Founding Myths: Princess Scota, Goídel Glas  and their  Links to the Gaelic People

Founding Myths: Princess Scota, Goídel Glas and their Links to the Gaelic People

Possibly Akhenaten and Nefertiti, Smenkhkare and Meritaten, or Tutankhamen and Ankhesenamun;
Photo: Andreas Praefcke, Public domain, via Wikimedia Commons

PROGENITORS OF THE GAELIC PEOPLE

In the mythology and pseudo-history of Ireland, Scotland, and the Isle of Man, Princess Scota and her husband Goídel Glas and their followers were the progenitors of the Gaelic people. The Gaelic people were an ethnic group of Celts, who spoke the Gaelic language, invented by Goídel Glas.

Some modern researchers controversially claim to have identified her as either Meriaten or Ankhesenamun, believed to be daughters of the Egyptian Pharaoh Akhenaten. Accounts differ, but most conclude that she was the ancestor of the Scotti people, who became the Milesians. They conquered Ireland, the Isle of Man, and parts of Argyle on the island of Britain. These people settled regions of Argyll and other parts of the island of Britain north of where the Romans later built Hadrian’s Wall. This region came to be called Scotland after her and her people.

The lightest green represents the maximum expansion of the Gaelic language and culture (c. 1000 CE), the middle shade shows its reach c. 1700 CE, and the darkest color shows areas that are Gaelic-speaking in the present day. CelticBrain, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Despite the controversy and complexity, a romantic and provocative alternative history of the Gaelic nations emerges. It gives the Gaelic people a long and illustrious history with connections to the ancient civilizations of Greece and Egypt, creating an impressive founding myth.

FOUNDING MYTHS

The founding myths of nations play an important role in national identity, perceived status, and ancient heritage. They help establish the legitimacy of the state and the ruling class to assert ownership over the land. The further back in time, the closer the associations with the great ancient civilizations of the Israelite’s, Rome, Troy, Greece, and Egypt, the better.

It was much more than pretentiousness. It also helped justify the existence of a nation and its ruling establishment. Rulers who could show descent from a distinguished ancestor, or powerful divinity, increased the legitimacy of their claim to rule. Founding myths are an essential part of a nation’s identity and culture. Here we will look at three ancient texts, followed by two modern theories involving the origin of the Scots, Gaels, and their language.

THE 11TH CENTURY LEBOR GABÁLA ÉRENN

The first text is The Lebor Gabála Érenn, or “The Book of Invasions,” an anonymous 11th-century compilation of prose and poetry allegedly telling the history of the Irish people connecting in them back in time to the Biblical Adam through his descendants. It presents a heroic and monumental Irish history comparable to that of the Israelite’s, the Romans, or the Greeks, especially the story of the Trojan founding of Britain by Brutus of Troy. It needed to bring together native Irish myths and the Christian perspective of history. Many scholars see it as an attempt to parallel the pre-Christian history of the Irish with biblical events. Although up to the 17th century, most scholars considered it authoritative variant legends exist that differ in detail. Today the text is not universally accepted as accurate and is not seen as factual.

The Lebor purports to document the settlement of Ireland by six groups of settlers. The first was the people of Cessair. The second, the people of Partholón. The third, the people of Nemed. The fourth the Fir Bolg and the fifth the Tuatha Dé Danann, who are seen as the pagan gods of Ireland and the sixth was the Milesians who became the Gaelic and Irish people.

In The Lebor, the origin of the Gaels is traced back through the eponymous ancestor, Goídel Glas, whose grandfather was Fénius Farsaid, a legendary King of Scythia. According to some traditions, Fénius invented the Gaelic language and Ogham script. In others, it was his grandson Goídel Glas. According to The Lebor, Fenius ruled a kingdom in Scythia by the Black Sea, now part of eastern Ukraine. For reasons unknown, he lost his kingdom and went into exile. Whatever happened, he turned up in Egypt where he had a son named Nial, who married the Pharaoh’s daughter, and they had a son they named Goídel.

At this time, in Egypt, the persecution of the Children of Israel was taking place. Rather than participate in the persecution, the family and their followers went into exile from Egypt. They roamed throughout North Africa before eventually sailing through the Straits of Gibraltar and following the Atlantic Iberian coast northerly before settling along the shores of Galicia.

One of their descendants was Mil, also known as Milesius and Míl Espáine or The Soldier of Spain, and his followers were the Milesians. The Tuatha Dé Danaan, the early rulers of Ireland, had killed the nephew of Mil. So to avenge the killing, Mil launched an invasion of Ireland, taking his wife, Scota, with him.

Although Mil and Scota died in the fighting, their three sons, Eber, Eremon, and Amairgen, conquered Ireland and became the Gaels. Being the sons of Scota, they considered her to be their ancestral mother and also called themselves Scots.

14TH CENTURY – CHRONICLES OF THE SCOTTISH PEOPLE

Now we look at the work of the Scottish chronicler John of Fordun. He wrote the “Chronica Gentis Scotorum” or “Chronicles of the Scottish People”, which consisted of five books in the late 14th century. These works, especially the early parts, are regarded with skepticism by many scholars today.

According to Fordham, the ancestors of the Scots were Egyptians. They were followers of an Egyptian princess named Princess Scota and a Greek, or Scythian prince, called Goídel Glas, sometimes known as Geytholos, Gathelus, or Gaithelus in Latin.

According to this work, the Scots were the descendants of Goídel Glas, the son of King Neolus of Greece, and the Egyptian Princess Scota, his wife. They led a band of followers from Egypt to Spain. Some of their followers traveled on to Ireland led by the son of the King of Spain named Simon Breac, who would become the High King of Ireland. They brought to Ireland the Stone of Scone, also known as the Stone of Destiny, an oblong block of red sandstone, which became the coronation seat of the Scottish kings and also used in the coronation of English and UK monarchs later.

15TH CENTURY – THE SCOTICHRONICON

Scota and Gaedel Glas in a 15th century manuscript of Bower’s Scotichronicon – Unknown author – Public domain, via Wikimedia Commons

In the 15th century, Walter Bower expanded further on this story in his work, “The Scotichronicon.” According to Bower, Goídel Glas was a Greek prince, but his father, the King, would not allow him any position of power. Frustrated by his father, Goídel Glas raised his own army, causing much trouble and destruction. Eventually, his father was forced to rein him in and sent him into exile. Goídel sailed to Egypt with his army assisting Pharaoh Chencres in fighting an invasion from Ethiopia, a powerful kingdom in the region. Their united armies expelled the Ethiopians giving victory to the Egyptians. After this, Goídel helped the Pharaoh to keep the Children of Israel in subjugation. In return for his bravery, loyalty, and military support, Chencres gave his daughter to him in marriage. She was not named then but later became known as Princess Scota,

According to Bower, Pharaoh Chencres died in the parting of the Red Sea in pursuit of the Children of Israel. With his death, the people of Egypt sought reform, and a period of civil disorder and strife occurred. Goídel Glas was seen as part of the old order and forced into banishment. However, he did not go alone. He took his wife, who was to become known as Princess Scota, his army, and many followers who made them their King and Queen. They called themselves “Scots” after Scota, despite having no realm to rule. In Irish and Scottish Gaelic, Scota means “blossom,” and “Scotti” was a synonym for “Irish,” suggesting the Irish and Scots descendants of Queen Scota were “people of the blossom.” (1)

The Scots roamed the North African deserts, eventually sailing to the Iberian Peninsula now known as Spain and Portugal. They settled in the northwest part of the peninsula called Brigancia that the Romans called Brigantium, now known as A Coruña in the province of Galicia. Here, Scota gave birth to a son named “Hyber,” from which “Hibernia,” an ancient alternative name for Ireland, was derived. Thus, the term “Iberian” derives from “Hyber.

They were said to have stayed in Galicia for several generations but faced continued attacks by the local tribes. Some Scots set sail across the sea looking for a new home and eventually reached a region on the island of Britain that we call Argyll today. These people would eventually become known as the “Scotti.” The country north of Hadrian’s Wall was later to built became Scotland.

THE MOUND OF HOSTAGES

Now we move forward thousands of years to an ancient burial site named the Hill of Tara that still exists in modern Ireland. On top of the hill is an ancient burial and ritual site known as the Mound of Hostages, called Dumha na nGiall in Irish, and once the ancient seat of the High Kings of Ireland. Dr. Sean O’Riordan, an archaeologist of Trinity College, Dublin, investigating the site discovered human remains dated to the Bronze Age believed to be those of a young prince. Around his neck was placed a very rare necklace of faience beads made from a mixture of plants and minerals. Carbon dating of the skeleton gave a date of 1359 BC. The design and manner of making of the beads show them to be of Egyptian origin. Not exactly, but still, near to when the boy entombed at Tara, Tutankhamun, the boy king, was interred in Egypt. Placed around his neck was a necklace of blue-green faience beads similar to the Tara find. A Bronze Age burial ground in Devon also yielded a necklace of like style.

LORRAINE EVANS – “THE KINGDOM OF THE ARK”

In her book “Kingdom of the Ark” Lorraine Evans presents the idea that there are historical and archaeological links between ancient Egypt and ancient Ireland, and Scotland. A discovery in North Ferriby, Yorkshire, of the remains of an ancient shipwreck first thought to be a single Viking long-ship. Further excavation brought to light more wrecks but not of Viking origin. Radiocarbon dated them between 1400 – 1350 BC, earlier than the Viking Age. Evans points out that these dates reasonably correspond to the dates of the Tara skeleton and faience beads and speculates that the boats were of Egyptian origin.

She points to the Scotichronicon and asks what Egyptian faience beads were doing at Tara in Ireland and Devon in England. Of course, there are many answers. For example, they could have arrived through trade, or they may have been gifts to some influential people, from other important people. Then the question arises who traded them or who gave them as gifts. It could have been via traveling traders and merchants who may or may not have been of Egyptian origin. On the other hand, they could also have belonged to an Egyptian. Evans speculates that the Tara prince was an Egyptian and possibly also connected with the Devon necklace.

According to the Scotichronicon, the High Kings of Ireland were descendants of Scota. But, awkwardly, Scota is not a name of Egyptian origin. So, who was she, apart from being an Egyptian princess and Pharaoh’s daughter? So, Evans looked closer to the text. She discovered it gave Scota’s father the Greek name, Achencres, a version of the Egyptian name of Akhenaten, the Pharaoh of Egypt in the relevant period. Therefore, Evans speculates that Scota was none other than Princess Meriaten, the eldest daughter of Akhenaten and his primary wife, Queen Nefertiti. (1) This also links in with beads and skeleton at Tara because Tutankhamun was the son of Akhenaten by one of his wives named Kiya, and possibly married Ankhesenpaaten, the third eldest daughter of Akhenaten.

PRINCESS MERIATEN

When Akhenaten enforced the new religion of the worship of the Aten – the sun disc – on his people, there was a significant conflict with the priesthood of Amun, the former faith. After Akhenaten died, they restored the worship of Amun as the principal god of Egypt. The standard protocol would have been for the eldest daughter of the Pharaoh Akhenaten to marry her step-brother Tutankhamun. However, the priests of Amun determined to stamp out the Aten religion rejected this. According to Evans, this, with the rumors of plague, was enough to persuade her to marry a foreign prince and go into exile with him, removing further traces of her father from Egypt.

THE TUATHA DE DANNAAN

To answer this question, Evans looked to the myths of the Tuatha de Danaan who inhabited Ireland in this period. The Tuatha de Danaan, or People of the Goddess, Dani, were believed to have established the sacred site of Tara in the valley of the River Boyne.

Tara was their most important sacred ritual and burial place, the seat of the High Kings of Ireland, and the place they were inaugurated. The Tuatha de Danaan were considered the gods and goddesses of the inhabitants of Ireland, and their origins stretch way back into prehistory.

According to a different text known and the Annals of the Four Masters, dating from 1632-36, Eremon is the husband of Scota. He and someone named Eber divided Ireland between them into two kingdoms. Eremon ruled the northern realm while Eber ruled the southern kingdom. Evans speculates, Eber and Eremon created two kingdoms unified by the Hill of Tara as a replica of Egypt with its Upper and Lower realms united by Memphis.

There is also the idea the combination of the names of the two gods Ptah-Ra gives Ta-ra or Tara can be pronounced in several different ways. For example, Ptah could be Pi-tah which sounds like Peter. Even so, the way the ancient Egyptians pronounced their language may have been entirely different from the way we would expect.

THE DEATH OF SCOTA

According to the Lebor Gabala, Scota died in a battle at Slieve Mish, near Tralee, Kerry, to be buried nearby in a valley now known as Scotia’s Glen. After her death, the war for control of Ireland continued against three kings of the Tuatha de Danaan; MacCuill, MacCeacht, and MacGreine, whose wives were all goddesses. These were Banba, Fodla, and Eriu. Eventually, the sons of Mil subdued the Tuatha de Danaan taking control of Tara. It is also worth noting the English name for Ireland is derived from Eriu and is also known as Eire or Erin, both derivatives of Eriu.

Akhenaten, Nefertiti and two daughters adoring the Aten
Egyptian Museum, Public domain, via Wikimedia Commons

RALPH ELLIS – “SCOTA, EGYPTIAN QUEEN OF THE SCOTS”

Ralph Ellis, in his book, “Scota, Egyptian Queen of the Scots,” claims the primary British reference was like the eighth-century historian Nennius. By tracing the sources of Nennius, Ellis thinks he’s found the answer. He believes that the originator of the Scota-Gaythelos story was an ancient text, The History of Egypt, written in 300BC by the Egypto-Greek historian Manetho. Having traced the source, which was, if not contemporaneous, at least reasonably informed – Ellis believes that he can put flesh on the bones of this story. Using Manetho’s text, Ellis asserts that Scota was Ankhesenamun, a daughter of Akhenaton and Nefertiti. She would also become the First Royal Wife of Tutankhamen. After his death, she married a pharaoh named Aye, who Ellis identifies as Gaythelos.


He also gives what he believes is the origin and meaning of the name “Scota.” When the fleet carrying Ankhesenamun and Gaythelos left Egypt to begin their exile, they sailed west into the setting sun. The boat Ra, the Sun-god, rides across the sky was named Shkoti, and her followers gave this term to Princess Ankhesenamun as the fleet sailed into the setting sun. It may have been a nickname or became a title that was to evolve into Scoti over time. (2) In the history of this group of people, there was more than one royal female named Scota. Again, it may be Scota was a term or title and passed on perhaps from mother to daughter.

Ellis speculates that Aye was the father of Tutankhamen, marrying Ankhesenamun after his son’s death. His rule was brief before a religious conflict with the Egyptian people forced him to leave Egypt with his wife and followers, and Ellis tracks their journey. He believes they took sufficient ships to carry around 1000 followers and enough supplies, weapons, and equipment. Stopping to resupply at several points, they managed to navigate the Mediterranean Sea to the Atlantic coast of Spain, where they settled for several generations. Their son Hiber gave his name to Iberia. Four generations after they first settled, the descendants of Scota made their way to Ireland, giving weight to the idea that Scota was an inherited or passed-on title.

Here Ellis refers to Irish stories supplementing the myths with other evidence. For example, he points to the number of gold torcs or necklaces worn by pharaohs discovered in the country and points to tombs he believes were built using Egyptian knowledge. Ellis believes this demonstrates that Scota’s people brought this method of embalming their dead from Egypt halfway across the world and from Ireland; it was a short voyage across the water to Scotland. Later, Iberian “Egyptians” seeking a new homeland settled in Scotland, and eventually, many of the original Irish “Scots” joined them.

The story of Scota, Gaythelos, and the history of the Gaelic people comes across as deeply mysterious, romantic, and very interesting. But, unfortunately, it is difficult to piece together and hard to tell fact from fiction. Fascinating though they are, all these stories are products of their culture and times, providing a need for some deep-rooted and illustrious ancestry. Many other nations and peoples have their foundation myths which, although impossible to prove, mean a lot to those people.

Copyright 07/12/2021 zteve t evans

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Copyright December 7th, 2021 zteve t evans

Influential Women: Sammuramat to Semiramis – From History to Myth

Queen Semiramis was a mythical queen who appears in many myths, legends, works of art and literature through the ages.  She was was believed to have evolved from a real, historical Queen Sammuramat who ruled the Neo-Assyrian Empire for a brief period.   Here we look briefly what is known of the historical Queen Sammuramat and her transformation to the mythical, semi-divine, Queen Semiramis.

QUEEN SAMMURAMAT

Sammuramat ruled the Neo-Assyrian Empire in the ninth century after her husband, King Shamshi-Adad V, died until her young son Adad-nirari III came of age in 806 BC.  It is not clear whether she ruled as regent or in some other capacity but it was only believed to have lasted for five years.  According to the myths Semiramis ruled for 42 years as queen regnant but it is necessary to separate the historical from the mythical in thinking of Sammuramat.

Although much of her prestige may have come through being the wife and queen of King Shamshi-Adad V, history shows she briefly had great political influence over a great empire.  This stretched from the Arabian Peninsula in the south to the Caucasus Mountains in the north and in the west as far as Cyprus and in the east western Iran.   She was highly regarded by her subjects and neighboring states and appeared to have been a good ruler in what ever capacity she reigned. Like many other powerful and famous rulers throughout history her achievements were embellished, exaggerated and added to.  In the centuries after her death she became a mythical or legendary figure and given the name Semiramis.

EVIDENCE OF HER EXISTENCE

Not all archaeologists and historians are convinced of the existence of Queen Sammuramat.  Those who are point to four pieces of evidence they claim prove she once existed.  Two of these are statuettes found in the ancient city of Nimrud in Iraq.  These are dedicated to the Babylonian god of knowledge and writing named “Nabu” and both mention her name.  The other pieces are two stellae; one from Kizkapanli, situated in modern day Turkey and the other from Assur in Iraq which mention her.

Stele of the Assyrian queen Shammuramat, from AssurOsama Shukir Muhammed Amin FRCP(Glasg), CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

When considered together these show she was highly esteemed and exercised an unusually high degree of political power for a woman of that epoch.  The Assur Stela inscription reads,

“Sammuramat, Queen of Shamshi-Adad, King of the Universe, King of Assyria; Mother of Adad-nirari, King of the Universe, King of Assyria.”

FROM HISTORY TO MYTH

The classical historian, Herodotus, in the fifth century B.C. used the Greek form of her name, Semiramis, which helped perpetuate her memory.  It is by this name she is perhaps better known today.   According to some traditions an entity known as Semiramis was the wife of the mythical Nimrod who reputedly built the Tower of Babel.  This entity does not appear to be the same character as the Semiramis who evolved from Sammuramat though there may have been some conflation through the ages.

After her name was Hellenized she became the subject of many enduring myths and legends as an Assyrian queen.  In this role she was the semi-divine daughter of the dove and fish goddess Derceto of Askalon, who in shame of conceiving a baby by a mortal flung herself into a lake.   Her body transformed into that of a fish while her head remained human.  Her baby girl was fostered by doves and grew up to become Semiramis.

In some legends she plays the role of the beautiful “femme fatale” in tragic love storiesbut in others she is a formidable commander and military leader winning impressive battles extending her empire greatly.  She is also cast as a great civil ruler who built the walls of Babylon and other monuments throughout her domain.

The Greek scholar, Diodorus Siculus, enlarged upon her legend inventing an exaggerated and inaccurate account of her life and deeds.  He claimed Semiramis was born in Ashkelon, now in modern day Israel and was the daughter of the Syrian goddess, Derceto, who many scholars see as a version of the Phonecian goddess Astarte and the Babylonian goddess, Ishtar.

RAISED BY DOVES

Her father was a mortal and her mother in shame of falling in love and conceiving with a mortal man abandoned her baby who was then raised by doves.  Eventually she was adopted by the chief shepherd of the king of Assyria and named Semiramis and grew up to be a woman of great and rare beauty and intelligence.  

One day while inspecting the royal flocks Onnes, the royal governor of Syria came across her and struck by her beauty gained her adoptive father’s consent to marry her.  After the wedding she went to live with him in Nineveh.

When Onnes was sent on a military mission to central Asia to besiege the city of Bactra by King Ninus of Assyria he began to miss her badly.  Therefore, he sent a message asking that she join him.  When she arrived the siege was still in place but she came up with a strategy and led an attack that gave her husband and his army the victory.

When King Ninus heard about how she had formulated the winning strategy and led the attack he wanted to meet the rare female with such military ability.  Ninus was completely besotted by her beauty falling in love with her at first sight.  He ordered her husband to exchange his wife for one of his daughters but Onness refused.  Ninus was determined he would marry her and subjected Onnes to terrible threats causing him to take his own life.  Ninus got his way and Semiramis became his wife and queen of Assyria. 

BUILDER AND COMMANDER

According to Diodorus she embarked on a number of large civil projects including the rebuilding of the city of Babylon along the Euphrates River, including the royal palace, the temple of Marduk and the city walls.  Other Greco-Roman authors such as Strabo credit her with creating one of the seven wonders of the ancient world, the Hanging Gardens of Babylon though this is not supported by evidence.

Variations of her name were applied to many ancient monuments in Anatolia and Western Asia often with little or no evidence they originated with her.   She was also credited with building the city of Van as her summer residence and may have been known as Shamiramagerd (city of Semiramis).

MILITARY CONQUESTS

According to Diodorus Siculus after the completing works in Babylon she turned her attention to the empire.  She launched several military campaigns in Persia, Libya and North Africa.  Furthermore, in an act of supreme ambition she organized and launched an invasion of India ruled by King Stabrobates. This was an incredibly difficult and risky operation and would prove although she was a capable and formidable commander and general she was not invincible. 

Nevertheless, she was very bold and inventive conceiving a daring plan of deception to use against Stabrobates.  She instructed her craftsmen to construct a herd of fake elephants by covering camels with the dark hides of buffaloes.  In this way she initially managed to give the impression she had a formidable battalion of real elephants to unleash in battle.   Initially, this deception was successful in an attack but her enemy strongly counterattacked. Her army was routed with the survivors forced to retreat back over the Indus River.  The invasion failed disastrously and she was injured in the fighting.

THE ORACLE OF AMUN

While campaigning in Africa she had consulted an oracle of the deity Amun.  The oracle predicted her son Ninias would conspire to supplant and kill her.   According to Diodorus this was to come true and after her failure in India on discovering her son’s plot she decided to hand over power peacefully to him rather than fight him for the throne.  However, other historians give differing versions of her death.  Some say she threw herself on a burning pyre while others say her son killed her.

ARMENIAN TRADITION

In Armenian tradition, Semiramis, was often portrayed negatively because of her military successes against Armenia.   One of the most well known Armenian legends about her is her romance with a King of Armenia known as Ara the Handsome.    Armenian traditions say Semiramis had fallen head over heels in love with him and proposed marriage.  To her dismay he refused and in a display of extreme petulance she mustered her army and made war on him ordering her commanders to capture him alive. She was victorious but contrary to her explicit instructions Ara was killed in battle.  

Semiramis was reputed to be a sorceress and the death of Ara had left her in an awkward position.  She did not want to continue warring with the Armenians who were now determined to avenge their leader. Therefore she came up with a plan to end the war.  She openly prayed to the gods to raise Ara from the dead but secretly disguised one of her lovers as him.  When the Armenians arrived for battle she presented him to them claiming she had raised him from the dead by her love for him.   The deception convinced the Armenians he was alive and ended the fighting.  There is also a tradition that she actually succeeded in resurrecting Ara and there is a village not far from Van called Lezk where his resurrection allegedly took place.

INGREDIENTS FOR A GOOD TALE

Her legend has much in common with other myths from the region that tell of great leaders or powerful people.  There is the theme of her divine origin being born of Derketo, the goddess and then abandoned at birth to be found and brought up by animal or bird foster parents. 

The evolution of Queen Semiramis from Queen Sammuramat provided an example for other female rulers to follow.  Her legendary and mythical status was achieved possibly because it was unusual in patriarchal societies for females to be allowed to shine or display their intelligence and talents.  According to these traditions, she proved herself to be a as good or better than males in her governing abilities, civil building works and military prowess.  This was unusual and may be part of the reason why she was elevated to such status.  Her mystique and appeal lasted for centuries after her death and was the inspiration for many works in art and literature. Perhaps because of her legendary beauty and reputation, or maybe, just because she was a woman, she was often cast in erotic and immoral roles. 

Over the ages her achievements became embellished and exaggerated and new stories emerged about her.  In many ways the little that was known about her added to her mystique and after her death the myths and legends grew. In later times was held as a model for good female rulers who exhibited similar characteristics as her and such as Margret I of Denmark, and  Catherine the Great of Russia who were called Semiramis of the North after her. 

Throughout the ages the mythical Queen Semiramis evolved a long way from the original historical Queen Sammuramat but such is the stuff that legends are made from.

© 29/09/2021 zteve t evans

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Copyright September 29th, 2021 zteve t evans

Celtic Lore: Exploring the Otherworld

Otherworld

This article was first published on #FolkoreThursday.com under the title, Exploring the Otherworld of the Celts, on 18 March, 20211, written by zteve t evans. This work has been revised and edited and different images added 3rd February 2024.

Entry to the Otherworld

The concept of an enchanted and mysterious “Otherworld” has been a typical feature in numerous myths and legends across a wide range of human cultures throughout history. The ancient Celtic people also had their version of this enigmatic and ethereal region. Their territories included Ireland, the British Isles, and a swathe of continental Europe to Anatolia, West Asia, now part of Turkey and included parts of the Iberian Peninsula. Across this vast area, there were variations in beliefs and ideas about the Otherworld. This work briefly explores their concept of the Otherworld and how it varied in different parts of the Celtic world.

Celtic Mythology

The Celtic Otherworld is frequently depicted as the realm where their deities reside, the abode of their deceased, or a harmonious combination of both. In alternate narratives, it is described as a magical paradise where inhabitants revel in perpetual youth, good health, and beauty, leading lives filled with joy and abundance, all their needs automatically met. This Otherworld is often associated with mystical entities such as fairies, Twylyth Teg, the aos sí, and other magical beings.

Entry to the Otherworld

Access to the Otherworld is typically concealed and challenging to discover, but specific individuals of merit manage to reach it through personal endeavours. Others might receive invitations, be guided by their residents, or follow given signs. Entrance may be facilitated through ancient burial mounds or by traversing over or under bodies of water, like rivers, pools, or seas. Certain locations, including specific lakes, bogs, caves, burial mounds, or hills, were believed to serve as portals to and from the Otherworld.

Another theory posits that the Otherworld exists in a parallel dimension, akin to a mirror world alongside the earthly realm. During specific periods, such as Samhain and Beltane, the barrier separating the two realms weakens, making the transition between them possible.

Annwyn: The Welsh Otherworld

Otherworld Hunt

In Welsh mythology, the Otherworld is commonly referred to as Annwn or Annwfn, with indications in Welsh tradition suggesting the existence of diverse realms or regions within its confines.

It is common in Celtic tales for a stag or deer to lead hunters into otherworldly encounters, entwining them in its affairs. An example of this is found in the First Branch of the Mabinogi, recounting the story of Pwyll, Prince of Dyfed.

While hunting in Glyn Cuch, Pwyll, having become separated from his companions, stumbles across a pack of strange white hounds with red ears mauling on a slain stag they had brought down. This event is the catalyst for an encounter with the Otherworld. The red-eared hounds belong to Arawn, the magical king of the Otherworld of Annwn, who arrives on a dappled grey horse and is outraged to find Pwyll has for driving off his dogs and claiming the stag as his own.

To assuage Arawn’s anger over the stag, Pwyll agrees to spend one year and one day in an exchange of bodies, with the mission of defeating Hafgan, another king of Annwn. This exchange means Pwyll will inhabit Arawn’s body and Arawn his for that time. The story suggests the possibility of multiple kingdoms within the Otherworld: Arawn’s kingdom of Annwn, another unnamed ruled by Hafgan, and a third where Rhiannon came from, which also is unnamed.

Arawn invites Pwyll to his hall and escorts him safely through Annwn to reach it to accomplish the task, ultimately uniting the two otherworldly realms under one monarch. During this exchange of bodies, Pwyll is presented with the opportunity to be intimate with Arawn’s beautiful wife, a queen and a representative of a goddess of sovereignty. Demonstrating his integrity as the ruler of Dyfed, Pwyll refrains from taking advantage of the situation, respecting both the queen and the sacred connection between rulership and the land.

Subsequently, a mysterious lady named Rhiannon arrives from the Otherworld, possibly from a different realm within. Her appearance is enigmatic, clad in white and gold, riding serenely upon a shining white horse. Despite being pursued by Pwyll’s fastest horses, some magical force prevents them from catching up. Only when Pwyll personally gives chase and requests her to stop does she finally halt, revealing her purpose—to ask Pwyll for marriage, an offer he accepts.

Irish Mythology – Oisin in Tír na nÓg

Niamh of the Golden Hair

Within Irish mythology, the Otherworld goes by various names, with Tír na nÓg, or the Land of Youth, being one of the most renowned. The tale of Oisín and Niamh of the Golden Hair vividly portrays life in Tír na nÓg, presenting multiple versions of this captivating narrative.

Similar to the arrival of Rhiannon in the Welsh tale, Niamh emerges as another otherworldly woman, riding a magical white horse and proposing marriage to an earthly man. Oisín, engrossed in hunting deer, accepts her proposal and is transported to Tír na nÓg, seated behind Niamh on the enchanted horse that gallops effortlessly across the sea. Upon arrival, he discovers a paradise where his thoughts materialize into reality.

Despite the luxurious and indulgent life, Oisín, a man of action, yearns for the thrill of the hunt. His wishes are granted, and he enjoys exhilarating hunts that always culminate in a perfect ending. The stag provides an exciting chase, followed by a noble death just before supper, with a magical hunting lodge and sumptuous banquet appearing effortlessly. Yet, the experience lacks the rawness and uncertainty of a genuine chase.

Bored with the predictable life, Oisín desires danger and combat. His wish is fulfilled, but the battles are orchestrated magically. He faces an ogre holding a princess captive, sustains wounds, but is healed by Niamh and never truly endangered. He triumphs over his foe, liberating the princess.

After living happily with Niamh in her land, he yearns to return to Ireland. Niamh reluctantly grants Oisín’s wish, lending him her magical white horse. However, she warns him not to touch the soil of Ireland. Upon his return, Oisín realizes that what seemed like a short stay in Tír na nÓg was, in reality, hundreds of years. His family and friends are long gone, and Christianity has replaced the older religious ways he knew. Unfortunately, Oisín falls from his horse while assisting a group of workmen. On touching the Irish soil, time catches up with him, and he instantly transforms into an dying aged man and, before he dies, shares his adventures in Tír na nÓg with Saint Patrick before passing away.

Continental Celtic Mythology

On the European continent, the Gauls divided the Otherworld into three parts: Albios, Bitu, and Dubnos. Albios represented the upper world or heaven, also known as the white world. Bitu was the world of living beings or the earthly realm, while Dubnos signified the underworld, lower world, dark world, or hell.

The Celts left scant written records of their beliefs, and much of the available information comes from non-Celtic sources that might have imposed their interpretations. Lucan, a Roman poet, asserted that Gaulish druids believed in an Otherworld he called Orbis aloha, where souls went before reincarnation.Procopius of Caesarea, a Byzantine scholar, believed the land of the dead for ancient Gauls lay west of Britain. According to him, the souls of the departed travelled to the northwestern coast of Gaul, took a boat to Britain, and then visited the homes of local fishermen. These fishermen ferried the souls of the dead across the sea to their final destination.

Breton and Galician folklore still retain remnants of these beliefs. In Breton tradition, the ships that transported the dead to the Otherworld were known as Bag an Noz. In his book “La légende de la mort chez les Bretons Armoricains,” Anatole Le Braz describes processions of souls traversing the land to reach the coast, where they began their voyage to the Otherworld.

In examining these few instances, it becomes apparent that the concept of the Celtic Otherworld exhibited diversity across regions, with variations even within individual areas. The depictions of the Otherworld range from magical and enchanting to dark and disturbing, mirroring the nuanced nature of the earthly world experienced by humans in contemporary times.

The concept of an enchanted and mysterious “Otherworld” has been a typical feature in numerous myths and legends across a wide range of human cultures throughout history. The ancient Celtic people also had their version of this enigmatic and ethereal region. Their territories included Ireland, the British Isles, and a swathe of continental Europe to Anatolia, West Asia, now part of Turkey and included parts of the Iberian Peninsula. Across this vast area, there were variations in beliefs and ideas about the Otherworld. This work briefly explores their concept of the Otherworld and how it varied in different parts of the Celtic world.

© zteve t evans


Reference, Attributions and Further Reading

Copyright zteve t evans

  • Celtic Otherworld – Wikipedia
  • Annwn – Wikipedia
  • The Mabinogion and the Four Branches of the Mabinogi – The Mabinogi of Pwyll
  • Welsh Mythology: Pwyll’s Sojourn in Annwfn – Under the influence!
  • Tír na nÓg – Wikipedia
  • Oisín – Wikipedia
  • Otherworld – Wikipedia
  • Religion of the Ancient Celts by J. A. MacCulloch
  • Image by conjured and modified by zteve t evans using Bing Image Creator from Designer using the commands, “A misty strange world with a stag, a wolf, a raven, a waterfall, a young man and woman in a forest, in the distance a road leading to a mountain in the style of Gustav Klimt.” – ” 23 January 2024
  • Image Otherworld Hunt conjured and modified by zteve t evans using Bing Image Creator from Designer using the commands, “an otherwordly forest featuring a stag being chased a pack of white hounds with red ears by a dark king riding a grey horse in the style of Edvard Munch, 22 January 2023.
  • Image Niamh of the Golden Hair” conjured by zteve t evans usinf Bing Image Creator from Designer using the commands A princess with long golden hair, dressed in white riding a white horse over the sea waves while sun is setting in the style of the pre-raphaelites – 22 January 2024

Celtic Lore: Shapeshifters of Myth and Legend

This article was first published 11 March 2021 on #FolkloreThursday.com titled, Shapeshifters from the Celtic World by zteve t evans. It has been revised and edited and give different images 3st Feb 2024.

Shapeshifters From The Celtic World

Shapeshifters are found in most mythologies and folk traditions worldwide from ancient to modern times. In such traditions, humans change into vampires, werewolves, frogs, insects, and any other creature imaginable and back again. Sometimes, the transformer controls the transformation and shifts shape at will. Other times, it is an unwelcome event such as a punishment, and sometimes, a magical spell forces it, but there are many varied reasons besides. Shapeshifters can be good or bad, often moving the story forward in a novel way or having some symbolism that the teller wants to convey to their audience. There are many kinds of shapeshifting. Here, we look at examples from Ireland, Wales and Scotland that provide differing glimpses of shapeshifters in action in these three Celtic nations’ myths, folklore, and traditions.


Irish Shapeshifters

In Irish mythology, the Morrigan was a shapeshifting war goddess who could transform into a woman of any age, animal, or bird form. She had the power of prophecy and, as a war goddess, would sing her people to victory in battle. Sometimes, she could be seen swooping over the battlefield as a raven or crow and devouring the bodies of the slain.


In the story of the Táin Bó Cúailnge, or “The Cattle Raid of Cooley,” the Morrigan appears as a crow to warn the bull named Donn Cuailnge that Queen Medb is plotting to abduct him. Queen Medb attacks Ulster to obtain the bull to be resisted single-handedly by the hero Cú Chulainn, fighting a series of duels with her champions at a Ford. In battle, Cú Chulainn undergoes a spectacular change in his form described as “ríastrad” or “warp-spasm” that sees his body twist and contort into the most grotesque and fearsome appearance, terrifying his opponents.


In between the duels, the Morrigan appears before Cú Chulainn as an attractive young woman seeking his love and offering her help. He rejects her, and feeling offended, she seeks revenge by aiding his opponents. First, she turns into an eel and trips him. Next, she turns into a wolf and causes a herd of cattle to stampede towards the Ford. Lastly, she transforms herself into a heifer and leads the stampede, but despite her magical shapeshifting, she fails, and Cú Chulainn manages to wound her on each transformation. Later, she transforms into an elderly woman milking a cow bearing the three wounds. She offers him milk to drink, and he blesses her, healing her wounds, which he later regrets.


Welsh Shapeshifters

There are many examples of shapeshifting in Welsh mythology where a human takes the form of an animal or bird, and even flowers are transformed into maidens. In the story of Math fab Mathonwy, the Fourth Branch of the Mabinogi, Math and Gwydion created the maiden Blodeuwedd out of broom, meadowsweet, and oak flowers and later transformed into an owl. Earlier, Gwydion had undergone a series of transformations, changing into a stag, sow, and wolf, even producing offspring as a punishment inflicted by Math.


An exciting and extraordinary example of shapeshifting appears in the story of the birth of Taliesin. The sorceress, Ceridwen, brewed a potion to give to her son Morvran ab Tegid that would endow him with great wisdom and knowledge. She gave a boy named Gwion Bach the task of stirring the brew and tasked a blind man with feeding the fire. As Gwion was stirring, three boiling drops spat from the cauldron onto his hand. Putting his hand to his mouth to relieve the pain, he accidentally ingested the drops, becoming endowed with awen instead of Morvran. With knowledge and wisdom provided by the awen, he foresaw Ceridwen’s wrath at the accidental ruining of her scheme.


Knowing he must escape, he transformed into a hare, but she became a greyhound hot on his tail. Therefore, he transformed into a fish and leapt into a river, but she became an otter and closed in on him. Just in time, he transformed into a bird and flew away. She changed into a hawk and again began to close in on him. Seeing a pile of winnowed wheat lying in a barn, he dived into that, transforming himself into a kernel of corn. Transforming herself into a black hen, Ceridwen pecked it all up, including him. With him inside her, she was now pregnant and, nine months later, gave birth to a beautiful baby boy. Realising the baby was Gwion Bach reborn, she wanted to kill him, but because of the fairness of his brow, she could not. Giving him a slim chance of survival, she placed him in a leather bag and cast him into water. He would later be rescued and became the greatest Welsh bard in history.


Scottish Shapeshifters

In Scottish folklore, selkies and kelpies are vastly different shapeshifting entities from the Irish and Welsh examples we have looked at. Moreover, they are entirely separate entities, having distinctive characteristics, making them intriguing subjects in legends and folktales. First, we will look at the selkie, and then discuss the kelpie.

Transforming Selkie

A selkie changes form from seal to human by removing its seal skin and must put its seal skin back on to revert to its seal form. The female selkie often becomes trapped in a relationship when a man steals her seal skin while she is in human form. With the theft of her seal skin, her power has been stolen, and she cannot transform back into her original form and must live on land as a woman. Sometimes, she will marry but spends considerable time pining for the sea. She may have children, but if she ever recovers her seal skin, she quickly forsakes them and her husband to return to the sea. According to tradition, male selkies are very handsome in human form, and women find them very seductive. The male selkie tends to seek out those women who are unhappy in their marriage, such as fishermen’s wives who wait patiently alone at home for their husband’s return.


Kelpies are a different kind of entity in Scottish folklore. They are dangerous, supernatural horse-like entities with shapeshifting abilities dwelling in rivers, pools, and lochs. According to tradition, lone travelers sometimes encountered them lingering near watery places. They often take the form of a beautiful woman or horse but can also adopt other guises, such as an old man’s. One sign of their real identity can be revealed when water weed is noticed entangled in their hair.


A folktale from the island of Barra tells how an amorous male kelpie transformed into a handsome young man hoping to seduce and marry a local girl. While the young man was sleeping, she noticed he wore a silver necklace, which was, in fact, his bridle. She removed it, and he transformed into a horse. The girl takes it to her father, who is a farmer, and he puts it to work for a year. At the end of that year, she takes it to a wise man, seeking his advice. He advises her she must return the silver necklace to him, which she does, and the horse transforms into the handsome young man. The wise man asks the young man if he would prefer to live as a kelpie or a mortal man. The young man asks the girl if she would marry him if he kept his human form. She confirmed that she would, and the kelpie chose to be a mortal man and married the girl.


Shapeshifters in Abundance

From gods and goddesses to witches and sorcerers to strange, dangerous supernatural entities that haunt the wilds, Celtic mythology and folklore have an abundance of shapeshifters. Examples of transforming humans into animals or vice versa can be seen in the rock art of ancient cultures around the world, predating the Celts. Similarly, in the modern age, shapeshifters are found in traditional and contemporary media, reflecting how this strange and intriguing phenomenon still piques curiosity and strikes the right chord with many people today.

©zteve t evans


References, Attributions and Further Reading

Copyright zteve t evans


Vortigern’s Rule: The Assassination of King Constans

Image by by Matthew Paris – Public Domain

Vortigern and the Chaos  of Britain

According to the Regum Britanniae, or History of the Kings of Britain, written in about 1136, by Geoffrey of Monmouth, Vortigern was a 5th century King of the Britons. He was considered one of the most notoriously devious and immoral kings in British history. To be fair he was only doing behaving as his contemporaries behaved. It was a question of dog eat dog in those days with no quarter given or asked for. He was attributed with most of the blame for inviting the Anglo-Saxon war-leaders Hengist and  Horsa into Britain as his mercenaries, sowing the seeds for the eventual Anglo-Saxon takeover of much of England and the many years of war and strife that was to come.

This is a retelling of how Vortigern usurped the crown of Britain based on the works of Geoffrey of Monmouth. Although his work was once considered reasonably accurate it is now no longer seen as reliable by modern scholars.  Nevertheless his work does provide his own version of the history of Britain and its kings and still has its merits as a cultural product of its times and still wields considerable influence in many Arthurian creations in the modern times. This part of the story of the history of the island of Britain begins with the assassination of King Constantine and the succession of his son Constans.  It continues to reveal how Vortigern grabbed power and ends with the threat of war hanging over him and the arrival of Hengist and Horsa.

The  Assassination of  King Constantine

After King Constantine of Britain had been in power for ten years he was assassinated by a Pict who stabbed him in the back.  After his death the crown of Britain was greatly disputed. The legitimate successor to the throne was Contans, the eldest son of Constantine, but his father had placed him in a monastery.  Although he was unhappy with the monastic life he was not really interested or suited to being king.  The next oldest and second in line was Aurelius Ambrosius his younger brother and the third was the youngest brother whose name was Uther.  Some nobles favored Aurelius to rule while others preferred Uther.  It was finally agreed that both were too young and all were at a loss as to what to do.  

Vortigern Becomes Ambitious

Vortigern had his own ambitions and his own ideas on who should be King of the island of Britain. He preferred Costans knowing that he had little interest in ruling and lacked the necessary qualities and strength of character that a monarch of Britain would need to control and unite the nation. Furthermore, he knew that he had no desire to remain a monk all his life.  Vortigern reasoned that if he helped him escape the clutches of the monastery to become king he could easily manipulate him while all the time working towards his ultimate unspoken goal of taking the crown for himself.  To further his ends he offered to set the unhappy Constans free from the monastery and make him king if in return he would make him his chief adviser. 

Constans: The Puppet King

Constans agreed and left the monastery and  Vortigern took him to London to be crowned king.  The consent of the nobles or the people was never asked for or obtained. Inconveniently the recent death of Archbishop Guethelin meant there was no one else of sufficient authority and stature in the clergy to fulfill such an important role. Conveniently for Vortigern the only other person with sufficient governmental experience and authority to fulfill such a role was himself and he performed the coronation ceremony. 

Constans lacked any knowledge or experience of government and had little or no credibility with the nobles or the people.  He relied heavily on the experience and guile of Vortigern for advice making him the effective ruler of Britain in all but name.  With many of the more experienced nobles killed in the wars with the Picts there were few alive who could match his statecraft and experience and Vortigern was using these personal assets to further his own ambitions ruthlessly.  

The next part of his plan was to remove Constans from the throne and set himself upon it. As always he was patient and bided his time while always seeking ways to consolidate his power at home by clandestine means.  At the same time he secretly used his position to increase his influence with nearby countries. He persuaded King Constans to give him control of the Royal Treasure to keep it safe. The inexperienced king at his Chief Advisor’s request also gave him control of all of the fortified towns and cities of the realm after claiming a fictitious threat of foreign invasion was imminent.  As soon as he had control of the cities he replaced their rulers and governors with his own men ensuring total control over the major fortified population centres.

Vortigern’s Treachery

He then persuaded King Constans that he was in danger and needed more men in his bodyguard to protect him from assassination.  Constans, perhaps bearing in mind what had happened to his father and trusting fully in Vortigern gave his permission to hand pick his personal bodyguard.  This made it easy for Vortigern who told the king that he had received word that an alliance of Picts and Dacians were preparing to attack Britain. He also assured him he knew of some trustworthy Picts who were not involved in the plot and he advised they should be offered a place at his court to form his new bodyguard. They would be loyal to Constans and act as spies informing him on what their compatriots were plotting.  Despite his father having been assassinated by a Pict such was his trust and reliance on Vortigern that Constans agreed.

Vortigern’s real intention was not to protect the king but replace his loyal bodyguards with men of his own choosing whom he believed he could control.  He knew the Picts were quarrelsome and often indulged in heavy drinking and in such a state they were unruly but easily manipulated. He also knew full well that they would have no qualms about assassinating Constans if the seeds of the idea were sown carefully and the right conditions prevailed. Therefore, he was confident that if he set the stage right they would act out the part he planned and take the blame while he looked beyond suspicion and took the crown.

To bring his plan into action he sent messengers to Scotland seeking one hundred Pictish warriors whom he could install as the King’s household guard.  When the Picts arrived he made a great show of welcome.  He gave them expensive presents and a luxury table for them to dine from and he showed them more respect than he gave the King’s original bodyguard.  So pleased were they with his welcome of them they began to see him as their lord and master above King Constans, exactly as Vortigern had planned.

Soon they began to make songs revering Vortigern and belittling Constans.  In these they praised Vortigern as king suggesting Constans was unworthy. They sang these songs in the streets in full view of the public pleasing Vortigern greatly. The greater they praised him the more he praised them in return and bestowed greater favor upon them.  Soon the next stage of his plan was ready to put into action.

The Killing of King Constans

He waited until one day when the Picts were well and truly drunk and solemnly told them the day was coming when he would leave Britain.  Mournfully, he told them he did not want to go but could no longer afford to keep more than fifty men in his retinue. With that he feigned great sorrow and left them drinking to think about it. The Picts were sorry to hear this for Vortigern had been good to them.  They began to think about their own position and how that could change and one of them said,

“Why do we suffer this monk to live? Why do not we kill him, that Vortigern may enjoy his crown? Who is so fit to succeed as he? A man so generous to us is worthy to rule, and deserves all the honour and dignity that we can bestow upon him.” (1) 

After more drinking and such talk between one another they broke into the King’s bedchamber.  They killed him while he slept and then proudly presented his severed head to Vortigern. Putting on a great show of sorrow and tears, while really elated with joy, he ordered the assassins to be bound. Wasting no time he summoned the citizens of London to witness their execution for what he called their terrible crime.

Not all of Britain’s nobles were taken in by Vortigern’s show of false sorrow. Many suspected villainy but with no one left in Britain powerful enough to stop him Vortigern seized the crown.  In fear of their own lives and for the safety of the brothers Aurelius and Uther – the true heirs – they fled across the sea to Armorica.    The brothers were well treated by King Bude who educated and kept them in a manner befitting their royal blood.

As time passed his treason was at last discovered. The Picts were furious at the execution of their own people and constantly attacked and ravaged the border country.  Vortigern was at daily war with them and lost many of his best warriors keeping them at bay. 

The Threat of Aurelius

Over the years in Armorica, Aurelius Ambrosius and Uther were coming of age and sought revenge for the murder of their father and elder brother.  Aurelius, the elder of the two had built himself a formidable reputation on the continent as a war leader and was mustering an army to retake the crown of Britain.  He remembered how Vortigern had favoured the Picts and now he knew he had orchestrated their deaths to remove any witnesses. Now with his own star on the rise he was burning to avenge his father and elder brother and reclaim the crown of Britain.

Although Vortigern was now High King of the island of Britain his troubles were just beginning.  With the growing threat of Aurelius Ambrosius and Uther he began receiving reports of the building of a vast fleet and the mustering of a great army. His spies confirmed his fears that they were intent on taking back their inheritance.  Therefore an invasion force was expected to land at any time somewhere along the south coast of England.  

With the Picts making daily forays in the north of his realm he knew he was in trouble. Taking stock of the situation on both fronts he found he was desperately short of men at arms to defend the kingdom. Despite his military weakness he still had  his political guile and ruthlessness which he used to quell any opposition among his own war leaders. Nevertheless, these were dangerous times with the promise of worse to come but things were going to take an unexpected turn that he would at first welcome and then live to regret.   As the clouds of war were gathering on the northern and southern edges of his realm there appeared completely unexpectedly off the coast of Britain three long ships carrying a detachment of armed warriors from foreign parts. These warriors were under the command of two brothers named Hengist and Horsa and they came ashore at Kent.

To begin with the presence of these two brothers looked to be a welcome gift in nullifying the brothers Aurelius and Uther and countering the Picts and Vortigern welcomed. However, while he was ruthless and treacherous Hengist would prove to be a master beyond compare of deceit and treachery. Hengist also has had a beautiful daughter name Rowena who Vortigern would become obsessed with and marry. All the time across the sea in Armorica, Aurelius was preparing his revenge.

© 12/02/2020 zteve t evans

References, Attributions and Further Reading

Copyright February 12th, 2020 zteve t evans

Warrior Women — The Battle of Britomart and Radigund the Amazon Queen

1) Britomart – Frederic Shields, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons
This article was first published under the title of British Legends: Warrior Women — The Battle of Britomart and Radigund the Amazon Queen on #FolkloreThursday.com, 28/02/2019 by zteve t evans, and has been revised and edited by zteve t evans and different images added 23/04/2024.

The Faerie Queene

Edmund Spenser’s The Faerie Queene, a monumental and unfinished poem published between 1590 and 1596, is a masterpiece that transports readers to a parallel universe of medieval times, offering a unique perspective on Elizabethan society. Through the intricate and richly detailed plot, Spenser alludes to historical events and notable figures, inviting readers to reflect on the complexities of the human experience. The Faerie Queene is not merely a literary work but a testament to the power of imagination and the enduring legacy of great literature. Its influence can be felt in contemporary literature, and its message resonates with readers today, inspiring them to explore the world of fantasy and appreciate the many ways literature enriches our lives. Spencer draws on Arthurian influences, legend, myth, history, and politics, alluding to reforms and controversial issues that arose in the reigns of Elizabeth I and Mary I.

It is an allegorical work that both praises and criticizes Queen Elizabeth I, represented in the poem by Gloriana, the Faerie Queene. A knight represents the six human virtues of Holiness, Chastity, Friendship, Temperance, Justice, and Courtesy. Spencer raises many questions about Elizabethan society, especially about the role of women in maintaining the patriarchal order, represented by a spectacular battle between Britomart, the Knight of Chastity, and Radigund, the Amazon Queen. The following text summarizes the battle, discusses its implications, and ends with a question for the reader.

Britomart, the Knight of Chastity

2) Britomart by Walter Crane, Public domain, via Wikimedia Commons

In the narrative, Britomart is a virgin female knight who personifies the virtue of Chastity and is associated with English virtues, particularly military prowess. The name “Brit” comes from “Briton” while “Martis” comes from the Roman god of war, “Mars”, meaning “warlike person”.

From an early age, she eschewed traditional feminine activities. Instead, she chose to train in using weapons and developing combat skills. She dressed in armour like a knight, behaved like a knight, fought like a knight, and wielded a magical black spear, becoming a formidable warrior.

After a long quest and many adventures seeking him, she finally married Artegall, the Knight of Justice, whom she had seen in Merlin’s magic-looking glass. Yet, as was often the way with knights, Artegall was bound to a quest that to abandon would bring loss of honour. Gloriana, the Faerie Queene, had given him the task of rescuing Lady Eirena from the tyrant Grantorto, and it was his chivalric duty to complete the quest or die trying. Despite her sorrow at his leaving, Britomart knew she had to allow him to complete it and looked forward to his return.

Queen Radigund, the Warrior Queen

On his quest, Artegall, accompanied by Talos, an iron man who helped him in the dispensation of justice, arrived in the country of the Amazons, ruled by Radigund, a warrior queen. Radigund fought against any knight entering her realm who would not submit to her will. After defeating them, she forced them to obey her every command or die. She made all defeated knights remove their armour and, against their will, wear female clothing, compelling them to work by spinning thread, sewing, washing clothes and other tasks those women usually did. If any refused or complained, she executed them. On hearing Artegall had arrived, Radigund challenged him to fight on the condition that the loser, if they lived, would obey the winner’s will. Artegall accepted, and a ferocious fight began.

The Battle of Radigund and Artegall

Radigund attacked him furiously, driving him back, but he struck her shield, splitting it in two. Enraged, she fought back viciously, badly wounding his thigh. Thinking she had him at her mercy, she taunted and mocked him. Now, it was his turn to be enraged, and he struck a decisive blow to her head, knocking her senseless to the ground. As he stooped to take off her helmet to decapitate her, he was stunned by her beautiful face and could not harm her. Instead, he threw away his sword, cursing that he had hurt such a lovely woman. Recovering her wits, Radigund sprang to the attack, driving him back. He could not return the blows, having thrown his sword away. He would not have done so anyway, perceiving it dishonourable to fight a female. Instead, he deflected her blows with his shield while pleading for her to stop fighting.

Artegall Surrenders

3) Artegall and Talos – Tate Britain, Public domain, via Wikimedia Commons

She refused and continued striking at him until he yielded, not wishing to harm her again. Despite his initial victory, by throwing his sword away and yielding, he was now bound by the terms he had agreed upon and was taken into the servitude of the Amazon Queen. She took his armour, dressed him in female clothing, and kept him prisoner, making him work at female tasks, which for a knight in those times was perceived as being demeaning and humiliating. Talos escaped and took the news of his captivity back to Britomart.

Britomart in the Land of the Amazons

Learning of her husband’s plight, Britomart set out to rescue him accompanied by Talos. They barely rested until reaching the land of the Amazons and then set up their pavilion outside the city. Seeing this, Radigund armed herself and, ordering trumpets to sound, marched out of the city gates to challenge her. Britomart stepped boldly out of the pavilion, ready for whatever the day would bring. When the two finally met face to face, Radigund recited the strict conditions she wanted the fight governed by. These were the same Artegall and all the other knights had agreed that now bound them to her in their defeat.

The Knight of Chastity Versus the Amazon Queen

Britomart refused these conditions, declaring she would only be bound by the rules of chivalry. This angered Radigund, who signalled for the trumpet to sound the beginning of the fight. They both attacked each other savagely, asking for no quarter and giving none. Fighting furiously, they hacked and stabbed at one another until the ground under their feet was red with blood, but doggedly, they fought on. Eventually, Radigund, sensing Britomart was weakening, thrust forward with all her strength, taunting her by saying, “This is for the man you love so much. I will tell him you died just for him!” and struck powerfully at her shoulder, cutting her to the bone.

Despite being sorely wounded, the blow roused Britomart to great anger. Throwing herself forward, she brought her sword down upon her foe’s helmet, splitting it apart. Radigund fell senseless to the ground, and Britomart finished her off with one blow. When the Amazons saw the death of their queen, they fled. Britomart desperately wanted to find her beloved Artegall and began searching the city until she found where the knights were imprisoned. On entering, she was shocked to the core by what she saw.

Freeing the Defeated Knights

Every knight had been made to wear female clothing and forced to do female tasks. At last, she found Artegall, who had also suffered the same fate as the others. Seeing her, he turned his face away in shame. Quickly finding other garments, she made him and the others put these on, and soon, her husband looked like the man she knew him to be

They stayed in the city until Britomart had recovered from her wounds. During this time, she took control of the realm, changing the government and the ways of the Amazons and dispensing justice that Radigund had usurped. The people soon grew to love her, listened to her wisdom, and followed her teachings. She freed all the captured knights and made them city magistrates, making them swear loyalty to Artegall, the Knight of Justice.

Artegall, remembering his quest to save Lady Eirena from the villainous clutches of the tyrant Grantorto, told Britomart that it was his knightly duty to resume his adventure. Britomart knew he was obliged to complete the quest for the sake of his honour and reputation, and sorrowfully, she resigned herself to him leaving again.

The Role of Elizabeth I

4) Queen Elizabeth I – Formerly attributed to George Gower, Public domain, via Wikimedia Commons

Spencer needed to be careful how he presented Radigund with Elizabeth ruling England. He made a great effort to show the Amazon queen as a wicked oppressor who does not rule men by respect but weakens and subjugates them. In contrast, Britomart emancipates men, bolstering their masculinity and self-assurance of their role in society. The captive knights were uncomfortable and distressed when forced to wear female apparel, perceiving themselves to have lost masculinity, strength, and identity.

Britomart’s cross-dressing, wearing the armour of a male knight, was her choice, in contrast to Radigund’s enforced cross-dressing of the captive knights. Britomart appeared happy and comfortable in her chosen attire, and her personality shone out. She became one of the bravest, most formidable, and arguably one of the most swashbuckling knights in The Faerie Queene. However, having rescued the captive knights from the renegade Radigund, she seemed like the handmaiden of Elizabethan patriarchy, but there is a twist.

In doing so, she accomplished what the male knights could not. She restored the patriarchal order after the strong arms of the male knights had failed. It was she who returned the Amazons to the patriarchal system. Whereas Radigund represents renegade female power at war with Elizabethan patriarchy, Britomart is seen as the correct application of female power, enhancing, and protecting that same patriarchy.

The question for the reader – Which form of female power do you prefer?


© zteve t evans


References, Attributions and Further Reading

Copyright zteve t evans


Mythology and traditions of Rapa Nui

Rapa Nui is better known as Easter Island and is one of the most isolated populated places in the world. Situated in the south eastern Pacific Ocean around 4,000 kilometres from Chile, South America its nearest inhabited neighbour is Pitcairn Island 2,075 to the west.  There in the extreme isolation of the vast Pacific Ocean a unique and amazing civilization evolved that created the most wonderful giant statues and left behind a fascinating and mysterious legacy. Today the inhabitants of the island are known as the Rapanui. According to legend the original settlers named the island Te Pito Te Henua which translates as Navel of the World.

The lost land of Hiva

Rapa Nui mythology tells how the first settlers arrived on the island and later how the island was divided to be ruled by different clans whose chiefs were descended from a legendary chieftain called Hotu Matu’a.

The location of Hiva is not known for certain but it is thought likely that it was somewhere in the Marquesas Islands, some 3,200 km way, or the Gambier Islands, 2,600 km distant. It was shown in 1999, that it was possible to sail from Mangareva, in the Gambier Islands to Rapa Nui, using traditional Polynesian sea vessels in 19 days.

According to oral tradition Hotu Matu’a lived in a place called Marae Renga, which may have been an island in the region of Hiva, or a land location. According to some versions, Hiva was found in the Marquesas Islands but sunk beneath the sea after a natural disaster, possibly a volcanic eruption. It could have been this that drove Hotu Matu’a into making the arduous journey to Rapa Nui and pioneer a new life for his family and his people. Other oral traditions say that it was internal conflicts that drove him to seek a new way of life.

The dream of Hau-Maka

According to most versions of the legend of how the people came to Rapa Nui it was a priest called Hau-Maka who had a dream which he then told to Hotua Matu’a. In that dream Hau-Maka had flown out over the sea and discovered an island called Te Pito ‘o te Kāinga’, which means ‘the centre of the earth’ He then appeared to Hotu Matu’a in a dream to tell him this news. Hotu Matu’a believed the dream was his destiny and that of his people, so he sent out seven scouts in canoes to find this place. When they found it they ate and rested and planted crops of yams, and other plants on the new island so that when they returned with their King and people they would have something ready to eat.

Landing at Anakena beach

Oral tradition states that Hotu Matu’a and his people landed at Anakena beach in double hulled canoes similar to what Polynesians use to this day. From there they colonised the rest of the island which eventually was to be divided between his sons who went on to head their own clans.

The hanau eepe and the hanau momoko

Rapa Nui mythology tells that once two different ethnic groups lived together on the island. One group or tribe of people was called the hanau eepe. This term has been mistranslated as meaning ‘long-ears’ when it actually means ‘stout’ or ‘stocky.’ However one of the traits of the hanau eepe was that they inserted pebbles into their ear lobes causing them to elongate overtime. The other group was the hanau momoko. They did not practise ear elongation and kept their ears short, mistakenly becoming known as the ‘short-ears,’ when the term really means slender or thin.

Some experts think that the hanau eepe may have had higher status and were better fed than the hanau momoko who they thought were the workers or lower classes of their society. Other experts argue that the hanau epee came from South America and were an entirely different ethnic group from the hanau momoko who were of Polynesian origin and there is no agreed consensus among by the experts on this at the moment, other than to disagree with each other.

In some versions of the mythology the hanau epee arrived after the people of Hotu Matu’a and tried to enslave them. It was the hanau eepe who brought the stone-carving skills to Rapa Nui. In other versions the hanau eepe were already on the island when Hot Matu’a arrived. In yet other versions they came with Hotu Matu’a and had been defeated by him in a conflict in Hiva and he had brought them with him to work the land. Whatever the case, conflict again erupted between the two people resulting with the slaughter of all but one of the hanau eepe. His life was spared and he was said to have took a wife and had many descendants.

In 1722, the Dutch explorer, Jacob Roggeveen in 1722 gave the island its European name of Easter Island because he discovered it on Easter Day. In his accounts of his encounters with the islanders he records that there are two distinct ethnic groups. One group easily recognised as of Polynesian origin and the other group of white appearance with elongated earlobes, some to such an extent that they could be tied behind necks. He also records that some of the islanders were of large stature and this was also noted by Spanish explorers in 1770 who measured some of the inhabitants to be 196-199 cm tall.

South America or Polynesia?

There are arguments among the experts as to the origins of the Rapa Nui people. Some theories give Polynesia as their origins whereas others, notably by Thor Heyerdahl, the Norwegian ethnographer, who argued for South America. He cited the similarity of some of the stonework found on the island to that found in South America and also the cultivation of sweet potatoes and other plants that originated in South America. This raises the question of how the sweet potato came to Rapa Nui and other Polynesian islands suggesting some contact between Polynesians and South Americans. Whether this was one-way or two-way cannot be determined but the possibilities exist.

The Sweet Potatoes mystery

Sweet potatoes originate in South America but are found on Rapa Nui as well as other Polynesian islands. There are theories that they were washed off the South American landmass by heavy storms and floated to the islands where they took root, grew and were eventually cultivated by Polynesians.

There are also those see this as evidence of contact between South America and Polynesian cultures. They argue that either South Americans reached Polynesian islands, possible drifting on rafts of balsa wood and driven by currents to Polynesian islands. Once there they either lacked the knowledge or capacity to return against the currents, or did indeed manage a return trip taking back with them parts of Polynesian culture. Or Polynesians did arrive in the Americas and with their better navigational and boat building skills were equipped to make return journeys bringing back parts of American culture with them. The Mapuche Indians of southern and central Chile appear to have possible connections with Polynesians.

Motu Motiro Hiva

Situated 390 km east-northeast of Easter Island and 3,210 km west of Chile is Isla Salas y Gomez. In the language of Rapa Nui it is known as Motu Motiro Hiva or Manu Motu Motiro Hiva, which means ‘Bird’s islet on the way to a far away land.’ From Rapa Nui it points the way to mainland South America. Hive was the legendary land from which Hotu Matu’a is said to have originated and the similarity in name stand out, but there are also several other Polynesian islands part named ‘Hiva’ means ‘far away land,’ especially in the Marquesas Islands so it is difficult to draw conclusions.

With the great movement of the Polynesian people from island to island it may be a name for a previous island home, though there are those who argue that it points to South America as their original home. Either way it is inconclusive. The island was certainly known to the Rapa Nui and it is believed they used to visit at regular intervals to harvest eggs from the great colonies of sea birds that use the island for breeding and nesting. The island is surrounded by steep cliffs and rocks and Rapa Nui tradition says that it was made this way by MakeMake to protect the sea-birds.

The cult of the moai

Image

Author: Aurbina:- Moai at Rano Raraku, Easter Island

In its isolation over the centuries its people evolved a unique culture whose most visual manifestation is the huge stone statues called moai, that are found all around the island. Little is really known of their purpose or how they were made and moved into position by people who had only Stone-Age tools and implements at their disposal.

They are believed to have been representations of some of their most important forefathers and were part of a system of ancestor worship. Care needs to be taken with the word ‘worship’ as it does not necessarily mean the moai were revered as gods, or were deified.

In many forms of ancestor worship there was a symbiotic relationship between the realm of the living and the realm of the dead. It was the task of the living to provide for the needs of the dead in the afterlife in the form of offerings. In return the dead looked after the needs of the living ensuring, health, good fortune and fertility of land to grow food.

Most of the Moai were situated with their backs to the spirit kingdom of the sea looking inland to the realm of the living looking over the villages where the people lived.

MakeMake

In Rapa Nui mythology MakeMake, or sometimes written as Makemake, or Make-Make was the creator of humanity, god of fertility and god of the ‘Tangata manu’ or bird-man cult. He was frequently depicted in petroglyphs found on Rapa Nui. Along with MakeMake there were three other gods associated with the bird-man cult. They were Hawa-tuu-take-take who was the ‘Chief of the eggs’ his wife Vie Hoa and Vie Kanatea.

Tangata manu and the cult of the bird-man

Despite all the effort put into the creation and situating of the Moai the culture was abandoned and most of the statues pulled down. There seems to have been some kind of civil war which swept aside the cult of ancestor worship to replace it with what is known as the cult of the bird-man, though Make-Make was still retained as the chief god of the cult. The cause of the conflict is believed to have been over the diminishing natural resources of the island.

The bird-man cult existed, though with lesser importance during the era of the ancestor worship. In essence the bird-man cult appears to have centred on an annual ritualistic competition which decided which clan would win the rights to harvest the island’s birds and their eggs and also who would be Tangata-Manu or bird-man for the year.

The contestants were the prophets of the clans, known as ivi-attuas, who would appoint an individual known as Hopu, who had been revealed to them in dreams to represent them and their clan by competing in the race to bring back the first egg.

Just off Rapa Nui there lies a small islet called Motu Nui that was home to a colony of Sooty terns. Starting from the sacred cliff-top village of Orongo, the hopu would have to climb down the cliffs to the sea, swim across dangerous shark infested waters to reach Motu Nui, and then scale the cliffs there to find the first egg and return it unbroken to again swimming the seas and climbing the cliffs to Orongo. The task was arduous and dangerous and some competitors were killed in the process. The ivi-attuas would await the return of the hopu in Orongo.

The hopu who found the first egg was allowed to rest on Motu Nui until he was physically and spiritually ready to carry the egg safetly back to Orongo. The other hopu returned to Orongo with news of the winner to their waiting patrons. The winning patron shaved his head and painted it either red, or white.

When the winning hopu returned bearing the egg he would hand it to his patron who would then be declared Tangata-Manu. With the egg in his hand he would lead a procession from Orongo to the place where he would spend a five month residence. This would be Anakena if he was a member of the western clans or Rano Raraku if he was from a clan from the east of the island.

When he arrived at his place of residence he became ‘tapu’, or sacred for the next five months of the year long term and grew his fingernails without cutting them for the term and wore a headdress made of human hair and received a new name. He was allowed special privileges as well as gifts of food and tributes. His clan was awarded the sole rights to harvest the birds and their eggs from Motu Nui for that season. He would then spend the rest of his term in seclusion in a special ceremonial residence.

Celebrating the past, present and future

After the arrival of Catholic missionaries in the 1860s the cult was suppressed and subsequently went into decline. Unfortunately the Rapanui were to suffer devastating raids by slave traders which decimated their population and contact with Europeans brought smallpox and other diseases which nearly wiped them out completely.

In this way many of their leaders and wise men perished and with then went most of the knowledge of the past.

But the Rapanui people are resourceful and resilient and their population has increased again to more healthy levels. We will probably never know the secrets of their past or of their origins and the answers to the mysteries of Rapa Nui.

Nevertheless, lets us celebrate the past of this truly wonderful island and its people while congratulating them on their present achievements and wish them the best – the very best, for the future.

©  08/16/2012 zteve t evans

References and Attributions

This article was written and first published by zteve t evans on Wizzley 08/16/2012

Copyright 08/16/2012 zteve t evans

Natural Folklore: The Northern and Southern Lights

The Aurora Borealis, or Northern Lights

This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain.

The northern lights and the southern lights are natural phenomena that occur in the night skies over the polar regions of the planet. Today, we know they are caused by gas molecules in the atmosphere colliding with solar particles. This releases energy as light and creates colourful displays of light that display in fold-like shapes, streamers, rays, arches and many other amazing forms.

The northern lights are also known as ‘Aurora borealis’ and the southern lights as ‘Aurora australis.’ In Roman mythology Aurora was the goddess of the dawn, so Aurora borealis means ‘dawn of the north,’ and Aurora australis means dawn of the south.

They can be very beautiful and awe-inspiring and at the same time mysterious and even frightening. Many different cultural and ethnic groups who lived in places where they are seen have developed many myths and legends to try and explain and make meaning of them in their own terms.

The Fox-fires of Lapland

In the language of the Finnish people the northern lights are known as “Revontulet.” In English this means “Fox Fires” and comes from a very old Finnish myth which says that the lights were produced by magical snow foxes whose swishing tails sent snow spraying into the skies.

North of Finland, Norway and Sweden live the Lapp people in Lapland. This is a huge area within the Arctic Circle which ranges across parts of all three of these Scandinavian countries. The Lapps are closely related to the Finnish people. Their traditions say that the lights are the shining souls of the dead.

When the lights are in the skies people are expected to behave in a solemn and respectful way. Children were also expected to be solemnly too out of respect for the departed ones. To show disrespect would bring down bad luck, sickness and the risk of death.

The shamans of the Lapps painted runes representing the fires on their on their drums to help them attract and capture their magical energy. They were also believed that the lights had soothing powers over conflicts and arguments.

There was also a belief that if you whistled when the lights were active they would come to you and take you away with them.

The ride of the Valkiries

A red aurora of this magnitude is rare, and in this image it complements the green colour. Image taken at Hakoya island, just outside Tromsoe, Norway. October 25th, 2011 by photographer Frank Olsen

A red aurora of this magnitude is rare, and icomplements the green colour. Image taken Hakoya island, Norway. October 25th, 2011 by photographer Frank Olsen. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Norwegian folklore tells that they were the souls of old maids who danced and waved across the skies.

While in other parts of Scandinavia and Germany the belief was that it was the Valkiries who had taken to the air when the lights appeared.

In Scotland, which also has strong Norse links, the lights were sometimes referred to as “the merry dancers.”

Warriors battling in the skies

In other parts of the world the aurora borealis was believed to be heroes or warriors battling in the sky. In many places further from the Arctic and Antarctic Circles the lights are a rare occurrence and when they did appear they were seen as signs of coming war or sickness and were harbingers of doom.

Eskimo beliefs

Among some Eskimo tribes of Greenland the lights were connected with dancing. In some parts of Greenland the lights were thought top be the souls of children who had died at, or soon after birth.

In Labrador, young Eskimos believed the lights were the torches lit and carried by the dead as they played a kind of ball game in the skies with the skull of a walrus. They would dance as the lights played across the skies.

Spirits of animals

Aurora image taken at Hillesoy island, Norway. September 2011. Author Arctic light -Frank Olsen, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

In eastern parts of Canada, the Salteaus Indians, along with the Kwakiutl and Tlingit tribes of south eastern parts of Alaska the lights were thought to the spirits of humans. Tribes living along the Yukon River thought that the lights were the spirits of animals such as elk, deer, salmon, seal and whales.

While to some Native American tribes of Wisconsin, North America, they were a bad omen as they believed the lights were the ghosts of the enemies they had killed who were now seeking revenge.

Everlasting love

Many cultures around the world looked up at them and made their own meanings and stories to explain them but here the last word goes to the Algonquin Indians. They believed the northern lights were the fires of the great creator god, Nanahbozho. After creating the world he retired to the far north. There he builds great magical campfires which light up the northern skies to remind them of the everlasting love he holds towards them.

References
 Causes of Color - Legends and myths of the aurora Folklore
 Accessed 04 September 2013
 
this is FINLAND - Beliefs on indigenous people
 Accessed 04 September 2013
 
Aurora (astronomy) - From Wikipedia, the free encyclopedia

Sang Nila Utama and the Lion City of Singapore

Today Singapore is a thriving, bustling, modern, cosmopolitan city that is a meeting place for many people of different cultures and ethnicity. This provides a melting pot that exudes its own unique and vibrant character. It is a place where people live the multicultural experience to the full. Singapore is a major trading centre and plays an important part in the economies of the region and the rest of the world.  Presented here is a version of the legend of the founding of Singapore pieced together from different sources but mostly from the Malay Annals which is an important cultural text from Malaysia and registered with UNESCO’s Memory of the World programme.

487px-Crest_of_the_Singapore_Municipal_Commission,_Central_Fire_Station,_Singapore_-_20110505,_deskewed

Wikimedia Commons, Creative Commons Attribution-Share Alike 3.0

The legend of the Rise of Singapore

The Malay Annals are also known as The Sejarah Melayu and among other stories tell of the legend of how Singapore was founded by Sang Nila Utama, who was also known as Prince Niltanam, or Sri Tri Buana. He was the ruler of the Srivijaya Empire of Sumatra and his capital was Palembang.  According to the legend he was one of the princes who were believed to be descendants of Raja Iskandar Dzu’l-Karnain who was also known more commonly as Alexander the Great, the ruler of the great Macedonian Empire.  however some scholars dispute this.

The Quest of Sang Nila Utama

Sang Nila Utama decided he wanted to build a new city where he could live and rule. He set out to sea with a fleet of ships on a quest to find a suitable place. His ships visited many islands and coves around the coast of South Sumatra. Eventually he and his fleet arrived at the Riau Islands.

The  queen of the islands gave them a stately welcome and the he decided to rest his men for a few days on these most hospital of islands. For personal recreation he and his Chief Minister sailed to a neighbouring island to try their hand at hunting.

The Stag

They came across a stag or deer of some kind and immediately gave chase. The stag ran to the top of a small hill. Although the Prince and his Chief Minister were in hot pursuit, the animal disappeared fro sight. Looking around the summit of the hill the Prince found a large rock which he stood on in order to gain a better view of the countryside below. However, he could see no sign of the animal.

Finding the Island of Temasek

From his vantage point he could see out across the sea and there not far away was another island. On the island he could see a patch that was like shimmering white cloth. In fact it was a beautiful beach with fine white sand that was shimmering in the sunshine.

Calling to his Chief Minister he asked what the island was called. His Chief Minister told him the island was called Temasek. The prince decided that he wanted to visit the island so they returned to the ship and set sail for Temasek.

The Storm

While out in the open sea a great storm suddenly arose. Huge ways tossed the ship and it began taking in water. Soon the ship was in peril of sinking so the order was given to throw all heavy objects overboard. Still, huge waves assailed the ship and water poured into the hold.

At last, fearful the ship would sink, the captain advised Prince Sang Nila Utama that is was his grandfather, the Lord of the Sea, who was causing the storm. He urged the prince to throw his crown overboard as an offering to appease his grandfather’s rage.

The prince agreed and threw his crown into the sea. As the crown sank below the waves the storm abated and stopped, leaving the ship to safely reach Temasek. The ship found a secure anchorage at the mouth of what is today known as the Singapore River.

A Strange Beast

The prince decided he would explore the region while also hunting for game. Telling his Chief Minister to form a hunting party they began to make their way inland. All of a sudden the party came across a strange beast which none of them had seen before.

It had a black head, an orange body and a white neck and breast and was a very handsome animal. At the approach of the hunting party the animal disappeared swiftly into the jungle, where they could find no further trace of it.

Prince Sang Nila Utama asked his Chief Minister if he knew what the animal was called. The Chief Minister was unsure, but told the prince he thought it most likely that it was a lion.

A Good Omen

Although they had lost the animal the prince was pleased. He believed that its sighting was a good omen and he decided to build his new city on the island of Temasek. The Prince sent out to his homeland for help while he and his men remained on the island beginning their work in building the new city.

The Lion City

Prince Sang Nila Utama decided to call the new city “Singapura,” which means “Lion City” and it was founded in 1324. To gain international recognition of his new city state he established diplomatic links with China who recognised it in 1366. He ruled the Lion City for 48 years. When he died he was said to have been buried with his wife at the foot of Bukit Larangan, now known as Fort Canning Hill, though his remains have never been found.

What was the Creature they saw?

Modern studies indicate that lions have never inhabited the region. Many people think that the animal the princes and his men saw was actually a tiger. This is argued against by many on the grounds that tigers were fairly common in Southeast Asia and that the prince and his men would have had no problem identifying a tiger.

This gives weight to those who claim the animal was a mythical creature that resembled a lion, but was the guardian of the island of Temasek. What ever kind of creature it was the Prince was right in believing its sighting was an auspicious sign.

His Lion City grew and flourished to become one of the most important places in the region attracting many different people from many different ethnic and religious backgrounds. From its legendary beginnings it has become the busiest port in the world and also one of the most prosperous countries today.

Copyright zteve t evans

References and Attributions

Copyright zteve t evans