ouranos returned to rejoin Gaia. While Ouranos was asleep, Cronus and Gaia mutilated him, cutting off his genitals and throwing them in the sea. From the blood that seeped from the terrible wound onto the earth sprang the Furies, the Giants and the ash-tree nymphs. From what was thrown into the sea the goddess of love and desire, known as Aphrodite, was born.

Cronus becomes king of the gods

With Ouranos now impotent and the sky separated from the earth, Cronus liberated his fellow Titans, but not the Cyclops and Hecatonchires, and became king of the gods. Later he too was to be deposed by his son Zeus, who became the chief god of the Greek Pantheon.

References and attributions

Copyright 25/03/2015 zteve t evans

British Folk Songs: The Ballad of John Barleycorn

Barley has a long association with human society because of its uses for food, drink and medicine that goes back some 12,000 years.   Used for animal feed and to make bread for human consumption, it is also used to make popular alcoholic drinks such as beer, barley wine, whisky and other alcoholic and non-alcoholic beverages.

Beer is the oldest and the most common of all alcoholic drinks and after water and tea the third most popular beverage.  With its ancient importance, barley has given rise to many myths and is the source of much folklore and many people think that hidden in an old traditional folk song of the British Isles  called John Barleycorn, lies the story of barley.

Barley – Public Domain Image

The Ballad of John Barleycorn

A traditional British folk ballad, called John Barleycorn, depicts the lead character as the personification of barley and its products of bread, beer and whisky.   The song is very old and there are many versions from all around the British Isles.  The song does have strong connections with Scotland with possibly the Robert Burns version the most well-known though the song goes way back to before the times of Elizabeth 1st.

Different Versions

In the song, John Barleycorn is subject to many violent, physical abuses leading to his death.  Each abuse represents a stage in the sowing, growing, harvesting, malting and preparation of barley to make beer and whisky.

In many versions there is confusion because it is brandy that is consumed even though brandy is made from grapes, rather than whisky or beer made from barley.   John Barleycorn is also a term used to denote an alcoholic drink that is distilled such as a spirit, rather than fermented like beer.

In some versions of the song there is more emphasis on the way different tradesmen take revenge on John Barleycorn for making them drunk.  The miller grinds him to a powder between two stones.  However John Barleycorn often proves the stronger character due to his intoxicating effect on his tormentors and the fact hat his body is giving sustenance to others making humans dependent upon him.

Through the savagery inflicted upon John Barleycorn the song metaphorically tells the story of the sowing, cultivating and harvesting cycle of barley throughout the year.  The ground is ploughed, seeds are sown, and the plant grows until ready for harvest. It is then cut with scythes, and tied into sheaves, which are flayed to remove the grain.

Pagan and Anglo-Saxon Associations

Wikipedia says that some scholars think that John Barleycorn has strong connections with the pagan Anglo-Saxon character of Beowa also known as Beaw, Beow, or Beo or sometimes Bedwig. In Old English ‘Beow’ means ‘barley’ and ‘Sceafa’ means ‘sheaf.’ From Royal Anglo-Saxon lineage, Beowa is the son of Scyld who is the son of Sceafa in a pedigree that goes back to Adam.

Many scholars also think that there are strong associations with Beowa and Beowulf and the general agreement is that they are the same character.  Some scholars also think that Beowa is the same character as John Barleycorn while others disagree.

The Golden Bough

Wikepedia says, Sir James George Frazer, in his book, ‘The Golden Bough: A Study in Magic and Religion’  asserts that many of the old religions of the world were derived from fertility cults which had at their core the ritual sacrifice of a Sacred king who was also known as the Corn King, who was the embodiment of the Sun god.  Each year he went through a cycle of death and rebirth in a union with the Earth goddess, dying at the harvest time to be reborn in the spring.

The Corn King

The Corn King was chosen from the men of a tribe to be the king for a year.  At the end of the year he would then dance, or perform thanksgiving and fertility rituals in the fields before being ritually killed.  So that the soil would be fertilised his body was dragged through the fields to enable his blood to run into the soil.  It may be that he may then have been eaten by the tribe in completion of the ritual.

As well as other uses, the barley was made into cakes which would be stored for the winter and were thought to hold the spirit of the Corn King.  Around the time of the winter solstice when the sun was at its weakest and as it started to strengthen, the cakes would be fed to children giving them the spirit of the corn king.

Christianity

There are also theories that possibly an earlier form of John Barleycorn represented a pagan rite before the rise of Christianity. There are suggestions that the early Christian church in Anglo-Saxon England adapted this to help the conversion of the pagan population to Christianity.  This is a tactic that was used with Yule and other pagan festivals and traditions.   In some versions of the song, John Barleycorn suffers in a similar way to Christ, especially in the version by Robert Burns.

After undergoing ritualistic suffering and death, his body is ground into flour for bread and drink. Some scholars compare this with the Sacrament and Transubstantiation of Christian belief though not all agree.

Popular Culture

We will probably never know the true origins and meaning that are hidden in the story of John Barleycorn but the song and its mysteries still have a powerful effect on people today.  Many popular musicians and folk artists have performed versions of the song in the recent past and it is still a popular song today.

In 1970, the progressive rock group, ’Traffic’ made an album entitled, John Barleycorn Must Die, featuring a song of the same name which went on to become a classic.

The song is popular with recording and performing artists and a favourite with audiences. Folk rock bands Fairport Convention and Steel-eye Span and many other rock and folk artists have recorded versions of the song ensuring the story of John Barleycorn is still sung and celebrated, so that even though the meaning may be lost in time, the story lives on.

References and Attributions
File:Hordeum-barley.jpg From Wikimedia Commons 
Read the lyrics HarvestFestivals.Net - John Barleycorn
AudioEnglish.org -John Barleycorn
The Golden Bough - from Wikipedia
Sacred king from Wikipedia
Frazer, Sir James George -  The Golden Bough: A Study in Magic and Religion
Traffic - John BarleyCorn  
Mainly Norfolk: English Folk and Other Good Music

The Popular Legend of Lady Godiva

The popular legend of how Lady Godiva rode naked on horse back through the streets of Coventry to save the people from a crippling and unjust tax known as the Heregild, is one of the most renowned stories in British folklore. The Heregild was a tax imposed on the English by the Danish King Canute to pay for his body guard.

Lady Godiva, by artist John Collier – Public Domain Image

According to the legend the event happened on a market day and had profoundly beneficial consequences for the people of Coventry.

The problem with legends is that there are often more than one versions of the same story and events that happened in the distant past get changed and exaggerated until it is difficult to discern the accuracy of accounts.  This article presents a version of the popular legend of Lady Godiva as it exists today and has been put together from a number of other versions.  It is the first of a planned series on the subject each of which will present different view points on the legend, such as the historical and pagan contexts of the story.

The Heregild Tax

Earl Leofric was a powerful lord loyal to King Canute and owed his position to his goodwill.  As such he was not prepared to risk losing that goodwill.  He strictly imposed the Heregild on the people and made sure it was collected

Lady Godiva was also rich and owned valuable land and assets in her own right in the area and was very fond of the local people.  One of those assets was the town of Coventry. She was a devout Christian and was renowned for being pious, virtuous and faithful to the Christian Church and its ideals.  In comparison, it was said that Leofric, although thought to be a Christian, did not hold quite the same religious convictions as his wife.

Leofric’s Challenge

Lady Godiva could see the suffering it was causing to her beloved people and persistently begged Leofric to put an end to the tax.  With his patience running thin through his wife’s continuous pestering he is reputed to have told her that she would have to ride naked through the streets of Coventry before he would repeal the tax.. He probably said this out of exasperation, thinking his very prim and pious wife would never do such a thing. However, Leofric badly underestimated his wife’s devotion to the people and her determination to help them.

Lady Godiva takes up the Challenge

Godiva took up the challenge and rode naked on a horse through the streets of Coventry.  There are a number of variations to the legend, but one says that the people of Coventry were so grateful to Godiva, that they kept to their homes and covered the windows and no one took advantage of the situation to try and peek at her.

Peeping Tom

Another later variation tells how she had sent out messengers to clear the streets in front of her as she rode. All the citizens of Coventry obeyed except for one who tried to peep but was immediately struck blind.  His name was Tom who was a tailor, and from that day on he became known as Peeping Tom.

In Coventry’s Cathedral Lanes Shopping Centre there is a rather peculiar carved painted wooden effigy said to be a depiction of Peeping Tom.  Its eyes are blank possibly because the paint has worn off or possibly for other reasons. Either way, Lady Godiva completed the ride veiled only by her long golden hair which was long enough to cover her body, leaving only her face and legs visible.

Leofric Keeps His Promise

It seems her husband, Leofric, was so impressed that his demure and pious wife would dare to do such a thing for the people of Coventry and so amazed that no one had seen her that he changed his own religious convictions.  He regarded it as a miracle and keeping his word to his wife he repealed the hated Heregild and founded a Benedictine monastery with her, although no trace of this remains today.

The grateful people of Coventry held an annual fair keeping alive the story of Godiva and her heroism.  Unfortunately this was banned during the Reformation.

The Godiva Procession

Around 1678 the fair was revived with a representative of Lady Godiva riding through the streets on a snow white horse accompanied by a man making lewd and suggestive gestures.  The Godiva Procession is an annual event which takes place in June.

Future Articles

Although the naked ride of Lady Godiva is one of Britain’s most famous legends there is no proof that it actually happened though Godiva and Leofric were both historical and important figures in their day. It is still debated whether this was the same Godiva or a different person.  Historically, back in the days when the event was supposed to have happened Coventry was just a small settlement and nothing like the city we know today. Many scholars think that the legend has its roots in pagan ceremonies such as the May Queen.  These and other ideas will be dealt with in future articles.

References and Attributions
Lady Godiva - From Wikipedia 
BBC – Lady Godiva 
LIBER GENTIUM MEDIEVAL BIOGRAPHY - Lady Godiva - the eleventh century Coventry legend
Image - File:Lady Godiva by John Collier.jpg - From Wikipedia - Lady Godiva, by Artist, John Collier (1850–1934) Credit line Photographer, user:Hautala

The Legend Of Madelon And The Christmas Rose

The legend of the Christmas Rose tells the story of how a young shepherdess named Madelon, through her love and devotion, came to give the baby Jesus a gift more precious than gold, frankincense or myrrh.

Madelon and the Christmas Rose - Public Domain

Madelon and the Christmas Rose – Public Domain

The Christmas Rose

The Christmas rose (helleborus niger) is actually a perennial herb and grows in the cold, snowy mountains and high valleys across Europe. The flowers are white and star-shaped and tipped with pink. It is also known as the Snow Rose and the Winter Rose as it blossoms in the mid-winter season when most other vegetation lies dormant and covered by snow.

The Legend

The tradition tells how the shepherds, while watching their flocks, were visited by an Angel who was leading the Magi to the birthplace of Jesus. The Angel told them of the birth of Jesus who would be known as the Prince of Peace, the King of Kings and the Saviour of their people. Overjoyed, the shepherds left their flocks to visit the new born king taking him such gifts as they could afford and were befitting of their status such as, honey, fruit and snow-white doves.

Madelon

Now on that cold winter night when Jesus was born, the shepherds were not the only ones out on the hillside tending their flocks. A young shepherdess, called Madelon, was also out tending her family’s flock and had witnessed the arrival of the Angel and the Magi and heard what the Angel told the shepherds.

Love And Devotion

Hearing the news, the young girl’s heart became full of love and devotion and filled with faith. At a distance she followed the Angel, the Magi and the shepherds to the stable where Jesus lay in the manger, cared for by Mary and Joseph.

The Magi Give Baby Jesus Wonderful Gifts

She watched as they entered the stable and the Magi laid their wonderful gifts of gold, myrrh and frankincense before the baby Jesus. She watched as the shepherds gave their gifts of honey, fruit and snow-white doves. Realizing she had nothing to give she rushed back to the hillside to try and find flowers that she could lay before him.

Madelon’s Tears

Finding none on the snow covered hillside she became full of shame and despair and began crying. As she cried her tears fell down her face onto the snowy ground around her. Seeing this from on high the Angel came down and touched the ground and a bush of the most beautiful winter roses sprang forth at her feet.

A Precious Gift Of Pure Blooms

The Angel told her, “No gold, no frankincense, no myrrh, is as precious, or as fitting a gift for the Prince of Peace as these pure blooms that are born from the pure tears of love, faith and devotion.”

The ancient pagan origins of Christmas – The festival of Saturnalia

Christmas in the modern world is a time of revelry, eating and overindulgence of drink, the giving of presents, carol singing and much more.  The Roman festival of Saturnalia is believed to have been a forerunner of the Christmas we know and celebrate today giving us many customs and traditions that we use and enjoy.

Dice players – Author: WolfgangRieger – Public Domain Image

The Roman Festival of Saturnalia

An early forerunner to Christmas was the ancient Roman festival of Saturnalia.  This festival was held in honour Saturn an agricultural deity who reigned during the Golden Age. This was a time of peace, when all was prosperous and plentiful.  A time when people’s needs were met with out having to work and every one lived in a state of social equality with one another.  The festival commenced on the 17th December to the 23rd of December. Saturnalia could be celebrated anywhere in the Roman Empire not just Rome.

Saturnalia was time of great feasting, making merry and revelry with copious amounts of drinking and over indulging in food. People went out in the streets singing from door to door.  It was a time for the giving and receiving of presents. The revelry was supposed to reflect the conditions of the Golden Age.

During Saturnalia leaves and branches of evergreens were fashioned into wreathes and carried by priests in processions.  Gambling and throwing dice, which in ancient Rome was discouraged became permitted for both masters and slaves over the duration of the festival.

Public buildings and squares were adorned with flowers and lit with candles. Candles may have represented the search for truth and knowledge and also the return of the sun after the winter solstice.  In later times the 25th of December by the Julian calendar, Romans celebrated Dies Natalis of Sol Invictus, or the “Birthday of the Unconquerable Sun.”

Role reversal during Saturnalia

During Saturnalia roles were reversed between master and slave, with slave becoming the master and the master, the slave.   Some reports from ancient sources say slaves and masters ate at the same table together.  Other reports say the slaves ate first and others say that the masters served the slaves their food.  No doubt it was the slaves who did the actual preparation and clearing up.

Slaves were also said to be allowed to show a certain amount of disrespect to their masters but in reality it was probably more of an act.  This is because the role reversal was temporary, only lasting through Saturnalia so slaves still needed to be wary of upsetting their master too much.

Dressing for Saturnalia

As can be expected during important festivals people like to dress up and wear their best clothes and Romans were no different.  During Saturnalia men set aside the toga, their usual garment, in favour of Greek styled clothing.  They also wore a conical cap of felt called the pilleus, which was a token of a freedman.  Even slaves were allowed to wear the pilleus during Saturnalia.

Giving presents during Saturnalia

December the 23rd was known as “The Sigillaria and on this day presents and gifts were given.  Against the spirit of the season the value of gifts given and received was a sign of social status.   These might be candles, items of pottery, wax figurines, writing tablets, combs, lamps and many other such articles. Sometimes bird or animals were given.  The rich sometimes gave a slave or an exotic animal of some kind.  Children were given toys.

The Lord of Misrule

The ruler of Saturnalia and the master of ceremonies was called Saturnalicius princeps and was chosen by lot.  A similar figure is seen in medieval times presiding over the Feast of Fools and was known as the Lord of Misrule.  He would issue absurd and whimsical commands which had to be obeyed, hence creating chaos and (mis)rule and an absurd world.

The influence of Saturnalia on Christmas today

Many historians and scholars see the festival of Saturnalia as being as one of the original sources of many of today’s Christmas practices.   The giving of presents, carol singing, the lighting of candles and the use of evergreen plants for decorations all continue to this day.   The practice of eating and drinking to excess and the carnival atmosphere that prevails over the season are reminiscent of the festival of Saturnalia.

References

BBC – Did the Romans invent Christmas? By Jayne Lutwyche  – BBC Religion and Ethics

Saturnalia – From Wikipedia, the free encyclopedia

Public Domain Image – Dice players. Roman fresco from the Osteria della Via di Mercurio (VI 10,1.19, room b) in Pompeii.Author – WolfgangRieger

Natural Folklore: The Northern and Southern Lights

The Aurora Borealis, or Northern Lights

This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain.

The northern lights and the southern lights are natural phenomena that occur in the night skies over the polar regions of the planet. Today, we know they are caused by gas molecules in the atmosphere colliding with solar particles. This releases energy as light and creates colourful displays of light that display in fold-like shapes, streamers, rays, arches and many other amazing forms.

The northern lights are also known as ‘Aurora borealis’ and the southern lights as ‘Aurora australis.’ In Roman mythology Aurora was the goddess of the dawn, so Aurora borealis means ‘dawn of the north,’ and Aurora australis means dawn of the south.

They can be very beautiful and awe-inspiring and at the same time mysterious and even frightening. Many different cultural and ethnic groups who lived in places where they are seen have developed many myths and legends to try and explain and make meaning of them in their own terms.

The Fox-fires of Lapland

In the language of the Finnish people the northern lights are known as “Revontulet.” In English this means “Fox Fires” and comes from a very old Finnish myth which says that the lights were produced by magical snow foxes whose swishing tales sent snow spraying into the skies.

North of Finland, Norway and Sweden live the Lapp people in Lapland. This is a huge area within the Arctic Circle which ranges across parts of all three of these Scandinavian countries. The Lapps are closely related to the Finnish people. Their traditions say that the lights are the shining souls of the dead.

When the lights are in the skies people are expected to behave in a solemn and respectful way. Children were also expected to be solemnly too out of respect for the departed ones. To show disrespect would bring down bad luck, sickness and the risk of death.

The shamans of the Lapps painted runes representing the fires on their on their drums to help them attract and capture their magical energy. They were also believed that the lights had soothing powers over conflicts and arguments.

There was also a belief that if you whistled when the lights were active they would come to you and take you away with them.

The ride of the Valkiries

A red aurora of this magnitude is rare, and in this image it complements the green colour. Image taken at Hakoya island, just outside Tromsoe, Norway. October 25th, 2011 by photographer Frank Olsen

A red aurora of this magnitude is rare, and icomplements the green colour. Image taken Hakoya island, Norway. October 25th, 2011 by photographer Frank Olsen. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Norwegian folklore tells that they were the souls of old maids who danced and waved across the skies.

While in other parts of Scandinavia and Germany the belief was that it was the Valkiries who had taken to the air when the lights appeared.

In Scotland, which also has strong Norse links, the lights were sometimes referred to as “the merry dancers.”

Warriors battling in the skies

In other parts of the world the aurora borealis was believed to be heroes or warriors battling in the sky. In many places further from the Arctic and Antarctic Circles the lights are a rare occurrence and when they did appear they were seen as signs of coming war or sickness and were harbingers of doom.

Eskimo beliefs

Among some Eskimo tribes of Greenland the lights were connected with dancing. In some parts of Greenland the lights were thought top be the souls of children who had died at, or soon after birth.

In Labrador, young Eskimos believed the lights were the torches lit and carried by the dead as they played a kind of ball game in the skies with the skull of a walrus. They would dance as the lights played across the skies.

Spirits of animals

Aurora image taken at Hillesoy island, Norway. September 2011. Author Arctic light -Frank Olsen, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

In eastern parts of Canada, the Salteaus Indians, along with the Kwakiutl and Tlingit tribes of south eastern parts of Alaska the lights were thought to the spirits of humans. Tribes living along the Yukon River thought that the lights were the spirits of animals such as elk, deer, salmon, seal and whales.

While to some Native American tribes of Wisconsin, North America, they were a bad omen as they believed the lights were the ghosts of the enemies they had killed who were now seeking revenge.

Everlasting love

Many cultures around the world looked up at them and made their own meanings and stories to explain them but here the last word goes to the Algonquin Indians. They believed the northern lights were the fires of the great creator god, Nanahbozho. After creating the world he retired to the far north. There he builds great magical campfires which light up the northern skies to remind them of the everlasting love he holds towards them.

References
 Causes of Color - Legends and myths of the aurora Folklore
 Accessed 04 September 2013
 
this is FINLAND - Beliefs on indigenous people
 Accessed 04 September 2013
 
Aurora (astronomy) - From Wikipedia, the free encyclopedia

The Arthurian Realm: Morgan le Fay – Healer, Witch and the Woman Question.

This article was first published on #FolkloreThursday.com on November 29, 2018, titled British Legends: Morgan le Fay – Magical Healer or Renegade Witch? written by zteve t evans

Introducing  Morgan

In Arthurian tradition, the elusive sorceress Morgan le Fay becomes one of King Arthur’s most dangerous foes, breaking traditional family bonds and working to undermine and bring down the strict patriarchal system and chivalric order of the Arthurian world. Morgan is an enigma: despite attempting to kill King Arthur and usurp his kingdom, she takes him into her care after he is severely wounded by Mordred in the battle of Camlann, which brings an end to his kingdom. This work draws mostly from Geoffrey of Monmouth’s Vita Merlini, and Historia regum Britanniae (The History of the Kings of Britain) and Sir Thomas Mallory’s Le Morte D’Arthur, with influences from other texts, and looks at how Morgan’s character changes from benevolent, to malignant and then back to benevolent. To do this, we look at her early life, how she used Arthur’s famous sword Excalibur against him and stole its scabbard, and the disaster this would cause. This is followed by a discussion on two important topics that had a considerable influence on medieval society: the Querelle des Femmes or The Woman Question, and witchcraft, before concluding with Morgan’s return to Avalon.

As Ruler of Avalon

Geoffrey of Monmouth introduces Morgan into Arthurian literature in Vita Merlini, as ‘Morgen’, presenting her as the leader of nine benevolent sisters that rule the island of Avalon. She is the most beautiful, the most knowledgeable and the most powerful of the sisters. As well as being a skilled healer, she can fly or transport herself at will from place to place, and she has shape-shifting abilities.

It is not clear whether these ‘sisters’ are family, or members of some kind of religious or mystical order. In the work of some later writers, she becomes either the step-sister or full elder sister of King Arthur, but a radical change happens with her character. As Arthur’s elder sister, she breaks the traditional bond of love between brother and sister and the nurturing role so often associated with the elder sister towards their younger brother. Furthermore, instead of the wise and benevolent sorceress, she evolves into a malign, sexual predator, hating her brother and his wife Queen Guinevere, and forsakes her place at the center of the Arthurian establishment, moving to its periphery and becoming a renegade attacking the established order. She targets the Knights of the Round Table, especially Sir Lancelot, weaving dark spells and plots to trap them. Eventually, she becomes nothing less than an enemy of the state and, arguably, its most dangerous adversary, until Mordred emerges to usurp the crown, resulting in the battle of Camlann.

Morgan’s Early Life

In Historia Regum Britanniae, Geoffrey of Monmouth makes Morgan the youngest daughter of Gorlois, Duke of Cornwall, and his wife Igraine. When the King of the Britons, Uther Pendragon, first set eyes on Igraine, he became wildly infatuated with her. Unable to contain his lust, he attacked Cornwall to take Igraine for himself. Gorlois sent his wife to his safest stronghold of Tintagel while he confronted Uther’s troops in battle. While the military confrontation took place, Merlin, using his magical arts, transformed Uther into the likeness of Gorlois to allow him to gain access to Igraine at Tintagel. The guards, believing it was Gorlois, let him enter the stronghold. Believing he was her husband, Igraine lay with him, and that night Arthur was conceived.

While this was taking place, Gorlois was killed battling Uther’s army. After satisfying his lust, Uther returned to his troops and, on learning of the death of the duke, took Igraine to be his wife. He married her eldest daughter, Morgause, to King Lot of Lothian and the next eldest, Elaine, to King Nentres of Garlot. Morgan was the youngest and he sent her to a nunnery.

Morgan hated Uther because she knew what had happened the night her father died, and deeply resented Arthur as the product of his lust. At the nunnery, she was introduced to astrology, the dark arts of necromancy and the skills of healing, becoming highly adept in this field. As her skill and knowledge grew, people began to call her Morgan le Fay in acknowledgement of her abilities. Eventually, she joined Arthur’s court and became a lady in waiting to Queen Guinevere.

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Khasi Folktales: The Origin of Thunder and Lightning

The Khasi People

The Khasi people live in the north-eastern Indian state of Meghalaya with populations in the neighboring state of Assam and some regions of Bangladesh. They evolved their own unique mythology and folklore and created many wonderful folktales that attempt to explain different aspects of the natural world.  There are all sorts of stories featuring monkeys, tigers, lynxes and other wild animals.  The domestication of some animals is also dealt with telling how dogs, cats, goats and oxen came to live among humans and give explanations of cosmic creation and natural phenomena. The Khasi divinities, such as the twin goddesses Ka Ngot and Ka Iam, who gave their names to the rivers Ngot and Lam respectively, are found along with other divine beings.  All this and more can be found in Folktales of the Khasis by Mrs. K. U. Rafy (1920) and presented here is a retelling of the story What Makes the Lightning?

What Makes the Lightning?

The story begins in the young days of the world when animals socialized with people. They spoke their language and tried to copy human customs and manners.  Every thirteen moons the people held a great festival where there were many sports and events.  People competed against each other and demonstrated their abilities in many different activities and one of the most popular was the sword dance.  All the people from the hills and the forest would come and take part and it was a gay and happy time.   The animals loved this event and would watch the people competing, dancing and having fun and the younger beasts began to ask the elders for a festival of their own.  After considerable thought the elders agreed and said that the animals should appoint a day when their own festival should be held.

U Pyrthat’s Drum

With great enthusiasm the animals learnt all the skills and rules for the competitions and all the moves and steps for the dances.  When they were ready they set a date for the festival to begin, but no one knew how to let everyone know the event was taking place. Someone suggested that perhaps U Pyrthat, the thunder giant, would beat his drum to tell everyone the event was beginning.   U Pyrthat  agreed and began to beat his drum summoning all the animals to their great festival.  His drum could be heard in the farthest of hills and the most remote places of the forest and the animals flocked towards the sound excitedly and a soon a great multitude gathered around U Pyrthat and his drum.

The animals had gone to great trouble to prepare  grooming and preening themselves to look their very best.  Each one carried either a musical instrument or a weapon relevant to how they intended to participate in the festival events.  There was much merriment when the squirrel marched in banging on a small drum followed by a small bird called the Shakyllia playing a flute, who was followed by a porcupine clashing cymbals together. It was a very happy day and all the animals were jolly and laughing, sharing a jokes and having fun.  The mole looked up and saw the owl trying to dance but because her eyes were not used to daylight she kept bumping into objects.  The mole laughed so much his own eyes became narrowed and his vision unclear and that is how we find him today.

The Sword Dance of U Kui, the Lynx

When the fun and merriment reached its height U Kui, the lynx appeared carrying a most splendid silver sword which he had lavished a lot of money on.  He had bought it just for the festival because he wanted to show off his skills in the sword dance.  Calling everyone to attention he began his dance leaping and stepping with energy, grace and precision.  Everyone cheered and admired his elegance of movement and technique but his success went to his head and he began to see himself as better than the others.

U Pyrthat’s Sword Dance

U Pyrthat, the thunder giant, saw the performance of the lynx and was full of admiration for his dancing skills and was very impressed with the silver sword.  He had not brought a sword himself as he had brought the drum he used to summon everyone. Thinking that he should like to try a dance or two wielding such a fine sword he asked the lynx if he could borrow it as a favor. U Kui was reluctant to allow the thunder giant to borrow his silver sword not only because it was so fine and expensive but because he did not like the idea that he might be upstaged.   The crowd seeing his reluctance began to shout,

 “Shame! shame! shame!”  

and booed and hissed thinking that it was rude and ungracious of him to refuse being as the thunder giant had beat his drum to summon them all.  In the end the lynx was shamed into lending the the giant his sword and reluctantly the handed it to him.

Taking hold of the magnificent silver sword the thunder giant prepared himself to dance.  When he was ready he suddenly burst into life leaping high and whirling the flashing blade in circles all around him.  He danced so furiously and leapt high and the flashing blade dazzled everyone.  As he danced he beat on his drum so hard the earth shook and the animals fled in terror.

Thunder and Lightning

U Pyrthat was inspired by the silver sword and danced faster and faster, leaping higher and higher.  Carried away by his dancing and the wonderful blade he leaped right into the sky with the silver sword flashing all around him while he beat on his drum, the sound rumbling and crashing down to earth.  At times, the noise of the drum and the flashing of the sword are still heard and seen by people all around the world.  They called it thunder and lightning, but the Khasis people know that it is the drum of U Pyrthat, the thunder giant and the stolen sword of U Kui, the lynx, that the people hear and see.

U Kui’s Heartbreak

U Kui was heartbroken at the loss of his fine silver sword.  Folks say that afterwards he made his home near a great hill and would sit and look at the sky when U Pyrthat danced.  He kept piling stones upon the hill hoping one day to make it high enough to reach the sky where he hoped to to  reclaim his sword from the dancing thunder giant.

© 13/03/2019 zteve t evans

References, Attributions and Further Reading

Copyright March 13th, 2019 zteve t evans

Faustian Pacts: The Soul of Edgar Astley

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The Faustian Pact

A Faustian pact or bargain is also sometimes known as a Deal with the Devil. This is where someone makes an agreement or contract with the Devil or his demonic representative.  It is named after a character from German literature, legend and folklore named Faust, sometimes known as Dr Faustus or Faustus, who made just such a contract.  The devil grants their material or worldly desires such as riches, knowledge and power, usually for a set length of time, in return for their soul.  The pact must be honored and when that time comes the devil or his representative arrives to take the soul of his contract partner.

Hoghton Tower

Presented here is a retelling of a tale from Goblin Tales of Lancashire, a collection of folktales by James Bowker that appeared as The Demon of the Oak.  For those who like a little bit of history with their folk tales the story is set in an ancient fortified manor in Lancashire, England called Hoghton Tower.  This was the ancestral home of the de Hoghton family descended directly from Harvey de Walter, who was a companion of William the Conqueror. Their female line of descent is also impressive  descending from famous Lady Godiva of Coventry, wife of Leofric, Earl of Mercia. The setting in time is uncertain but it is known the the land has been in the hands of ancestors of the de Hoghton’s since at least the 12th century and the present  house dates from about 1560–65 and rebuilt and extended between 1862 and 1901. The narrative centers around a young gentleman named Edgar Astley who in the story stayed at the manor and whose actual existence is much more nebulous than that of his hosts.

Edgar Astley

In fact, Edgar was a rather earnest young man whose habit of dressing in black indicated that he was still in mourning for someone dear who had passed away.  The servants of the tower, much like servants everywhere, discussed among themselves the reason for his sombre style of dress and melancholy air. They came to the conclusion he mourned for a woman whom he greatly loved and had deceived him and had married a rival instead of him. The lady in question had died mysteriously soon after for reasons unknown.

The speculations were sufficient to give the young man an aura of mystery and romance among the servants.  This was fueled when it was reported among them that strange colored lights had been seen from his room in the Tower at night.  This increased their suspicion making them wary and uncomfortable with the air of melancholy that he exuded

The more the superstitious servants thought about him the more they saw in him that was strange and abnormal.  They noticed how he would suddenly start out of a gloomy mood when approached making no secret of his desire to avoid where possible all society and companionship.   Even so, no one could ever accuse him of being unfriendly or rude and he was always very kind and patient with the youngsters of the household.  He always found time to chat cordially with the females of the household. When asked he would accompany them on rambles through the woods and countryside  and escort them on excursions to the local towns.

Yet it was noticeable that he did so more out of a sense of duty and chivalry rather than his own pleasure and quickly return to his station under the oak.  There he would read his dark books lost and become lost in dark thoughts. The ladies regarded him with an affectionate pity. They would try to encourage him to join them in more cheerful and sociable activities.  All though he complied he would only bear so much before politely returning to his books and dark dreaming.

The Baronet who was his host and master of the Tower liked him greatly despite his melancholy and strange ways.  Everyone else looked on him with pity. The general consensus was that time alone would eventually heal the darkness that appeared in his soul  and were happy for him to be amongst them. For his part, Edgar appreciated their sympathy and the freedom they allowed him in their home. He came and went as he pleased and the hosts were content to allow him this freedom asking no questions, just accepting him and his ways as they were.

Servant’s Talk

In the servant’s quarters the talk about Edgar was of  very different kind. One particular servant claimed he knew a servant who had known a footman, who had worked for Edgar’s family and there was a tragic story attached to the young man.  Apparently Edgar had once been betrothed to a young lady by the name of Anna.  She was a very attractive lady and had many suitors but she narrowed these down to Edgar and another young man.   She saw both of them at intervals and was very much in love with both but could not decide which she preferred and was well aware which ever one she rejected would be terribly hurt.  

Nonetheless, she enjoyed the attentions of both men and would play them off against each other.  Both suitors had been the best of friends but then a bitter rivalry developed between them for the love of Anna.  Both loved her with a passion and would have done anything in the world to win her favor and it seemed when she accepted Edgar’s proposal of marriage that he had won.  The date was set for the happy event and Edgar was looking forward to spending the rest of his life with the woman of his heart’s desire.

Edgar’s rival was not one to simply accept whatever fate should throw at him and the night before the wedding went to Anna and begged she elope that night with him.   She agreed and the two made off in her father’s coach and horses with all speed heading for Gretna Green.

The next morning word came to Edgar of the disappearance of Anna.  Of course he was devastated. Knowing that it could only have been at the instigation of his rival he took off after them intending a final confrontation with his rival.

Such was the talk in the servant’s quarters and their curiosity towards Edgar grew and grew and were fed by the peculiarity of his own habits.  It had been noticed that he stayed up late at nights in his room and strange lights and sounds could sometimes be seen and heard coming from it.  It was therefore decided that one of them should creep up to his room at midnight and listen at the door and look through the keyhole to try and learn more of this mysterious young man’s behaviour.  To his chagrin it was the servant who knew a servant who knew a footman that worked for Edgar’s family that was chosen for this dubious task. Therefore at the stroke of midnight, wishing he had kept quiet, the servant was sent up stairs to listen at Edgar’s bedroom door and spy through his keyhole.

Once at his station the reluctant spy knelt and put his eye to the keyhole listening intently for any sounds that should come through the door. Through the keyhole he saw that Edgar was seated at a table intently studying an ancient black book he had spread out before him. With one hand he shaded his eyes from a flame that burnt in  a small cauldron upon the table.

The Pale Student

Suddenly he leaned forward and with a quick movement of his hand took a pinch of a bright blue powder  placed in a saucer and sprinkled it upon the flame. The room was filled by strange, sickly aroma while the flame burst upwards with sudden life. The pale student of unhallowed arts turned over a page in the book and began to softly chant strange words unaware he was being watched.  Then he looked puzzled and muttered,

“Strange, I have bat’s blood, the severed hand of a dead man, viper’s venom, mandrake root and the flesh of a newt.  These are the ingredients stated and yet I still fail. Must I use the spell of spells at the risk of losing my life?

Think, man! What  is there for one such as me to fear in death? So far I remain unharmed from my experiments but were it otherwise I must still proceed to the bitter end.

There was a time when I would have given all my future happiness for her to be called by my name.  What is there left in this empty life for me that I should fear in this desperate enterprise to gain one last glimpse of her lovely face?”

As the pale student bent over the book studying the dreadful words on the cracked pages for the spy at the door the silence was almost palpable.  The night appeared to stand still and a harsh, rasping voice from the air cut through the silence saying,

Answer truly, will you give your very soul in exchange for a glimpse and a brief exchange of speech for she who you were once betrothed.”

The pale student quickly jumped to his feet excited and declared,

“Make no mistake, what ever you are, whoever you are, if you deliver her to me for a glimpse, a  brief word or two for the briefest of time my soul shall be yours forever!”

The night,  inside the house and outside, fell silent and the world seemed to stand still.  The spy at the door could hear the beating of his own heart and the the disembodied voice spoke once again,

“So it shall be! You have one last spell left that you must invoke at midnight beneath the spreading arm of the old oak and there and then shall you be rewarded with your heart’s desire.   Dare you look upon my face?”

replied the pale student.

“Devil or demon, whatever kind of beast you may be, I have no fear of seeing you”  

This was not the case for the spy at the keyhole who knelt shivering in fear at what he was witnessing and as soon as the lights flared a lurid blue he fell in a faint at his station by the door.

The Spy Discovered

When the spying servant finally came to he found himself inside the dread room with the pale student standing over him demanding,

“Who are you?  Why do you spy on me and what have you seen?  Tell me all, tell me true!”

Trembling in fear the terrified servant told him everything he had seen and heard while  Edgar listened gravely. When the servant had finished he would not allow him to leave until he had sworn on all that he held valuable that he would not tell a soul of what he had seen and heard that night.  To ensure the complete silence of the servant Edgar bound him by several terrifying threats of what would happen should he speak and then gave further instructions.

When the servant returned to the servant’s quarter his fellows all wanted to know what he had seen and heard.  They were disappointed when he told them he had spied so long and seen nothing and overcome with fatigue and boredom fallen asleep at his station.  Nevertheless, this appeared to satisfy his eager friends who could not help wondering what would have happened should he have been discovered.

The day passed in much the same way  as other days with the only notable exception being Edgar’s absence from the table under the old oak.  As evening fell dark clouds swept in from the distant sea and the wind began to rise and shake the old oak in its rage.

As usual the household had retired at eleven that night and only Edgar and one other were awake.  Edgar sat in his room at studying intensely the black book, but every now and then glancing impatiently at the clock.  At last he stood up and sighing to himself said,

 “The time I have longed for draws near.  Once again we shall meet!”

Taking up his small cauldron, the book and a few other items he left his room and went down the ancient staircase.  As he did so the servant stepped from the shadows and followed him. Calmly walking down to the old oak Edgar place his items at the foot of the tree and then taking a hazel wand from his pocket drew a circle around him and the servant.  Placing some red powder in the cauldron he put it down before him. As he did so a red flame leapt up from cauldron blazing with a steady flame while the wind roared in fury all around.

The Spell

In the gateway of the tower the chained guard dogs howled mournfully but Edgar pressed on with his task, striking the ground three time with his hazel wand, crying,

“Anna my love, my heart’s desire I summon thee!  Hear my words and obey, come to me this night!”

No sooner had he stopped speaking when the filmy figure of a most beautiful child appeared and floated around the outside of the circle.  The servant groaned in fear and sunk to his knees covering his eyes. The necromancer took no notice and as lightning flashed and thunder rolled he began incanting a new spell before finishing with these words,

“Soul of Anna, spirit of my love, spirit of my heart’s desire, I summon thee!  Come to me with all haste and without deceit and without power over my earthly body, spirit or soul.  May the shadow of death fall upon thee for ever if you refuse! Come now to me”!

With these last word the storm abated and all around fell to brooding silence. Suddenly the flame in the cauldron flared upwards several yards in height and a sweet voice could be heard engaged in a melodious chant.   A rasping, invisible voice said,

“Are you ready to behold the dead?

“I am ready!”

Before his eyes a column of mist formed and swirled and in that column slowly appeared the form and face of a beautiful woman still wrapped in her burial shroud.  She looked at him with sad, mournful eyes and asked,

“Why, Egar, why”

“Because I loved you, Anna! Did you love me?”

“I did!”

“And did you love him Anna, did you really love him?

“I do!”

Edgar gazed upon the ghost of his betrothed in tortured silence for some time. Slowly he reached out into the mist trying to embrace her.  As he did so the servant fainted at his feet as if struck down by death and thunder broke the silence.

“Edgar Astley, thy time is done and thou art mine forever!”

hissed a harsh disembodied voice at his side.  As these word were spoken the door of the tower were flung wide open and out rushed the baronet followed by his servants.

“Keep back, keep back! Save yourselves!”

“We would save you too! In nomine Patris et Filii et Spiritus Sancti!”  

cried the baronet striding forward to the circle holding a silver crucifix before him. No sooner had he spoken when the thunder fell quiet and the lightning ceased to flash and the moon broke through the dark clouds throwing down a soft light.

The servant was found face down trembling in the circle and carried indoors.  Edgar was found leaning against the trunk of the old oak. His eyes glazed and fixed upon the spot in the air he had last seen the ghost of his betrothed.  Gently the baronet took him by the hand and led him away as one would lead an innocent and trusting child. All reason and purpose had left his mind and his body was but an empty husk for he had gained his heart’s desire but in doing so given away his soul.

© 06/03/2019 zteve t evans

References, Attributions and Further Reading

Copyright Copyright zteve t evans

Breton Folktales: Yannik, the Mad Thing of the Woods

Presented here is a retelling of a Breton folktale from Folk Tales of Brittany by Elsie Masson, called Yannik, the Fairy Child.

Yannik the Fairy Child

Once in a while – maybe once every one hundred years – someone appears among us who is different and somehow lightens our lives bringing hope and joy and easing our tired minds and aching bones. This story tells how such a one appeared and touched the hearts of all who encountered him. It begins in a time long ago in a village hidden in the woods in the wild, rugged, district of Finistère that is part of Brittany in France.  In those far off days the woods were a dangerous place full of savage bears, hungry wolves and other wild creatures. The villagers were poor and hard working, generous of heart and looked after one another. Life was hard and they lived upon the edge of survival from day to day.  They had no gold, silver or treasure they could use to relieve their poverty but it was in times such as these they were blessed by a different kind of treasure that appeared to enrich their lives.

Yannik

There appeared alone in the woods a feral boy the people called Yannik. Although he was as free as the birds that sing in the trees no sound had ever came from his silent lips until one glorious day, but even then only one word and one word alone would he repeatedly utter.  The villagers were poor but kindly folk and were both bemused and enchanted, not knowing how to treat him. Nevertheless, they grew to love, but never understand him. Sometimes he would appear as if in a world of his own and stand or sit and stare into space and look with eyes that saw right through you.  

Although he could never speak a word of thank you, he would show his gratitude by rewarding his benefactor with a big, beaming, smile.  It was a smile that would light up their lives filling them with love and happiness for this strange, feral boy of the woods. When someone gave him a pair of wooden clogs he walked proudly up and down with a big radiant smile, his fair face simply shining with joy.  Everyone knew the gratitude he felt because his smile was his only language and that said everything that mattered.

He was a  mystery. No one knew who he was, what he was, or where he came from. He was a rare and beautiful thing who ran naked through the woods bringing joy, peace and good fortune wherever he went.  Whether he had become lost, or had been abandoned, no one knew. All they knew was that he was there and they called him Yannik. He was like all joyous things in one, a peaceful presence, a silent soul that communicated by the radiance of his smile and the peaceful aura of his being.  Such was Yannik.

Although he appeared alone in the world anyone of the villagers would gladly have given him a home. Everyone loved him and he came and went between homes at his leisure. He would enjoy their hospitality for a short time and then disappear into the forest to run wild and people would leave him gifts of food and clothing.   Although one night he may sleep in the farmer’s cottage and the farmer’s wife provide a wholesome supper and cradle him until he slept, come daybreak his bed would be empty. They tried to keep him locked in thinking it would be for his own good. With out fail, he always managed to find a way out. Even in the snow season his footsteps would lead back to the forest to be among the birds and animals and the whispering trees he loved, for he was not something that could be confined or possessed.

The Fol Goët, The Fairy-Child

In the wilderness of the forest Yannik knew no fear and none feared him.  The bears knew him and greeted him with affection and the wolf trotted at his side and the birds of the forest perched upon his hand and sang wonderful songs.  Thus it was that in the pathless forest Yannik was sustained and guarded by those who dwelt within.


In the farms and the villages the men called him the “Fol Goët,” or “the mad thing of the woods” but not unkindly, while  the women called him the “fairy child.”  In the little local church the choir would sing and Yannik would carefully and quietly sneak inside to hide at the back listening to their songs with a look of sheer rapture and such joy in his shining eyes. The old priest tried to persuade him to stay with him that he may teach a word or two of speech, but Yannik would not stay.  Nevertheless, he would still come and listen to the singing, his face radiant and his eyes shining.

One summer evening he had been roaming happily in the fields and drawing near the church heard singing and went inside to listen.  It was a feast day and the church was full and the children’s choir was singing a hymn of praise and as he listened to the pure voices of the children dressed in their white robes, their voices took him higher and higher.  He could hear harps and other wonderful accompanying instruments and the children were singing,

“Glory! Glory! Glory!”

Leaving his place at the back with a look of rapture on his face and a big radiant smile Yannik slowly walked up the aisle his  arms stretched out before him as if he was blind. The singing stopped and all fell silent as they watched him approach the altar where he was met by the priest who met his hands with his own. There and then Yannik spoke the first and only word that would ever pass his lips,

“Glory!”

And then he sang over ans over again,

“Glory! Glory! Glory!”

And the children in the choir took up the song and the people in the congregation all sang,

“Glory! Glory! Glory!”

From then on Yannik would always be heard singing “Glory! Glory! Glory!” wherever he went.  When he was accompanying the priest on his rounds visiting the sick and elderly he sang it. When he was visiting one of the local people who were always glad to see him and feed him he sang it.  When he was alone running wild in the woods he sang it. Wherever he went he sang,

“Glory! Glory! Glory!”

And that was the only sound that ever came from his mouth.

Well, the world turned and one summer evening the people were making their way home from a hard day of labor in the fields.  As the smoke from the cooking fires began to rise slowly the air was filled with the music of silver bells and a clear, sweet voice was heard singing,

“Glory! Glory! Glory!”

The people came out of their homes in surprise.  They looked at the beautiful sunset sky and heard the music and the sweet voice and said,

“Surely, it is Yannik the silent boy of the woods and it is the Heavens singing with him!”

In the morning the old priest went down to open the church just as he always did and was surprised to find Yannik lying across the threshold of the door.  Gently and tenderly he stooped to rouse him speaking quiet words so as not to alarm him. As he gently cradled the boy’s head, to his sorrow he realized the sweet radiant smile on his young face had frozen and that life had left the body of the child.

The Church of Fol Goët.

The villagers were full of sorrow at the loss of their treasure and on that spot built a new church.  They built it tall and they built it strong and they added delicate and beautiful touches to show their love for the Fairy Child –  the “the mad thing of the woods”  –and they called it the Church of Fol Goët.

For many years after mothers and fathers would bring their silent ones there to be blessed. They hoped that if they could but speak one word that it might be one that expressed the joy and happiness they found in their children and their children might find in the world and if nothing else came from their lips they might sing,

“Glory! Glory! Glory!”

© 26/02/2019 zteve t evans

References, Attributions and Further Reading

Copyright February 26th, 2019 zteve t evans

The Arthurian Realm: The Quest for the Sangreal

The Sangreal

In Arthurian romance the mystical, magical quest of the Sangreal is a popular story that has its roots in medieval times, though its seeds may be from much earlier.  It uses allegories to blend together pagan motifs, Christian tradition and political and social concerns of the day into a story of spiritual evolution for the main protagonists who must remain true to the quest.  The Sangreal is another name for the Holy Grail which eventually became conflated with the Holy Chalice.  There are several other versions of its name and in different stories it has appeared in different forms such as stone or wood, or as a cup or dish. The earliest of these romances was Le Conte du Graal by Chrétien de Troyes who died before it was finished but was added to later by other poets.  Other authors also created versions of the story such as Le Roman du Graal, Joseph d’Arimathe, Merlin, and Perceval by Robert de Boron, the Vulgate Cycle, whose authorship is disputed and Parzival, by Wolfram von Eschenbach.  Later, Sir Thomas Malory wrote Le Morte D’Arthur, blending together Arthurian and grail tradition, and it is from this that the greatly summarised version of the tale below draws the most.

Origin of the Sangreal

In this allegorical story set in the time of King Arthur, the Sangreal was the cup that Jesus Christ drank from at the last supper, and the Sacred Spear was the one Longinus, the Roman soldier, used to pierce his side during his crucifixion.  Joseph of Arimathea brought them to Britain and his descendants, the Grail Kings of Castle Corbenic were granted guardianship on condition that each guardian lived a life of purity in deed and thought, dedicated to Jesus Christ.  For many ages, the Sangreal remained a visible, tangible object — alongside the Sacred Spear — that pilgrims came from far and wide to pray before.

Over time, one of its guardians allowed the moral standards that behoved his role to slip, and sought forbidden love. The Sacred Spear punished his weakness, inflicting a wound to his groin that could not be healed, leaving the king maimed and kept alive only by the power of the Sangreal; after this, the Sangreal and Sacred Spear were hidden from the people’s eyes.  In those days the fertility of the land was linked to that of the king, and his realm became a barren wasteland until the time came when he would be healed by the purest knight in the world.

Merlin’s Message

At Camelot, Merlin had not been seen for some time and, worried at his absence, King Arthur sent out knights to find him.  Sir Gawain went out searching, and while travelling through the forest of Brocéliande he heard the sound of someone groaning. Following the sound, he found a column of dense mist that he could not penetrate.  From the mist came the voice of Merlin who revealed that his mistress, Viviane — the Lady of the Lake — had imprisoned him there for all time.  He instructed Gawain to return to King Arthur and tell him of his plight. Yet, emphasizing that nothing could be done to save him, he gave an important message to relay:

“Tell Arthur a great event is now unfolding. The knight is born and ready to begin and accomplish this task for the good of the land and its people.  Now is the time of the quest of the Sangreal.”

Gawain quickly returned and delivered the message to King Arthur, who grieved for his old friend as he turned over the message in his mind.

Pentecost at Camelot

It was the custom of King Arthur to celebrate the feast of Pentecost with all his knights around the Round Table.  Each of the knights had their own seat at the Round Table with their name inscribed upon it, and there was one vacant seat known as the Siege Perilous. As the feast was about to begin a squire brought news that in a nearby river there was a red slab of marble that floated on the water.  King Arthur led his knights to the river to investigate. Fixed firmly within this slab, as if it had been driven in, was a sword upon which was inscribed the following words,

“Never shall I be drawn forth except by he who is the perfect knight and at his side, I will hang.”

Sir Gawain tried to draw the sword but failed, as did Sir Percival and many others, but none could free it.

The Quest of the Sangreal

Having investigated, they returned to the Round Table to eat. While they were eating the windows and doors all suddenly slammed shut.  The candles flickered, went out and then came back on again, and stood before them appeared a very old holy man accompanied by Galahad, the son of Sir Lancelot.  The holy man led Galahad to the Siege Perilous and seated him there.  They watched in awe as the lettering on the seat changed magically to read, Galahad.   King Arthur led Sir Galahad to the floating slab of marble and he easily withdrew the sword to the wonder of all.

Arthur and his knights returned to their feasting and again, the candles suddenly dimmed and there was a peal of thunder.  A ray of light shone down and in the middle of the Round Table there appeared the glowing Sangreal veiled in white silk. Inspired by this miraculous event, Sir Gawain declared he would not rest, day or night, for one year and a day, until he saw the Sangreal fully unveiled.  Arthur remembered the message of Merlin and was full of disquiet.  He knew the others would follow his example and realized there was every chance some would die on that quest, or not return.  In the early days of summer, as one hundred and fifty knights rode from Camelot on the quest of the Sangreal, King Arthur wept, knowing the world had changed forever.

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Himalayan Folktales: Kulloo, the Faithful Dog


Simla Village Tales

Alice Elizabeth Dracott writing in her Introduction to her book,  Simla Village Tales, or Folk Tales from the Himalayas (1906) says,

“Himalayan folk-lore, with its beauty, wit, and mysticism, is a most fascinating study, and makes one grieve to think that the day is fast approaching when the honest rugged hill-folk of Northern India will lose their fireside tales under the influence of modern civilisation.  ….

… From their cradle under the shade of ancient deodars, beside the rocks, forests and streams of the mighty Himalayan mountains, have I sought these tales to place them upon the great Bookshelf of the World.”

The similar sentiments can expressed for the folklore of indigenous people all around the world. Although we cannot hold back time and should not try these stories hold the collective wisdom, hopes, fears and experience built up over many generations, often showing the common traits of different people from all around the world through time.

Presented here is a retelling of a folktale from this collection called Kulloo, A Faithful Dog, helping out his human master.  The theme of Animal Helper appears in different forms in folktales all around the world.  In this case the dog remains faithful even though his master killed him and returns from death to save his life.  There are other themes and principles also at play in the story which are found in stories from other cultures showing that they have much more in common with one another than often meets the eye.

Kulloo, the Faithful Dog

In the part of the world where this story is set a Bunniah is a kind of merchant or trader of various commodities and in this story there was a Bunniah who had a faithful dog named Kulloo who was his best friend.  One day the Bunniah decided he needed a wife and so he married a woman. Together, they traveled to a faraway city taking Kulloo with them. On the way he developed a raging headache so he stopped by the side of the road with his head resting in his wife’s lap.  While he was resting in this way he fell asleep and while he was sleeping a man who passed by on his horse stopped and asked the Bunniah’s wife if she had the means to light his pipe because he fancied a smoke. She told him “I cannot give you a light for your pipe as my husband is resting his head in my lap and I cannot move without disturbing him in his sleep.”

The man was in fact a robber who stole anything he took a fancy to and made a lot of money from stealing many things from many people.

“Slip some clothes under his head and he will not notice,” replied the man.  The woman did this and her husband continued to sleep soundly while she lit the man’s pipe.  Suddenly he grabbed hold of her and throwing her across his horse leapt into the saddle and carried her off.  

Abduction

After a while the Bunniah awoke and found his wife gone but his dog patiently and faithfully waiting by his side for him to awaken.   The dog told his master what had happened and said, “Master, if we become beggars we can go from door to door without suspicion begging for food while seeking out your wife.”

The Bunniah thought this a good plan so dressing in old clothes he and his faithful dog went begging from door to door.  After many days of begging the Bunniah eventually knocked on the door of the home of the abductor of his wife and it was she who answered the door.  She did not recognize her husband or the dog but gave them food and money. However, Kulloo recognised her and later asked his master if he had not recognized his wife when she opened the door.   His master admitted that he had not so and Kulloo led his master back to the house.

Once again the Bunniah knocked on the door and his wife opened it.  This time he made himself known to her and she recognising him and invited him in but she was in a quandary.  Her abductor had forced her to marry him but had given her a very high standard of living. This was, far greater than her first husband could ever have given her  which she had now become accustomed to. Nevertheless, she made a great act of seeing her first husband again and invited him to dinner that evening, telling him that when her abductor had fallen asleep then he would have the chance to kill him and escape with her.

The Trap

The Bunniah agreed and he and Kulloo went off intending to return later for dinner and to complete the plan.  However, when they had gone she called her abductor to her and they made a plan to kill her first husband and be rid of him once and for all.  They made a deep hole in the floor and placed a cover over it that would eventually collapse when weight would was placed upon it. She made sure everything was arranged it so her first husband would be seated over it as he ate.  

They installed spikes into the walls and floor so that as he fell he would be impaled and killed.   When the Bunniah returned for dinner their plan worked perfectly and he fell into the hole as he was eating.  His wife and her abductor went off to bed laughing believing him to be dead.   Although he was impaled on the spikes he was not mortally wounded but would have died had not his faithful Kulloo came and pulled out the pikes with his teeth freeing him and helping him to safety.   Looking around the Bunniah saw the abductor was asleep so he hit him hard over the head killing him and made his escape taking his wife with him.

There was a lot of blood and Kulloo saw that his master left a trail for others to follow so he came along behind lapping up the blood to prevent this.  Kulloo, being a wise dog, knew that his master’s wife was a wicked woman and would never rest until she had gained revenge.

Death of Kulloo

The Bunniah reclaimed his wife but she told him she would not eat or drink until Kullo was dead.  Of course the Bunniah refused to kill his faithful dog but his wife was adamant and began wasting away from lack of food.  The Bunniah implored her to eat but she insisted she would only do so when Kulloo was dead.  As she grew weaker her insistence grew stronger and eventually the Bunniah agreed to kill his faithful dog.

Poor Kulloo, knowing he was to be killed begged his master to make sure he buried him properly making sure his head, which was to be cut off, was buried beside him, because there would come a time when he would return to save his master’s life.  This the Bunniah did and his wife now ate and drank her fill but she was not satisfied and still wanted vengeance on her husband.

Return of Kulloo

She went to the local court and accused the Bunniah of being a robber and a murderer and claimed he had killed her husband and abducted her.  The sentence for such crimes was death and the Bunniah was put on trial and found guilty. Just as the judge was about to sentence him to death the Bunniah thought of his faithful Kulloo and in that second the dog appeared at his side and begged to speak to the judge.   The judge agreed and Kulloo revealed the entire story of how the Bunniah’s wife had been abducted and how she had plotted with her abductor to kill him.  The judge believed Kulloo and dismissed the charges against his master setting him free. Thus it was for the second time that the faithful Kulloo had saved the life of his master but now having completed his task he disappeared never to be seen again.

© 12/07/2016 zteve t evans

References, Attributions and Further Reading

Copyright zteve t evans

German Folktales: Paracelsus and the Spirit in the Fir Tree

Public domain, via Wikimedia Common

Paracelsus was an influential physician, astrologer and alchemist of the German Renaissance.  His real name was Theophrastus Aureolus Bombastus von Hohenheim and he was born in 1493. He was was a medical pioneer of his time and credited with many notable achievements and has  been called the father of toxicology.  The medical movement called Paracelsianism was named after him and followed his ideas.  Presented here is a retelling of a legend called The Legend of Paracelsus from a collection of German folktales called Folk-lore and Legends: German by Anonymous.

The Legend of Paracelsus

Paracelsus was a deep and thoughtful man and wanted to find ways to help people by curing their illness and disease but rarely had sufficient funds for research.  Sometimes he took himself away for long walks to contemplate how he could do this.  One day as he was out walking in a part of the forest where few ever roamed he heard someone calling his name.  Surprised and a little baffled he looked around but could see no one in view. Nevertheless, he could still hear someone calling his name so he followed the sound until he came to an old fir-tree but could see no sign of anyone there. Bewildered he looked all around and walked around the trunk but could see no one but could still hear someone calling his name.  Examining the trunk of the fir tree he saw that deeply embedded within the wood was a small stopper that had three crosses etched into it. It was from here that the voice appeared to be coming from. On closer examination he realized the stopper was imprisoning a spirit in the trunk of the fir tree.

The Spirit in the Tree

The spirit now begged and pleaded with him to remove the stopper and set it free, but Paracelsus was wary.  He thought about this for a while and then said,

“If you will bestow on me a medicine that will cure all illness and disease and also a tincture that will turn everything it touches to gold to fund my research, then I will remove the stopper and set you free.”

The spirit readily agreed and so Paracelsus took out a small knife he always carried and after some trouble managed to pry out the stopper and put it in his pocket for safe keeping.  From out of the dark void that the stopper had filled their crept a most hideous and huge black spider that scuttled down the trunk of the tree to the ground.  As soon as it touched the ground it transformed into the ghastly, thin,  hideous old man who rose up to stand tall, squinting with his red eyes into the surprised eyes of Paracelsus.

The old man led him through the forest breaking a branch off a hazel tree as they went and leading Paracelsus to a high rocky ledge that overlooked vast swathes of the forest.  With the hazel branch he struck the rock wall three times and it opened with a groan. The old man bid Paracelsus to wait and disappeared inside the opening. After a short time he returned carry two small glass phials. One contained a yellow fluid which he handed to Paracelsus telling him that anything the fluid came into contact with would instantly turn to gold.  The second contained a white fluid which he gave to him and told him that this would cure all illness and disease. He then stuck the rock face three times and the opening closed up leaving no trace of the opening it concealed.

The Evil Spirit

As they walked back through the forest Paracelsus began to think about the spirit growing increasingly uneasy in its company.   It told him that it would now travel to Innsprück to wreak vengeance upon the sorcerer who had imprisoned him in the fir tree.  Paracelsus now realized the spirit was evil and feared for the magician and the world for having released it and thought about how he could set things to right.  When they arrived back at the fir tree he said to the spirit,

“Clearly you are a most gifted and magical being!  I wonder if you would mind making a show of your magical gifts by turning yourself back into a spider and crawling into that hole in the tree’s trunk again, purely as an exhibition of your cleverness and magic?”

The spirit was still very pleased at being released and loved to be flattered and therefore readily agreed.  In and instant it had transformed itself into a hideous black spider and scuttled up the tree trunk into the hole. Paracelsus quickly took the stopper out of his pocket and rammed it tightly into the hole trapping the spirit in the tree again.  Quickly finding a heavy stone he hammered the stopper into the wood as tight as possible and then taking his knife cut three fresh crosses into the stopper.

Tricked

Suddenly realizing it had been tricked the spirit screamed and wailed making a hideous noise and shook the tree as if it was in the grip of a hurricane but the stopper held firm. Paracelsus made his way home knowing that the evil spirit would remain safely incarcerated in the fir tree which was high in the mountains and protected by snow drifts and very few people ever passed that way.  

The Two Phials

When he arrived home he tried out the two phials of fluid the evil one had given him and was pleased with their success. It is said that it was largely these that made him one of the most celebrated physicians and alchemists of his day.

© 05/02/2019 zteve t evans

References, Attributions and Further Reading

Copyright February 5, 2019 zteve t evans